Lillian Li – Page 3 – Michigan Quarterly Review

Lillian Li

Lillian Li is the author of the novel Number One Chinese Restaurant, which was longlisted for the Women’s Prize, the Center for Fiction’s First Novel Prize, and an NPR Best Book of 2018. Her work has been published in the New York Times, Granta, One Story, Bon Appetit, and Jezebel. Originally from the D.C. metro area, she lives in Ann Arbor, where she works at Literati Bookstore.

Reading on Purpose: Finding Duds, Gems, and Books Worth Recommending

It has been a full decade since I’ve read a book of my own, singular choosing. What I mean is that every book I’ve cracked open and read in the past ten years has been read because of some friend, colleague, teacher; some review, prize, or list; some class, job, or writing goal dictated that the book was a must-read. The last book I read was a Man Booker finalist, the one before that was written by an old professor of mine, and the one before that had been both on the New York Times Bestseller list for weeks and adapted into a movie. The books on my to-read list are just as semi-known, semi-vetted. Don’t misunderstand — I still read widely (in fiction, at least), and I don’t feel constricted by the focus recommended reading gives me. But I also can’t stop thinking of how I used to read. Wildly, haphazardly, with no safety net.

Reading on Purpose: Finding Duds, Gems, and Books Worth Recommending Read More »

It has been a full decade since I’ve read a book of my own, singular choosing. What I mean is that every book I’ve cracked open and read in the past ten years has been read because of some friend, colleague, teacher; some review, prize, or list; some class, job, or writing goal dictated that the book was a must-read. The last book I read was a Man Booker finalist, the one before that was written by an old professor of mine, and the one before that had been both on the New York Times Bestseller list for weeks and adapted into a movie. The books on my to-read list are just as semi-known, semi-vetted. Don’t misunderstand — I still read widely (in fiction, at least), and I don’t feel constricted by the focus recommended reading gives me. But I also can’t stop thinking of how I used to read. Wildly, haphazardly, with no safety net.

The Unbearable Newness of Staying

It can be hard, coming out of a three-year MFA program, to look around and realize it was all temporary. Even as I’ve decided to commit to Ann Arbor for one more year, to the apartment I’ve been in for two years, to teaching at the university that bequeathed me my degree, all around me my people are deciding to leave. I don’t feel left behind so much as I feel that my landscape is evaporating, the Ann Arbor I’d signed up for no longer the Ann Arbor that remains.

The Unbearable Newness of Staying Read More »

It can be hard, coming out of a three-year MFA program, to look around and realize it was all temporary. Even as I’ve decided to commit to Ann Arbor for one more year, to the apartment I’ve been in for two years, to teaching at the university that bequeathed me my degree, all around me my people are deciding to leave. I don’t feel left behind so much as I feel that my landscape is evaporating, the Ann Arbor I’d signed up for no longer the Ann Arbor that remains.

How Do You Recommend a Favorite Book?

I had forgotten that I was allowed to talk about my feelings when recommending a book. Not just allowed, but encouraged. Not that I wasn’t “allowed” to talk about how a book made me feel when surrounded by other writers or students; it just seemed that one’s feelings were beside the point. Yes, yes, this book made you feel happy, the characters made you feel like you knew them, but why did it make you feel that way? My further education was always trying to break me out of this mold of feeling without thinking.

How Do You Recommend a Favorite Book? Read More »

I had forgotten that I was allowed to talk about my feelings when recommending a book. Not just allowed, but encouraged. Not that I wasn’t “allowed” to talk about how a book made me feel when surrounded by other writers or students; it just seemed that one’s feelings were beside the point. Yes, yes, this book made you feel happy, the characters made you feel like you knew them, but why did it make you feel that way? My further education was always trying to break me out of this mold of feeling without thinking.

The Power of Voice in the Case for Audiobooks

Audiobooks obviously rely heavily on voice. And so it is voice that can lift an audiobook well beyond the reaches of the actual book. Voice can be divided into two schools: the school of multiple voices and the school of one, charismatic voice. While the most well known example of the first school is Jim Dale, who read for the Harry Potter series, embodying a wholly unique voice for each character in the series—a number that easily clocks into the hundreds—the major player in my audiobook days was Johanna Parker, who read for the steamy, thrilling Sookie Stackhouse Southern Vampire Mystery series.

The Power of Voice in the Case for Audiobooks Read More »

Audiobooks obviously rely heavily on voice. And so it is voice that can lift an audiobook well beyond the reaches of the actual book. Voice can be divided into two schools: the school of multiple voices and the school of one, charismatic voice. While the most well known example of the first school is Jim Dale, who read for the Harry Potter series, embodying a wholly unique voice for each character in the series—a number that easily clocks into the hundreds—the major player in my audiobook days was Johanna Parker, who read for the steamy, thrilling Sookie Stackhouse Southern Vampire Mystery series.

The Year of the Goat

I cut the string a few days after the Chinese New Year welcomed in the Year of the Monkey. I waited the extra days because I was tentative about cutting something that had been with me for an entire year, something so passive-aggressively attached. I didn’t think the cutting would hurt—the attachment didn’t go that far. But I did wonder what I would do with the string once it was no longer a part of me. I felt as though I couldn’t throw the string away, and yet to keep the ratty thing was also unappealing. The string was an accumulation of time, had gathered the experiences of that year more accurately, and certainly less ostentatiously than any journals I’d kept, any reflections I was attempting to write.

The Year of the Goat Read More »

I cut the string a few days after the Chinese New Year welcomed in the Year of the Monkey. I waited the extra days because I was tentative about cutting something that had been with me for an entire year, something so passive-aggressively attached. I didn’t think the cutting would hurt—the attachment didn’t go that far. But I did wonder what I would do with the string once it was no longer a part of me. I felt as though I couldn’t throw the string away, and yet to keep the ratty thing was also unappealing. The string was an accumulation of time, had gathered the experiences of that year more accurately, and certainly less ostentatiously than any journals I’d kept, any reflections I was attempting to write.

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