Writing – Page 21 – Michigan Quarterly Review

Writing

On Going Home

At the age of thirty-two, I have done the impossible and returned home—not for a holiday or a funeral, but to set up residency in a region of the Florida Panhandle so remote that even Comcast Cable has declined the opportunity to overcharge us for Internet service. I say “impossible” because that’s how the saying goes, doesn’t it, that a person “can’t go home again”—or at least Thomas Wolfe and Joan Didion made compelling cases.

Found In Translation

As evidenced by my previous blog posts, I have been drawn by the predicament of writing race, or writing difference. Without a doubt, I am still bothered by this question of how we, or really, I, want to go about training my work to resonate on numerous levels, without sacrificing honesty for clarity, without having to play the endless game of cultural catch-up for a mixed audience. Without a doubt, this stream of thought turns almost every thing that I read, watch, or otherwise consume into a potential craft lesson. The latest item to fall victim is a documentary that I consider one of my favorite movies: Jiro Dreams Of Sushi.

I Am What Is Missing: Our Stuff, Ourselves

A few years ago, I was teaching a middle school writing elective at a well-regarded summer camp for the arts. The students in this class were not primarily interested in writing: they were there as young musicians, or dancers, or studying “general arts” which usually meant their well-off parents thought it more edifying for them to draw with charcoal and write poems and create spliced-together musical theater out of the latest pop songs than to let them spend the summer watching TV and lighting matches in the backyard.

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