The feat of the poet to narrate their own departure from this conscious earth is rare and poignant. As distorted and masticated as the imagery is, Ritvo is a reliable guide, treading equally the known world, the unknown, and the ethereal.
The after-effect of the force of the archive is a kind of ghosting: it hints too uncannily at history reified, at history returned to the present. The voice is physically indexed, it leaves a residue in a way it simply can’t in the ordination of the library. Nowhere can one feel this more than in the archives of poetry read aloud, that most ephemeral event.
by Claire Skinner
How hard it’s been, winter. Putting on our hats and coats and long-johns and gloves and scarves and mittens. Paying the heating bill. Slipping on black ice. Trudging to work before the half-hearted sun comes up. Of course, there have been some pleasures (full moons over snow, red wine), but, by March, aren’t we through with all that? Aren’t we ready for something else entirely: some softening, some respite, some real warmth?