“for when there’ll be remembering in our futures” by Philip James Shaw

[ prepositions no. 154 july 30 twenty twenty ]
for when there’ll be remembering in our futures
for your hope she’d said her daniel went to become a god for those
who’d never seen one hope’s daniel began with poison took a right
to their world and then left to the edge to escape her name’d been hope
told you from his sin to begin again hope’d said you know the promise
when in the record daniel screamed doom pending long before dooms
hadn’t bothered to make a difference had been pending for decades
with hope and him and the world and most everyone believed a part
of what her daniel said about doom about themselves or at least about 
a friend of a friend they knew and maybe if daniel hadn’t heard of any
of them before on the computers i prefer a radio her daniel said when
there’d been plenty of doom to go round on radio waves more every
day he’d bought a satellite he’d read articles on trusting your own dish
the people daniel could hear any minute of a day or hour after hour
so many how could daniel not have been forgiven to have forgotten
his hope she’d said we called them crocus to get her daniel to pipe
down about doom pending when any day now our daniel would stop
doom pushing when hope’d said to him in the record we called them
crocus to get daniel to pipe down daniel had said unfixed agfa
pusillanimous in response and hope would say any definition of color 
she could conjure but she always ended with how children bloomed
in soft devonshire air to shut him up before he went back to doom
peddling came after their shoe boxes hidden in rubber bins in concrete
shelters for years turned all halide ko dak silver and marry gold and 
hope would say the word marigold correctly daniel’d sang the words 
to keep from pounding colors in his mind he carved descriptions of
colors then blurted fu jee trans parency olive and daniel said es ex
seventy said to hope your fingerprints on the prints he said from when
the photo been taken turn meringue daniel said pole a roid for when
photographs went to die in boxes inside boxes they were not the color
of any day that’d ever even been on the day daniel pushed a red button
for each exposure you’d heard the stories he told again and again
of how he saved up allowances to run through a whole pack of twelve 
at a time on a leaf or a barn animals’ faces cows held most still
cows still made ghosts in light daniel said to hope at night at the end
not in the record at all she held his hand put it on her thigh maybe like
that real day the color of the full eclipse she’d said in the record before
the end and daniel remembered the hippies and the children scientists
and the people who just wanted to drink on a tailgate how they had all
driven north all had come together in open spaces not too long before
all had needed to stay apart that day the light was like an es ex seventy
for hours daniel said but he remembered time wrong the eclipse of
twenty seventeen only lasted for a little over two minutes where they’d
been and he said hippies and children scientists wouldn’t have come
this far for only two minutes daniel argued into the dark beneath their
ceiling hope had started it and it was all day the light like that and
the grind of the motor of a polaroid sx-70 came from his mouth when
he’d become hungry only every few days there at the end daniel didn’t
eat much but when he ate he ate cheese any kind of cheese and soda
crackers whole plastic sleeves of them at a time called saltines then
without bothering to wash them down he liked to make a mush of
them in his mouth the crumbs all the way down the front of his shirt
and he’d spit out sound of a polaroid camera from decades before
powered by a battery in each package of twelve he explained to hope
over and over and he never felt ready between what images others
framed to put on walls each year to mark time passing at the end not in
the record he’d begun scribbling notes on what to burn and what jay
pegs and jifs and es vee gees to bundle a man he’d met on the short
wave told me galactic intelligent life forms prefer es vee gees and
notes on what came next to delete he’d wanted to leave behind too less
for anyone to need worry about how memories made him feel older
each day bad ones on his fingernails and hair daniel wanted only
the good of him the less the better made available for our galactic
intelligent forms for when we found him in the record there’d been
only dozens of photos of his cows and flowers and clouds and hope’d
seen daniel delete their wedding photos russians won’t make us
avatars or eh eye daniel’d been heard talking at the end about artificial
intelligence over and over again to the postal workers hope’d already
felt she didn’t have enough good ones to remember him by what’d
been hard to remember the bad ones not bad enough to not want to
have no photos left daniel felt we were poisoning the future with our
past us and she tried to see his point and there’d come time when
daniel finally passed hope had dreamt of when and how only the day
before she’d put all of themselves with a password all of her own on
a cloud even the ones he didn’t like daniel couldn’t been mad at hope
for what he couldn’t know at the end before afterward she could
apologize in heaven about what she cared for after when hope stopped
blaming him done with believing his blaming of clouds for being
clouds.

Philip James Shaw creates communications on behalf of organizations dedicated to equity and access in health and education. They write and paint and live with their partner and dog child in Port Townsend, Washington. Find more of their work at PhilipJamesShaw.com.

Published
Categorized as Issue Ten