Of Silence and Song doesn’t just reward close, attentive reading. In fact, it demands it. Of Silence and Song is a highly lyric book, advancing a series of impressions rather than the march of a central, tightly reasoned argument.
Confessional poetry—particularly work that deals with the end of a relationship—is exceptionally tricky to pull off without coming across as navel-gazing and self-centered. Edith, however, is a remarkable work of pathos, using the inward gaze to illuminate both the self and everything around that self.