Nov. 10 & 17. All adults and teens in grade 9 & up invited to work on their novel for this nonprofit promotion (also known as National Novel Writing Month) challenging teens and adults to write a 50,000-word novel by the end of November.
1-3 p.m., AADL Westgate. Free. 327-4200.
This native Detroiter, an acclaimed poet, playwright, performance artist, and producer, discusses her visual art and poetry. Her most recent poetry collection, Sunlight Through Bullet Holes, “mixes observation with passion and brevity,” says an Ebony review. “It’s black intelligence filtered through rhythm and blues.”
7-8:30 p.m., AADL Downtown multipurpose rm. Free. 327-4200.
In Black Opera: History, Power, Engagement (published May 4, 2018), Naomi André draws on the experiences of performers and audiences to explore this music’s resonance with today’s listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate.
In Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical (published June 27, 2018), Beth Genné traces Astaire’s, Balanchine’s, and Kelly’s collaborations with composers and film-makers, crossing stylistic and class boundaries to develop a truly modern dance style and genres for the film musical. She contextualizes their work within the history of dance, music, and film and its roots in the diverse dance and music cultures of jazz age America’s nation of immigrants. She demonstrates how concepts and visual-musical devices derived from dance-making would give entire films, both musical and non-musical, the rhythmic flow and feeling of dance.
Naomi André is Associate Professor in the Department of Afroamerican and African Studies, Women’s Studies, and the Associate Director for Faculty at the Residential College at the University of Michigan. Her earlier books, Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera (2006) and Blackness in Opera (2012, co-edited collection) focus on opera from the nineteenth to the mid-twentieth centuries and explore constructions of gender, race and identity.
Beth Genné is Professor of Dance History and Art History in the Dance Department and the Arts and Ideas concentration of the Residential College. She has written numerous book chapters on British ballet and dance in film (including Gene Kelly and Vincente Minnelli) and articles in such journals as Dance Research, Dance Chronicle, and Art Journal. Her first book, The Making of a Choreographer, was on the early training and choreographic development of Ninette de Valois, founder of the Royal Ballet.
Nov. 10 & 17. All adults and teens in grade 9 & up invited to work on their novel for this nonprofit promotion (also known as National Novel Writing Month) challenging teens and adults to write a 50,000-word novel by the end of November.
1-3 p.m., AADL Westgate. Free. 327-4200.
Literati Bookstore is thrilled to welcome Pete Souza to Ann Arbor for a visual presentation of his latest book, Shade: A Tale of Two Presidents.
Tickets are general admission and include a hardcover copy of Shade to be picked up at the venue the evening of the event. Books will be pre-signed.
PLEASE NOTE: Due to Rackham’s unique seating chart and as this event entails a photo presentation, we have restricted available seating in the venue to improve sightlines. Seating is general admission, so we encourage arriving early.
About Shade: From Pete Souza, the #1 New York Timesbestselling author of Obama: An Intimate Portrait, comes a powerful tribute to a bygone era of integrity in politics.
As Chief Official White House Photographer, Pete Souza spent more time alongside President Barack Obama than almost anyone else. His years photographing the President gave him an intimate behind-the-scenes view of the unique gravity of the Office of the Presidency–and the tremendous responsibility that comes with it.
Now, as a concerned citizen observing the Trump administration, he is standing up and speaking out.
Shade is a portrait in Presidential contrasts, telling the tale of the Obama and Trump administrations through a series of visual juxtapositions. Here, more than one hundred of Souza’s unforgettable images of President Obama deliver new power and meaning when framed by the tweets, news headlines, and quotes that defined the first 500 days of the Trump White House.
What began with Souza’s Instagram posts soon after President Trump’s inauguration in January 2017 has become a potent commentary on the state of the Presidency, and our country. Some call this “throwing shade.” Souza calls it telling the truth.
In Shade, Souza’s photographs are more than a rejoinder to the chaos, abuses of power, and destructive policies that now define our nation’s highest office. They are a reminder of a President we could believe in, and a courageous defense of American values.
About Pete Souza: Pete Souza was the Chief Official White House Photographer for President Obama and the Director of the White House Photo Office. Previously Souza was an Assistant Professor of Photojournalism at Ohio University, the national photographer for the Chicago Tribune, a freelancer for National Geographic, and an Official White House Photographer for President Reagan. His books include the New York Times bestsellers Obama: An Intimate Portraitand The Rise of Barack Obama. Souza is currently a freelance photographer based in Washington, D.C., and a Professor Emeritus at Ohio University’s School of Visual Communication.
Literati is thrilled to partner with the Institute of Humanitites at the University of Michigan to have copies of Shachar Pinsker’s new book Rich Brew: How Cafes Created Modern Jewish Culture available for purchase.
About Rich Brew:
A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
Shachar M. Pinsker is Associate Professor of Hebrew Literature and Culture at the University of Michigan. He is the author of Literary Passports: The Making of Modernist Hebrew Fiction in Europe
Retired U.S. Navy admiral Michael Giorgione discusses his 2017 book based on interviews with commanders and his own experience as the commanding officer at Camp David from 1999-2001. Book sale, signing, & reception follow.
7 p.m., Ford Library, 1000 Beal. Free. 205-0555.
NYC-based writer (and Ann Arbor native) Brigit Young offers tips on revising your written work and how to get published. Q&A. In conjunction with the end of National Novel Writing Month, a nonprofit promotion challenging teens and adults to write a 50,000-word novel by the end of November.
6:30-8 p.m., AADL Westgate. Free. 327-4200.
This award-winning local writer reads from and discusses Tazia and Gemma, her new novel that spans 1911-1961, moving forward in time with the story of an unwed pregnant Italian immigrant and then backward with the story of her daughter’s search for her father. Writer Deepak Singh calls it a “moving story of racial and religious conflicts.” Followed by a menorah lighting and sufganiyot (doughnuts).
7-8:30 p.m., JCC, 2935 Birch Hollow Dr. Free. Preregistration required. 971-0990.
U-M classical studies professor Ian Fielding and U-M French professor Peggy McCracken discuss Fielding’s book examining the importance of Ovid’s poetry of exile to the Latin poets writing in the social upheaval of the 4th-6th centuries, as the Roman Empire gradually collapsed.
5:30 p.m., 100 U-M Hatcher Grad Library Gallery, enter from the Diag. Free. 763-8994.
