{"id":265,"date":"2014-03-17T13:22:47","date_gmt":"2014-03-17T17:22:47","guid":{"rendered":"http:\/\/sites.lsa.umich.edu\/lotz\/?page_id=265"},"modified":"2014-03-17T13:44:26","modified_gmt":"2014-03-17T17:44:26","slug":"chapters","status":"publish","type":"page","link":"https:\/\/sites.lsa.umich.edu\/lotz\/publications\/chapters\/","title":{"rendered":"Chapters"},"content":{"rendered":"

Book Chapters<\/b><\/h3>\n

Lotz, A. D. (2014). \u201cBuilding Theories of Creative Industry Managers: Challenges, Perspectives and Future Directions.\u201d In\u00a0Making Media Work: Cultures of Management in the \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Entertainment Industries<\/i>, edited by Derek Johnson, Derek Kompare, and Avi Santo (New \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 York: New York University Press).<\/p>\n

Lotz, A. D. (2013). \u201cKnowing Characters:\u00a0House\u00a0<\/i>and Narrative Complexity in Episodic \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Television.\u201d InHow to Watch TV<\/i>, edited by Jason Mittell and Ethan Thompson (New York: New York University Press).<\/p>\n

Lotz, A. D. and H. Newcomb. (2011). \u201cThe Production of Entertainment Media.\u201d\u00a0\u00a0In\u00a0A Handbook of Media and Communication Research,\u00a0<\/i>2nd<\/sup>\u00a0revised ed.\u00a0\u00a0Ed. Klaus Bruhn Jensen.\u00a0\u00a0New York: Routledge.<\/p>\n

Lotz, A. D. (2009). \u201cIndustry-Level Studies and the Contributions of Gitlin\u2019s\u00a0Inside Prime Time<\/i>.\u201d In\u00a0Production Studies: Cultural Studies of Media Industries<\/i>. Eds.\u00a0Vicki Mayer, Miranda Banks, and John Caldwell, New York and London: \u00a0Routledge, 2009. pp. 25-38.\u00a0Lotz, A. D. (2009). \u201cNational Nightly News in the On Demand Era.\u201d In\u00a0Beyond Prime Time: Television Programming in the Post-Network Era<\/i>. Ed. Amanda D. Lotz.\u00a0\u00a0New York: Routledge. pp. 94-113.<\/p>\n

Lotz, A. D.\u00a0\u00a0(2007). \u201cIf It is Not TV, What is It? The Case of U.S. Subscription Television.\u201d\u00a0\u00a0In\u00a0Cable Visions: Television Beyond Broadcasting<\/i>.\u00a0\u00a0Eds. Sarah Banet-Weiser, Cynthia Chris and Anthony Freitas.\u00a0\u00a0New York: New York University Press. pp. 85-102.<\/p>\n

Lotz, A. D. (2007). \u201cMust-See TV: NBC\u2019s Dominant Decades.\u201d\u00a0\u00a0In\u00a0NBC: America\u2019s Network<\/i>.\u00a0\u00a0Ed. Michele Hilmes.\u00a0\u00a0Berkeley: University of California Press. pp. 261-74.<\/p>\n

Lotz, A. D. (2007). \u201cTheorizing the Intermezzo: The Contributions of Postfeminism and Third Wave Feminism.\u201d\u00a0Third Wave Feminism: Expanded, 2nd<\/sup>\u00a0ed<\/i>. Eds. Stacy Gillis, Gillian Howe, and Rebecca Munford. London: Palgrave Macmillan. pp. 71-85.<\/p>\n

Lotz, A. D. (2006). \u201cIn Ms. McBeal\u2019s Defense: Assessing\u00a0Ally McBeal<\/i>\u00a0as a Feminist Text.\u201d\u00a0\u00a0InSearching the Soul of<\/i>\u00a0Ally McBeal:\u00a0Critical Essays<\/i>. Ed. Elwood Watson.\u00a0\u00a0Jefferson, NC:\u00a0McFarland & Co. pp. 139-59.<\/p>\n

Lotz, A. D. (2005). \u201cSegregated Sitcoms: The Separation of Black and White Comedy Images and Audiences.\u201d In\u00a0America Viewed and Skewed: Television Situation Comedies<\/i>.\u00a0\u00a0Eds. Mary M. Dalton and Laura R. Linder.\u00a0Albany: SUNY Press.\u00a0\u00a0pp. 139-50.<\/p>\n

Lotz, A. D. (2003). \u201cBarricaded Intersections:\u00a0Any Day Now<\/i>\u00a0and the Struggle to Examine Ethnicity AND Gender.\u201d\u00a0\u00a0In\u00a0Race\/Gender\/Media: Considering Diversity Across Audiences, Content, and Producers<\/i>. Ed. Rebecca Ann Lind.\u00a0\u00a0Boston: Allyn & Bacon. pp. 294-300.<\/p>\n

Haggins, B. and Lotz, A. D. (2007). \u201cHBO Comedy.\u201d\u00a0\u00a0In\u00a0The Essential HBO Reader<\/i>, Eds. Gary Edgerton and Jeffrey Jones.\u00a0\u00a0Lexington: University of Kentucky Press. pp. 151-71.<\/p>\n

Newcomb, H. and Lotz, A. D.\u00a0\u00a0(2002). \u201cThe Production of Media Fiction.\u201d\u00a0\u00a0In\u00a0A Handbook of Media and Communication Research<\/i>.\u00a0\u00a0Ed. Klaus Bruhn Jensen.\u00a0\u00a0New York: Routledge. pp. 62-77.<\/p>\n","protected":false},"excerpt":{"rendered":"

Book Chapters Lotz, A. D. (2014). \u201cBuilding Theories of Creative Industry Managers: Challenges, Perspectives and Future Directions.\u201d In\u00a0Making Media Work: Cultures of Management in the \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Entertainment Industries, edited by Derek Johnson, Derek Kompare, and Avi Santo (New \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":111,"featured_media":0,"parent":28,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-265","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/pages\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/users\/111"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":1,"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/pages\/265\/revisions"}],"predecessor-version":[{"id":266,"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/pages\/265\/revisions\/266"}],"up":[{"embeddable":true,"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/pages\/28"}],"wp:attachment":[{"href":"https:\/\/sites.lsa.umich.edu\/lotz\/wp-json\/wp\/v2\/media?parent=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}