Bryan Byrdlong – Michigan Quarterly Review

Bryan Byrdlong

Bryan Byrdlong is a Haitian/African-American writer from Chicago, Illinois. He is currently an MFA candidate in poetry at the Helen Zell Writers’ Program and received his BA in English/Creative Writing from Vanderbilt University. At Vanderbilt, he was the co-recipient of the Merrill Moore Award for Poetry upon graduation. His work has appeared in the Nashville Review and Heavy Feather Review. He is presently writing poems about Chicago and zombies. You can find him on Instagram at @b___rye.

Graham Barnhart headshot aside his book The War Makes Everyone Lonely

The War as Urban / Wilderness: A Review of The War Makes Everyone Lonely by Graham Barnhart

In a time where lies about the Afghanistan war are just coming to light, this book of poetry is a refreshing breath of truth that avoids romanticism and offers, at times, a subtle yet searing critique.

The War as Urban / Wilderness: A Review of The War Makes Everyone Lonely by Graham Barnhart Read More »

In a time where lies about the Afghanistan war are just coming to light, this book of poetry is a refreshing breath of truth that avoids romanticism and offers, at times, a subtle yet searing critique.

“A Field of Flowers Called Paintbrushes:”  A Review of Jericho Brown’s The Tradition

Tradition The Tradition, Jericho Brown’s first book of poetry since his award winning The New Testament was released in 2014, is nothing short of a transcendent collection. Part ethnography and part odyssey, it explores in three sections, themes of masculinity, sexuality, and race utilizing “tradition;” here a refreshingly multifaceted conceit as a method of delivery.

“A Field of Flowers Called Paintbrushes:”  A Review of Jericho Brown’s The Tradition Read More »

Tradition The Tradition, Jericho Brown’s first book of poetry since his award winning The New Testament was released in 2014, is nothing short of a transcendent collection. Part ethnography and part odyssey, it explores in three sections, themes of masculinity, sexuality, and race utilizing “tradition;” here a refreshingly multifaceted conceit as a method of delivery.

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