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What We Know Now

When we encounter images of the dead, how does looking proceed? It might begin with mourning, a mourning that clouds the image the way the oils on human skin cloud glass, because we know what comes after the image.

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MQR 49:1 | Winter 2010

Chris Thornton and Juan Cole on Iran today (with a portfolio of photographs) … Jennifer Robertson on historical forgetting and contemporary Japanese art … Philip Beidler on Vonnegut’s Dresden … Anis Shivani on the new poetry of lament … Stories by David Huddle, Nancy Reisman, Sharon Pomerantz … Poems by Albert Goldbarth, Sam Taylor, and Beckian Fritz Goldberg …