KUSHA SEFAT – Michigan Quarterly Review

KUSHA SEFAT

The End of Romanticism in Tehran

I must have been about ten when my mother and I were called into a cubicle at the American embassy in India, where we had traveled from Iran as part of our visa application, and in light of the absence of diplomatic relations between Tehran and Washington. The official, whom I only recall to have […]

The End of Romanticism in Tehran Read More »

I must have been about ten when my mother and I were called into a cubicle at the American embassy in India, where we had traveled from Iran as part of our visa application, and in light of the absence of diplomatic relations between Tehran and Washington. The official, whom I only recall to have

Meet Our Contributors, MQR Spring 2019, Special Issue on Iran

Purchase MQR 57:6 (Spring 2019) — our special issue on Iran — in print or as a downloadable PDF. ___________________________________________________________________________________ SALAR ABDOH |THE ALCOVE | translation, |LIES, FAME, MEMORY, ILLNESS, AND THE THEATER OF REZA ABDOH | essay, |BEDTIME | translation, |THE INGRID BERGMAN PRINCIPLE | translation SALAR ABDOH is the author of the novels The Poet Game, Opium,

Meet Our Contributors, MQR Spring 2019, Special Issue on Iran Read More »

Purchase MQR 57:6 (Spring 2019) — our special issue on Iran — in print or as a downloadable PDF. ___________________________________________________________________________________ SALAR ABDOH |THE ALCOVE | translation, |LIES, FAME, MEMORY, ILLNESS, AND THE THEATER OF REZA ABDOH | essay, |BEDTIME | translation, |THE INGRID BERGMAN PRINCIPLE | translation SALAR ABDOH is the author of the novels The Poet Game, Opium,

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