Literati is exited to host poet Elizabeth Schmuhl, an RC Creative Writing alum, who will be reading from her new collection Premonitions. Keith Taylor will give an introduction to the reading and lead a Q&A discussion aftewards.
About Premonitions:
Visceral and brimming with vitality, the poems in Premonitions reverberate with the voice of a woman on a secluded farm, confronting her emotional and physical isolation. Drawing on her own experience as a daughter of a third-generation fruit farmer, Elizabeth Schmuhl gives readers a fresh and powerful perspective on what it means to be alive.
Layering one upon another, the poems blur boundaries and create a volatile state out of which the remarkable and unexpected occur. Embracing chaos, change, and unpredictability, these poems are energetically charged and infused with succinct, imagistic language. They reach beyond the constraints assigned to the female form and examine a place where time, the body, sexuality, and the natural world are not fixed. At times surreal, at others painfully real, the poems in Premonitions are the expression of a human life that merges and melds with the world around it, acting and reacting, loving and despairing, disintegrating and rebuilding. The speaker travels fluidly between strata of the natural world and her own body. Adding to the complexity of her poems, Schmuhl creates additional layers of meaning as the poems and their titles relate to the author’s synesthesia, a sensory phenomenon through which letters and numbers are experienced as colors and emotions.
Premonitions will turn the reader inward, encouraging the examination of the small details of life and a growing acceptance of the perpetual turmoil and uncertainty of existence despite our own desire to find a firm footing. This volume will be prized by lovers of contemporary poetry and literature alike.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
7 p.m., Literati, 124 E. Washington. Free. 585-5567
This local poet reads from Love Dream with Television, her debut collection, written in Tucson, Arizona, that “wonders through the ways in which television, film, advertising, sporting events, and celebrity culture weave their ways into our lived experiences,” says Ensor. “Tucson and its queers have pushed me to be more in my body, more in conversation with place and spirit and alchemy.” Signing.
7 p.m., Literati, 124 E. Washington. Free. 585-5567
Literati is thrilled to welcome author and New York magazine columnist Heather Havrilesky who will be sharing her new essay collection What if This Were Enough?
About What If This Were Enough?:
By the acclaimed critic, memoirist, and advice columnist, an impassioned collection tackling our obsession with self-improvement and urging readers to embrace the imperfections of the everyday
Heather Havrilesky’s writing has been called “whip-smart and profanely funny” ( Entertainment Weekly) and “required reading for all humans” (Celeste Ng). In her work for New York, The Baffler, The New York Times Magazine, and The Atlantic, as well as in “Ask Polly,” her advice column for The Cut, she dispenses a singular, cutting wisdom–an ability to inspire, provoke, and put a name to our most insidious cultural delusions.
What If This Were Enough? is a mantra and a clarion call. In its chapters–many of them original to the book, others expanded from their initial publication–Havrilesky takes on those cultural forces that shape us. We’ve convinced ourselves, she says, that salvation can be delivered only in the form of new products, new technologies, new lifestyles. From the allure of materialism to our misunderstandings of romance and success, Havrilesky deconstructs some of the most poisonous and misleading messages we ingest today, all the while suggesting new ways to navigate our increasingly bewildering world.
Through her incisive and witty inquiries, Havrilesky urges us to reject the pursuit of a shiny, shallow future that will never come. These timely, provocative, and often hilarious essays suggest an embrace of the flawed, a connection with what already is, who we already are, what we already have. She asks us to consider: What if this were enough? Our salvation, Havrilesky says, can be found right here, right now, in this imperfect moment.
HEATHER HAVRILESKY is the author of How to Be a Person in the World and the memoir Disaster Preparedness. She is a columnist for New York magazine, and has written for The New Yorker, The Atlantic, The New York Times Magazine, and NPR’s All Things Considered, among others. She was Salon‘s TV critic for seven years. She lives in Los Angeles with her husband and a loud assortment of dependents, most of them nondeductible.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.
Readings by U-M creative writing grad students, including prose by Samantha Bares and poetry by Daniel Neff.
7 p.m., UMMA Auditorium, 525 S. State. Free. 764-6330
Literati is thrilled to welcome author Leif Enger who will reading and discussing his new novel Virgil Wander.
About Virgil Wander:
The first novel in ten years from award-winning, million-copy bestselling author Leif Enger, Virgil Wander is an enchanting and timeless all-American story that follows the inhabitants of a small Midwestern town in their quest to revive its flagging heart
Midwestern movie house owner Virgil Wander is “cruising along at medium altitude” when his car flies off the road into icy Lake Superior. Virgil survives but his language and memory are altered and he emerges into a world no longer familiar to him. Awakening in this new life, Virgil begins to piece together his personal history and the lore of his broken town, with the help of a cast of affable and curious locals–from Rune, a twinkling, pipe-smoking, kite-flying stranger investigating the mystery of his disappeared son; to Nadine, the reserved, enchanting wife of the vanished man, to Tom, a journalist and Virgil’s oldest friend; and various members of the Pea family who must confront tragedies of their own. Into this community returns a shimmering prodigal son who may hold the key to reviving their town.
With intelligent humor and captivating whimsy, Leif Enger conjures a remarkable portrait of a region and its residents, who, for reasons of choice or circumstance, never made it out of their defunct industrial district. Carried aloft by quotidian pleasures including movies, fishing, necking in parked cars, playing baseball and falling in love, Virgil Wander is a swift, full journey into the heart and heartache of an often overlooked American Upper Midwest by a “formidably gifted” ( Chicago Tribune) master storyteller.
Leif Enger was raised in Osakis, Minnesota, and worked as a reporter and producer for Minnesota Public Radio before writing his bestselling debut novel Peace Like a River, which won the Independent Publisher Book Award and was one of the Los Angeles Times and Time Magazine’s Best Books of the Year. His second novel, So Brave, Young, and Handsome, was also a national bestseller, No. 8 on Amazon’s Top 100 Editors’ Picks and a Midwest Booksellers’ Choice Award Honor Book for Fiction. He and his wife Robin live in Minnesota.
Literati is proud to welcome authors and faculty members at the University of Michigan Shachar Pinsker and Sara Blair who will be sharing and discussing their new books A Rich Brew: How Cafes Created Modern Jewish Culture and How the Other Half Looks: The Lower East Side and the Afterlives of Images.
About A Rich Brew:
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture. Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
About How the Other Half Looks:
How New York’s Lower East Side inspired new ways of seeing America
New York City’s Lower East Side, long viewed as the space of what Jacob Riis notoriously called the “other half,” was also a crucible for experimentation in photography, film, literature, and visual technologies. This book takes an unprecedented look at the practices of observation that emerged from this critical site of encounter, showing how they have informed literary and everyday narratives of America, its citizens, and its possible futures.
Taking readers from the mid-nineteenth century to the present, Sara Blair traces the career of the Lower East Side as a place where image-makers, writers, and social reformers tested new techniques for apprehending America–and their subjects looked back, confronting the means used to represent them. This dynamic shaped the birth of American photojournalism, the writings of Stephen Crane and Abraham Cahan, and the forms of early cinema. During the 1930s, the emptying ghetto opened contested views of the modern city, animating the work of such writers and photographers as Henry Roth, Walker Evans, and Ben Shahn. After World War II, the Lower East Side became a key resource for imagining poetic revolution, as in the work of Allen Ginsberg and LeRoi Jones, and exploring dystopian futures, from Cold War atomic strikes to the death of print culture and the threat of climate change.
How the Other Half Looks reveals how the Lower East Side has inspired new ways of looking–and looking back–that have shaped literary and popular expression as well as American modernity.
Shachar M. Pinsker is Associate Professor of Hebrew Literature and Culture at the University of Michigan. He is the author of Literary Passports: The Making of Modernist Hebrew Fiction in Europe.
Sara Blair is the Patricia S. Yaeger Collegiate Professor of English and a faculty associate in the Department of American Culture and the Frankel Center for Judaic Studies at the University of Michigan. Her books includeHarlem Crossroads: Black Writers and the Photograph in the Twentieth Century (Princeton) and Trauma and Documentary Photography of the FSA.
Ann Arbor Storytellers Guild members host a storytelling program. Audience members are encouraged to bring a 5-minute story to tell.
7-9 p.m., Crazy Wisdom Tea Room, 114 S. Main. Free. 665-2757
Ann Arbor Storytellers Guild members host a storytelling program. Audience members are encouraged to bring a 5-minute story to tell.
7-9 p.m., Crazy Wisdom Tea Room, 114 S. Main. Free. 665-2757.
Join us for an exciting evening of conversation and live musical performances from the multi-Award-winning team behind the musical, “Dear Evan Hansen.” University of Michigan School of Music, Theatre & Dance alumni Benj Pasek and Justin Paul will present Dear Evan Hansen: The Novel, an expansion of the characters and story popularized by the musical that has been praised as “one of the most remarkable shows in musical theater history” by The Washington Post. This is a general admission, ticketed event and a purchase of Dear Evan Hansen: The Novel is necessary for entry. The book is included with the ticket purchase, and books will be picked up at the venue the evening of the event. Your book will be pre-signed.
At the event, fans will additionally receive a raffle ticket inside of their book. Raffle tickets enter fans into a drawing for an exclusive meet & greet with the authors immediately following the event. The authors will choose 5 lucky readers (+1 guest each) to meet them after to snap photos and have their books personalized. Fans have the option to donate one of their purchased copies to University of Michigan’s Counseling and Psychological Services at a table near the entrance.
Click here to purchase tickets!
About Dear Evan Hansen (The Novel):
From the show’s creators comes the groundbreaking novel inspired by the hit Broadway show Dear Evan Hansen.
When a letter that was never meant to be seen by anyone draws high school senior Evan Hansen into a family’s grief over the loss of their son, he is given the chance of a lifetime: to belong. He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend. Suddenly, Evan isn’t invisible anymore–even to the girl of his dreams. And Connor Murphy’s parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend. As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he’s doing can’t be right, but if he’s helping people, how wrong can it be? No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He’s confident. He’s a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself. A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.
About Pasek and Paul:
Benj Pasek and Justin Paul are the Tony, Oscar® and Golden Globe–winning songwriting team behind the Broadway musicals Dear Evan Hansen (Tony Award, Drama Desk Award, Obie Award, Outer Critics Circle Award, Helen Hayes Award) and A Christmas Story, The Musical (Tony, Drama Desk, Outer Critics Circle Award nominations). Other musicals include Dogfight, (Lucille Lortel Award winner, Drama League, Outer Critics Circle, London Evening Standard Awards nominations), James and the Giant Peach, and Edges. Film projects include: La La Land (Lionsgate); Trolls (Dreamworks Animation); The Greatest Showman (FOX). Upcoming film projects include Snow White (Walt Disney Pictures); Medusa(Sony Pictures Animation); Aladdin (Walt Disney Pictures). TV credits include Smash, Sesame Street, The Flash and Johnny and the Sprites, and Fox’s A Christmas Story live musical. Additional honors: Richard Rodgers Award for Musical Theatre (American Academy of Arts and Letters); ASCAP Foundation Richard Rodgers New Horizons Award; Jonathan Larson Award. Both are graduates of the University of Michigan Musical Theatre program and members of the Dramatists Guild of America, Inc.
Literati is thrilled to welcome Roy Scranton, author of War Porn and Learning to Die in the Anthropecne, who will be sharing his latest book We’re Doomed. Now What?
About We’re Doomed. Now What?
An American Orwell for the age of Trump, Roy Scranton faces the unpleasant facts of our day with fierce insight and honesty. We’re Doomed. Now What? penetrates to the very heart of our time.
Our moment is one of alarming and bewildering change–the breakup of the post-1945 global order, a multispecies mass extinction, and the beginning of the end of civilization as we know it. Not one of us is innocent, not one of us is safe. Now what?
We’re Doomed. Now What? addresses the crisis that is our time through a series of brilliant, moving, and original essays on climate change, war, literature, and loss, from one of the most provocative and iconoclastic minds of his generation. Whether writing about sailing through the melting Arctic, preparing for Houston’s next big storm, watching Star Wars, or going back to the streets of Baghdad he once patrolled as a soldier, Roy Scranton handles his subjects with the same electric, philosophical, demotic touch that he brought to his groundbreaking New York Times essay, “Learning How to Die in the Anthropocene.”
Roy Scranton is the author of War Porn and Learning to Die in the Anthropocene, and co-editor of Fire and Forget: Short Stories from the Long War. His journalism, essays, and fiction have been published in The Nation, Rolling Stone, The New York Times, Boston Review, and elsewhere. He holds a PhD in English from Princeton and an MA from the New School for Social Research, and teaches in the Department of English at the University of Notre Dame.
