Cameron Finch – Page 6 – Michigan Quarterly Review

Cameron Finch

Cameron Finch’s writing has appeared in Entropy, Glass Poetry, and Queen Mob’s Teahouse, among others. Her interviews with authors, artists, and indie presses can be found in The Adroit Journal, Michigan Quarterly Review, The Rumpus, Electric Literature, and BUST. Find her online at ccfinch.com or on Twitter @_ccfinch_.

The Writer’s Playground

The very first night as we sip our muse-inducing elderflower wine, Alexander Weinstein, founder of the Institute, opens the door of the conference room to symbolically cast out our inner critics — those editorial voices in our heads who tell us we’re not good enough, who bring us down, who impose self-doubt.

The Writer’s Playground Read More »

The very first night as we sip our muse-inducing elderflower wine, Alexander Weinstein, founder of the Institute, opens the door of the conference room to symbolically cast out our inner critics — those editorial voices in our heads who tell us we’re not good enough, who bring us down, who impose self-doubt.

Curating Literati Cultura: An Interview with Hilary Gustafson

“We’ve so enjoyed this process already—selecting books, working with publishers, authors, Wolverine Press, and assembling these unique collections. Our goal is simply to keep the program going, grow our subscriber base, and continue to provide signed first editions of the books we believe in.”

Curating Literati Cultura: An Interview with Hilary Gustafson Read More »

“We’ve so enjoyed this process already—selecting books, working with publishers, authors, Wolverine Press, and assembling these unique collections. Our goal is simply to keep the program going, grow our subscriber base, and continue to provide signed first editions of the books we believe in.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister

“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

Sharing the Pain, Sharing the Process: An Interview with Keith Lesmeister Read More »

“I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.”

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