In Antonya Nelson’s short stories, I find the way time is handled to be intricately connected with how convincing the particular world is that she has created. While I liked many of the stories in her latest collections, Funny Once (2014) and Nothing Right (2009), there are some I enjoyed more than others. This is, perhaps, to be expected, but what stands out to me about the stories I liked best seems to have to do with memory and how it is recreated.
* Kristie Kachler *
Verdict: The Volta’s latest reviews issue is good.
* Claire Skinner *
I admit that I’m fifteen years late to the Jo Ann Beard party. Her first book, The Boys of My Youth, was published in 1998 to considerable fanfare. However, I’ve always been a firm believer in serendipity: books show up in a life at the right time and the right place. Maggie Nelson has written that “the truly important, original, and strange work does get recognized, does get found, by those who need to recognize it and find it.” (Even if it takes a while, I might add.)
Welcome to the end of news, or at least the end of news as I know it. This week the New York Times introduced digital subscriptions for US readers of the Times online, a move which the paper has been planning for at least two years.
This issue of MQR brings together academic essays, high-level journalism, personal narratives, fiction, poetry, and visual art responding to the transformations of Jewish experience in the United States during the last fifty years, and, speculatively, extending into the twenty-first century.