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craft

Abject Horror: The Gratuitous Honesty of Hanya Yanagihara and Stephen King

We don’t owe it to anyone to make our writing nice, or easy, or palatable. Maybe we should start asking ourselves who we’re protecting when we pan away, and why we’re protecting them.

Abject Horror: The Gratuitous Honesty of Hanya Yanagihara and Stephen King Read More »

We don’t owe it to anyone to make our writing nice, or easy, or palatable. Maybe we should start asking ourselves who we’re protecting when we pan away, and why we’re protecting them.

On Not Writing

I had just enough experience working with teenagers to know they’re merciless bullshit detectors. I also remembered how my classmates and I had treated some of our teachers—teachers who would now be my colleagues.

On Not Writing Read More »

I had just enough experience working with teenagers to know they’re merciless bullshit detectors. I also remembered how my classmates and I had treated some of our teachers—teachers who would now be my colleagues.

“Four Voyages,” by Andrea Barrett

Sometimes, not often, I’ve found the writing of a story or a novel to resemble Nansen’s smooth and well-planned voyage. Sometimes I know, roughly, where I’m going; sometimes I can also guess the routes by which I might reach that destination. Usually, though, my experience has more closely resembled that of the hapless souls aboard the Tegetthoff.

“Four Voyages,” by Andrea Barrett Read More »

Sometimes, not often, I’ve found the writing of a story or a novel to resemble Nansen’s smooth and well-planned voyage. Sometimes I know, roughly, where I’m going; sometimes I can also guess the routes by which I might reach that destination. Usually, though, my experience has more closely resembled that of the hapless souls aboard the Tegetthoff.

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