Former Curator of University of Michigan’s Museum of Art, Pam Reister, writes on the Cuban artist Emilio Sánchez, who is the cover artist of Michigan Quarterly Review’s current Summer 2019 issue. Emilio Sánchez was born into one of Cuba’s most prominent families. He lived in
“When working with or caring for someone with health or memory issues, the situation is often variable and fluid, and can change without warning. Caregivers need to be flexible. That’s how I approached this series of paintings: fluid and flexible, while using a variety of techniques to make marks on the paper.”
“The elements that dance in my head are always both visual and narrative. Whether they are expressed in painting or writing, the essence of what I am trying to convey is one in the same for me. They must derive from a place of truth and spark something of the imagination.”
“I love the act of repetition. Maybe it feels like a meditation of sorts, but I’m also interested in simplifying a technique down to a single mark or color, so as to allow space for the viewer to interpret the feeling, or to let a concept emerge if that’s what is intended.”
I am going to write in praise of the small. Not the miniature, which is an inverse of the monumental and thus, in its own way, monumental.