Cameron Finch – Michigan Quarterly Review

Cameron Finch

Cameron Finch’s writing has appeared in Entropy, Glass Poetry, and Queen Mob’s Teahouse, among others. Her interviews with authors, artists, and indie presses can be found in The Adroit Journal, Michigan Quarterly Review, The Rumpus, Electric Literature, and BUST. Find her online at ccfinch.com or on Twitter @_ccfinch_.

b&w headshot of Yelena Moskovich aside her bright blue book cover of "Virtuoso"

“Eyebrows Like Her Name”: An Interview with Yelena Moskovich

Cameron Finch and Yelena Moskovich sit down to discuss conformity, rebellion, post-soviet diaspora, the textures of ideology, writing queer desire, the trauma of flight, and much more.

“Eyebrows Like Her Name”: An Interview with Yelena Moskovich Read More »

Cameron Finch and Yelena Moskovich sit down to discuss conformity, rebellion, post-soviet diaspora, the textures of ideology, writing queer desire, the trauma of flight, and much more.

Twelve Archipelago Books lined up 6 x 2

Creating New Worlds with Language: An Interview with Emma Raddatz of Archipelago Books

In this latest installment of our Small Press Series for MQR Online, Archipelago’s editorial and development associate Emma Raddatz shares the ins and outs of working at a small press, why translations are so necessary in the American literary landscape, and recommends upcoming titles from the Archipelago catalogue.

Creating New Worlds with Language: An Interview with Emma Raddatz of Archipelago Books Read More »

In this latest installment of our Small Press Series for MQR Online, Archipelago’s editorial and development associate Emma Raddatz shares the ins and outs of working at a small press, why translations are so necessary in the American literary landscape, and recommends upcoming titles from the Archipelago catalogue.

Resurrecting Walter Benjamin’s Archival Spirit: An Interview with Frances Cannon

“Work on good prose has three steps: a musical phase when it is composed, an architectonic one when it is built, & a textile one when it is woven.” These words come from the brain of 20th-century philosopher and cultural critic, Walter Benjamin. But they’ve been reimagined by Vermont-based artist and author Frances Cannon. In

Resurrecting Walter Benjamin’s Archival Spirit: An Interview with Frances Cannon Read More »

“Work on good prose has three steps: a musical phase when it is composed, an architectonic one when it is built, & a textile one when it is woven.” These words come from the brain of 20th-century philosopher and cultural critic, Walter Benjamin. But they’ve been reimagined by Vermont-based artist and author Frances Cannon. In

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