I imagine a conversation between the two I’d just missed before the photo was taken, possibly right before one takes a sip, and the other takes a bite. The conversation might have been similar to one I’d had with my own mother, where I, as a teenager, asked questions expecting that—maybe this time—I would feel satisfied with her answers.
I believe that we are all born artists. I know that you are a better artist when you are a scientist and that you are a better scientist when you are an artist. You can combine imagination with information.
In an artworld so clearly molded and regulated to serve the needs of the dominant and most privileged sectors of our society and their ways of doing business-the same sectors which benefit from the perpetuation of major conflicts of national, class, race and gender interests-what are the possibilities for oppositional, critical practices to assert themselves and be received?
As a child I’d ask my father
why though still awake
he closed his eyes.
Former Curator of University of Michigan’s Museum of Art, Pam Reister, writes on the Cuban artist Emilio Sánchez, who is the cover artist of Michigan Quarterly Review’s current Summer 2019 issue. Emilio Sánchez was born into one of Cuba’s most prominent families. He lived in