Franz Kafka’s workout regimen, the linguistic history of ‘garbage person,’ classic fairy tales re-imagined by the NRA, and a chance to rip open your shirt and cry ‘STELLLAAA!’ to a throng of cheering spectators in the French Quarter.
“In the body’s own words, it cannot live like a vegetable in the country.” I am twenty-one and sitting on a bunk in a shotgun house in Mid-City, New Orleans, reading C.D. Wright. After a few conversations on the phone with a professor at the University of New Orleans, I have come here, weeks after graduating college, to help with an oral history project about the experiences of people who lived through Katrina.
“I think not enough people are writing about the Civil Rights Movement—those who lived through it are passing on, and many of them did not document their stories. But one person’s involvement in a period is just as important as an overarching history—I think there needs to be more of that. It encourages individuals to be courageous and work to correct what’s wrong in their countries, their lives. I think curious students and history buffs will read it, but above all, I hope it will empower African-Americans and women.”
The final, abbreviated season of the HBO television show Treme, airing now, is an opportunity to reflect on what that series has done better than any other recent television experience: depict the working life of creative people.
The Summer Reading issue … Heads out to India, the American West, the wilds of Minnesota, and the wilderness of a librarian’s heart in its fiction pages … While Megan Dreisbach reports on an autopsy, Christine Murphy on jury duty in New Orleans, Herbert Gold on his youthful misadventures, Frank Meola on Thoreau in New York … and Aisha Sloan on her hardworking father creating his dream house out of a unheated shell of rotting timber and leaking pipes … And poetry is provided by Evan Glasson, Eric Lee, Donald Platt, Chad Davidson, and Lilah Hegnauer.