An Act of Love from the Dream to Hamilton: Diana Hamilton’s “The Awful Truth”
“The brilliance of her engagement with this simple structure is an honesty as to composition’s value, or at least, the ways we ordinarily conceive of its value.”
“The brilliance of her engagement with this simple structure is an honesty as to composition’s value, or at least, the ways we ordinarily conceive of its value.”
* Kaveh Bassiri *
“The most disgusting film I ever made.”
Rainer Werner Fassbinder on Why Does Herr R. Run Amok?
When I was an undergrad at Santa Clara University, I took buses to San Francisco to see foreign movies. I remember rushing into a double-bill of Rainer Werner Fassbinder films. During the first movie, Why Does Herr R. Run Amok? (1970), I had to go to bathroom. I thought nothing important is going to happen, so I went.
One afternoon last week, on vacation in British Columbia with my family, my boyfriend and I slipped away from the boozing and card playing for a quick visit to the Vancouver Art Gallery. We arrived at the museum shortly before closing and walked into the first gallery we saw, a small dark room where we found Fiona Tan’s 21-minute, two-channel video installation Rise and Fall (2009). I loved it.