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Music

Nothing Personal: Some Notes on Cage

When Cage began experimenting with chance operations in the 1940s, he was looking for a means of stripping intention and taste from the process of creating art. In the Western world, our notion of “genius,” at least as it relates to artists and performers, is generally shaped by a psycho-historical method of decoding biography to discover the seed of ability.

Nothing Personal: Some Notes on Cage Read More »

When Cage began experimenting with chance operations in the 1940s, he was looking for a means of stripping intention and taste from the process of creating art. In the Western world, our notion of “genius,” at least as it relates to artists and performers, is generally shaped by a psycho-historical method of decoding biography to discover the seed of ability.

Of Artichokes and Lightning Bolts

In the arts, repetition put to smart use bears fruit almost instantly. Take a phrase of music or a line of poetry and read it, hum it, then repeat it. Again and again. Crack the circle open and you find a spiral, spinning, a single pattern among many.

Of Artichokes and Lightning Bolts Read More »

In the arts, repetition put to smart use bears fruit almost instantly. Take a phrase of music or a line of poetry and read it, hum it, then repeat it. Again and again. Crack the circle open and you find a spiral, spinning, a single pattern among many.

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MQR 49:4 | Fall 2010

Growing up Motown—a special section on Motown explores how artists such as Stevie Wonder and Michael Jackson grew up within Motown Records, and how the company itself emerged in Detroit to become one of the most distinctive cultural industries of the twentieth century.

MQR 49:4 | Fall 2010 Read More »

Growing up Motown—a special section on Motown explores how artists such as Stevie Wonder and Michael Jackson grew up within Motown Records, and how the company itself emerged in Detroit to become one of the most distinctive cultural industries of the twentieth century.

“Where Did Our Love Go? Contemplating the Life and Death of Motown and the Motor City,” by Suzanne E. Smith

In the conclusion of my book Dancing in the Street: Motown and the Cultural Politics of Detroit, I described the fanfare that surrounded the fortieth anniversary of Motown Records, which included a commemorative compact disc boxed set, an ABC­TV documentary miniseries, and a special Motown half­time show at the Super Bowl.

“Where Did Our Love Go? Contemplating the Life and Death of Motown and the Motor City,” by Suzanne E. Smith Read More »

In the conclusion of my book Dancing in the Street: Motown and the Cultural Politics of Detroit, I described the fanfare that surrounded the fortieth anniversary of Motown Records, which included a commemorative compact disc boxed set, an ABC­TV documentary miniseries, and a special Motown half­time show at the Super Bowl.

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