Wait Till Donald Trump Buys the Whitney
In an artworld so clearly molded and regulated to serve the needs of the dominant and most privileged sectors of our society and their ways of doing business-the same sectors which benefit from the perpetuation of major conflicts of national, class, race and gender interests-what are the possibilities for oppositional, critical practices to assert themselves and be received?
Wait Till Donald Trump Buys the Whitney Read More »
In an artworld so clearly molded and regulated to serve the needs of the dominant and most privileged sectors of our society and their ways of doing business-the same sectors which benefit from the perpetuation of major conflicts of national, class, race and gender interests-what are the possibilities for oppositional, critical practices to assert themselves and be received?
