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Tag Archives: Filmmaking

Killing :: kogonada

Not long after reading David Shields’s Reality Hunger: A Manifesto, still high on its rallying cry for emotion over narrative, concision over Great American Novel bloat, I came across :: kogonada’s work. In his visual essays I discovered the cinematic version of what Shields called “the folk tradition in action: finding new uses for things by selecting the parts that move you and discarding the rest.”

The Speed of Nature: Ben Rivers’ Two Years at Sea

by Nicholas Johnson

Ben Rivers’ Two Years at Sea is a portrait of Jake, a man who lives a lone subsistence lifestyle in the wilds of Scotland. Rivers’ film is a silent plotless meditation on life at a different pace and begs of the cinema goer a different kind of attention. A piece of contemporary romanticism, filmed on old equipment, removed from society, almost anthropological in its depiction of a human who moves at the speed of nature.