I’m writing this on Monday the 16th. I hear a motor outside; is it them? I write because I want these things to be known. If something should happen to me, it’s important that people know what happened and how.
Salar Abdoh’s essay, “Lies, Fame, Memory, Illness, and the Theater of Reza Abdoh,” first appeared in Michigan Quarterly Review‘s Spring 2019 Special Issue on Iran. My brother, Reza, was always pissed off at me, as he often had to bail me out of tough situations.
Today we visit the Archives to read this tesoro: writing lessons from Gabriel García Márquez, as remembered by Elias Miguel Muñoz in Michigan Quarterly Review, Winter, 1995. _______________________________________________________________________________________________________ To Don Rob: “There is nothing more dangerous than a written memory.” Gabriel García Márquez, The General in
“While my writing is autobiographical, I don’t feel beholden to the facts because I’m using the materials of my life to create a story. The purpose is not to tell people that this is what happened, nor should people read my work in order to find out about my life. I want people to read these essays as works of literature, stories.”
Of Silence and Song doesn’t just reward close, attentive reading. In fact, it demands it. Of Silence and Song is a highly lyric book, advancing a series of impressions rather than the march of a central, tightly reasoned argument.