Here, the fog horns seem to multiply,/clocks and bells grieve louder./Strange how I never noticed them before.
Although there are hints of trouble in my grandmother’s book, I had never seen them. I was glad to own it, but I was overwhelmed by the tedium of her attempt to accent the rosy endurance of this immigrant family she had married into. My grandmother’s truth was the one that forgot or erased pain and remembered only joy.
Together with Part 1 (Fall 2005), this special issue offers detailed insight into the documentary imagination. Edited by Tom Fricke and Keith Taylor. This issue features: Kelly M. Askew on filming East African musical performers; Ruth Behar on a visit to the first World Summit Reunion of Behars in Bejar, Spain; an interview with Robert Coles by Tom Fricke about Coles’s life and lifework in the documentary field; Tom Fricke on the friendship of an anthropologist (himself) and a native informant in Nepal; and much more.
Together with Part 2 (Winter 2006), this special issue offers detailed insight into the documentary imagination. Edited by Tom Fricke and Keith Taylor, this issue features: Mark Auslander on documenting the restoration of an African-American cemetery in Georgia; Barry Lopez interviewed by Michael Shapiro; Erik Mueggler on writing the imperial project; Eileen Pollack on a Jewish cemetery in Detroit; Tom Pohrt curating never-before-circulated photos from the Cuban revolution; Jonathan Raban on James Agee and the limits of documentary style; and Keith Taylor on finding in public records the true story of a relative’s suicide in western Canada.