May 2014 – Page 2 – Michigan Quarterly Review

May 2014

“Indian Pipe,” by G.C. Waldrep

poetry by G. C. Waldrep, excerpted from MQR 53:2, Spring 2014

I came to love late,

as in a forest clearing

one walks at dusk

& spies, in the

needlemass, that

pale clump, un-

suspected, not there

just a few hours

before: indian pipe,

“Indian Pipe,” by G.C. Waldrep Read More »

poetry by G. C. Waldrep, excerpted from MQR 53:2, Spring 2014

I came to love late,

as in a forest clearing

one walks at dusk

& spies, in the

needlemass, that

pale clump, un-

suspected, not there

just a few hours

before: indian pipe,

MQR 53:2 | Spring 2014

Linda Frazee Baker discovers Dwarka, Chris Kempf goes on the worst first date of his OkCupid career, Rav Grewal-Kök experiences a moment of truth in Vang Vieng, Michael Kobre wonders what’s happened to all the superheroes, Asraf Rushdy muses about writing a trilogy on lynching.

Fiction by Nan Byrne, S. P. Donohue, Janis Hubschman, Courtney Sender, Brian Short, Ruvanee Vilhauer.

Poetry by Susan Hutton, Jacques Rancourt, Corrina Schroeder, G. C. Waldrep.

MQR 53:2 | Spring 2014 Read More »

Linda Frazee Baker discovers Dwarka, Chris Kempf goes on the worst first date of his OkCupid career, Rav Grewal-Kök experiences a moment of truth in Vang Vieng, Michael Kobre wonders what’s happened to all the superheroes, Asraf Rushdy muses about writing a trilogy on lynching.

Fiction by Nan Byrne, S. P. Donohue, Janis Hubschman, Courtney Sender, Brian Short, Ruvanee Vilhauer.

Poetry by Susan Hutton, Jacques Rancourt, Corrina Schroeder, G. C. Waldrep.

First Films: P.T. Anderson’s “Hard Eight”

* Eric McDowell *

In fact it makes more sense I think to speak of P.T. Anderson’s worlds, in the plural—a variety not only of specific places and times but also of narrative, formal, and stylistic choices and strategies.

First Films: P.T. Anderson’s “Hard Eight” Read More »

* Eric McDowell *

In fact it makes more sense I think to speak of P.T. Anderson’s worlds, in the plural—a variety not only of specific places and times but also of narrative, formal, and stylistic choices and strategies.

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