Seventy years after the fall of Nazi Germany, it is startling to witness a resurgence of the fear of an enemy within. Europe’s future hinges on how this issue is resolved.
Three days ago, as I was driving past the palace, I could already see right through it.
SELMA ASOTIĆ is a bilingual poet from Sarajevo. Her poems have appeared or are forthcoming in EuropeNow, The Well Review, and Tinderbox Poetry Journal. She is the co-founder and co-editor of BONA, a Sarajevo-based magazine for feminist theory and art. She is currently pursuing an
We are now open for general submissions and submissions for our special issue reflecting on the 30 years since the fall of the Berlin Wall. Submissions for the Print Journal: Regular submissions for the print journal are accepted from January 15 to April 15, and
* Jeremy Allan Hawkins *
This is Strasbourg cathedral’s 1000th year, the first stone in its foundation having been laid in September of 1015 CE, and as the city begins a year of celebrations, it seems appropriate to meditate. Its lengthy tenure has seen world shaking events come and go. The cathedral survived two world wars and even some of the ordinance exploded during them. It survived the French revolution and it survived the Protestant reformation, which in another universe might have scoured its façade of all ornament. These events, and so many more, have swept past like the river sweeps past the city center and its vestiges of long-departed industry. The longevity of the cathedral, with all it has outlasted, feels almost eternal.