Cameron Finch – Page 4 – Michigan Quarterly Review

Cameron Finch

Cameron Finch’s writing has appeared in Entropy, Glass Poetry, and Queen Mob’s Teahouse, among others. Her interviews with authors, artists, and indie presses can be found in The Adroit Journal, Michigan Quarterly Review, The Rumpus, Electric Literature, and BUST. Find her online at ccfinch.com or on Twitter @_ccfinch_.

On “Daybed”: An Interview with Zach Savich

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“One thing I did while writing this book was to try to imagine what it would mean if this world—with all its horrors, sufferings, reasons to turn away—were Paradise. That’s not a logical thought or a purely “positive” one. Among other places, it took me to Blake, in whose work affirmation and annihilation often mix.”

On “Daybed”: An Interview with Zach Savich Read More »

“One thing I did while writing this book was to try to imagine what it would mean if this world—with all its horrors, sufferings, reasons to turn away—were Paradise. That’s not a logical thought or a purely “positive” one. Among other places, it took me to Blake, in whose work affirmation and annihilation often mix.”

Finding Yourself in Translation

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The practice of learning new languages is a humbling exercise. The act transports you back to your toddler self, vulnerable to mistakes; at once you are morphed into a Socratic state of awareness that you have so much more to learn.

Finding Yourself in Translation Read More »

The practice of learning new languages is a humbling exercise. The act transports you back to your toddler self, vulnerable to mistakes; at once you are morphed into a Socratic state of awareness that you have so much more to learn.

All These Little Landscapes: An Interview with Roanna Wells

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“I love the act of repetition. Maybe it feels like a meditation of sorts, but I’m also interested in simplifying a technique down to a single mark or color, so as to allow space for the viewer to interpret the feeling, or to let a concept emerge if that’s what is intended.”

All These Little Landscapes: An Interview with Roanna Wells Read More »

“I love the act of repetition. Maybe it feels like a meditation of sorts, but I’m also interested in simplifying a technique down to a single mark or color, so as to allow space for the viewer to interpret the feeling, or to let a concept emerge if that’s what is intended.”

On “TITLE 13”: An Interview with Michael A. Ferro

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“To that effect, I think what compels me to write stories is the simple act of getting them out of my head. In an effort to become better people, we’re always trying to make sense of our past or some trauma that we suffered through, and for many, we use art and creativity to do this.”

On “TITLE 13”: An Interview with Michael A. Ferro Read More »

“To that effect, I think what compels me to write stories is the simple act of getting them out of my head. In an effort to become better people, we’re always trying to make sense of our past or some trauma that we suffered through, and for many, we use art and creativity to do this.”

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