Kismet, Blueprints, & Secret Tattoos: Catching Up with Essayist Aisha Sabatini Sloan

“For each essay, I would set myself up as though I were allowed to make a collage using last Wednesday’s newspaper, a 1996 issue of Art Forum, and the notes I took while on layover at the Minneapolis/St Paul airport. And the reason for each particular assemblage was not random: there was always some hunch that I was trying to articulate in the gathering. Race, place and art are ongoing themes.”

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“For each essay, I would set myself up as though I were allowed to make a collage using last Wednesday’s newspaper, a 1996 issue of Art Forum, and the notes I took while on layover at the Minneapolis/St Paul airport. And the reason for each particular assemblage was not random: there was always some hunch that I was trying to articulate in the gathering. Race, place and art are ongoing themes.”