One of the most absolutely electric scenes in Susan Choi’s fifth novel Trust Exercise (Henry Holt and Co., 2019) takes place fairly early-on in the book. Sarah and David are sophomores at an elite performing arts high school. They’re fifteen, and the previous summer, they entered
Note the first rule of an Oyeyemi book: there are many ways of seeing—nothing is more arrogant than trusting only one set of eyes.
I began looking into how things can go so wrong in taxidermy. The placement of eyes is so important; even if you screw up just a little, the animals can go crosseyed.
In her debut novel, The Wild Birds (Rare Bird Books, 2018), author Emily Strelow interrogates what it means to be “wild” by layering the word’s many meanings onto palpable, empathic, and deeply-flawed characters, all who live among the diverse and wondrous environs of the American West.
In his second novel Coyote Songs, Gabino Iglesias grabs readers by the wrist and guides them through a liminal space most readers believe exists a world away. In doing so, he illuminates the flagrant fallacy that there are some “very fine people on both sides.”