Janet Silver represents a roster of bestselling and award-winning authors. Her clients include Cheryl Strayed, author of the international bestsellers Wild and Tiny Beautiful Things; Anthony Marra, award-winning author of the New York Times bestselling novel A Constellation of Vital Phenomena and the story collection The Tsar of Love and Techno; Monique Truong, winner of the Asian American Literary Award for The Book of Salt; Hanna Pylväinin, Whiting Award winner for her novel We Sinners; novelist Christopher Castellani, winner of a Guggenheim Fellowship for his recent novel Leading Men; and Whiting Award winner Safiya Sinclair, author of the poetry collection Cannibal and the forthcoming How to Say Babylon: A Jamaican Memoir. She also proudly represents Zell faculty Michael Byers and Linda Gregerson and had the privilege of being Peter Ho Davies’ editor for his first three books.
Janet brings in-depth knowledge of the publishing industry and extensive editorial experience to her work as an agent. Before joining Aevitas, she was Publisher at Houghton Mifflin, where she worked with such renowned authors as Philip Roth, Jhumpa Lahiri, Tim O’Brien, and Jonathan Safran Foer. At Aevitas, she represents literary fiction, memoir, and creative/narrative nonfiction with a compelling storyline. In both fiction and nonfiction, she seeks singular voices and unique perspectives.
Janet has been a trustee of the Provincetown Fine Arts Work Center and is on the advisory board of Ploughshares magazine. She was recently profiled in Poets & Writers..
For more information about Aevitas Creative Management, please visit aevitascreative.com.
We welcome contributors to this intersectional collection of essays, fiction, and poetry featuring black, Latinx, Asian, queer, and trans writers. Details and readers to be announced.
About the book: “Indelible in the hippocampus is the laughter,” said Dr. Christine Blasey-Ford when she testified to congress in September 2018 about the men who victimized her. A year earlier, in October 2017, the hashtag #MeToo shone a light on the internalized, normalized sexual harassment and abuse that’d been ubiquitous for women for generations.
Among the first books to emerge from the #MeToo movement, Indelible in the Hippocampus is a truly intersectional collection of essays, fiction, and poetry. These original texts sound the voices of black, Latinx, Asian, queer, and trans writers, to name but a few, and says “me too” 23 times. Whether reflecting on their teenage selves or their modern-day workplaces, each contributor approaches the subject with unforgettable authenticity and strength.
Together these pieces create a portrait of cultural sea-change, offering the reader a deeper understanding of this complex, galvanizing pivot in contemporary consciousness.
Professor Hottman-Wei, Director of the U-M Residential College’s Chinese Music Ensemble, presents a rare opportunity to hear the bowed stringed instrument considered a symbol of the Mongolian nation. She will also discuss the numerous cultural contexts in which the Morin Khurr is played.
The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.
We are delighted to host Terry Blackhawk with special guest Dennis Hinrichsen for a night of poetry.
About the Book
One Less River An “elegantly conceived collection…(of) refined, learned, and liberating poetry” according to Kirkus Reviews, One Less River is nominated for the 2019 Kirkus Prize and was named one of The 13 Best Environmental Books of July 2019 by The Revelator. Through a variety of formal moves, Blackhawk follows Hafiz’s injunction to ‘Greet yourself/In your thousand other forms/As you mount the hidden tide and travel/Home.’ Hafiz serves her well, as do Dickinson and Whitman who inspire, or are sampled in, many of the poems. In the search for home, Blackhawk journeys through alternate selves, shape-shifting, crossing boundaries, inhabiting myriad beings. The poems meander through the environs of Detroit and its river, following currents of separation, love, and loss, and, ultimately, celebration of poetry’s power to rename and redeem our world.
[q / lear] Of these poems Sue William Silverman says, “[q / lear] concerns itself with the big issues of mortality and madness—like the play it uses as a backdrop. While some of these poems refer to bodies in decay, the poems themselves build, accrete, and pulse with Hinrichsen’s trademark restlessness and energy. As a great poet of the soul as well as the flesh, Hinrichsen explores the primordial dance between the human spirit and our vulnerable bodies while making us experience it anew.”
About the Author
Terry Blackhawk’s most recent book is One Less River (Mayapple Press, 2019). Other books include Escape Artist (winner of the John Ciardi Prize) and The Light Between (Wayne State University Press). A Kresge Arts in Detroit Literary Fellow and Founding Director Emerita (1995-2015) of Detroit’s InsideOut Literary Arts Project, Blackhawk now divides her time between Michigan and her family in Connecticut.
Dennis Hinrichsen’s most recent work is [q / lear], a chapbook from Green Linden Press, and Skin Music, winner of the 2014 Michael Waters Poetry Prize from Southern Indiana Review Press. New work of his can be found in two anthologies from MSU Press, Undocumented: Great Lakes Poets Laureate on Social Justice, and RESPECT: The poetry of Detroit Music. From May 2017 – April 2019, he served as the first Poet Laureate of the Greater Lansing [MI] area.
The stuff of nightmares in both their looks and the wounds inflicted on their victims, sea lampreys are perhaps the deadliest invasive species to ever enter the Great Lakes. At the invasion’s apex in the mid-20th century, harvests of lake trout, the lampreys’ preferred host fish in the Great Lakes, plummeted from peak annual catches of 15 million pounds to just a few hundred thousand pounds per year—a drop of 98% in only a few decades.
In his new book, Great Lakes Sea Lamprey,author Cory Brant explores the incredible story of the lamprey invasion—what started it, how it was halted, and what this history can teach us about the response to biological invaders in the present and future. In addition to discussing the book, Brant will showcase an aquarium of live sea lamprey at this event and talk about the otherworldly anatomy that made the species such a terror in the Great Lakes. This event is in partnership with The University of Michigan Press. It includes a signing with books for sale.
Cory Brant is a researcher at the U.S. Geological Survey Great Lakes Science Center in Ann Arbor, Michigan. For over a decade, his work has focused on sea lampreys, particularly the species’ use of chemical communication, and how to exploit that biology as a method of control.
Michelle Peñaloza is the author of Former Possessions of the Spanish Empire, winner of the 2018 Hillary Gravendyk National Poetry Prize (Inlandia Books, 2019). She is also the author of two chapbooks, landscape/heartbreak (Two Sylvias, 2015), and Last Night I Dreamt of Volcanoes (Organic Weapon Arts, 2015). Her work can be found in River Styx, Prairie Schooner, upstreet, Pleiades, Poetry Northwest and elsewhere. She is the recipient of fellowships from the University of Oregon, Kundiman, and Hugo House as well as the 2019 Scotti Merrill Emerging Writer Award for Poetry from The Key West Literary Seminar. Michelle has also received support from Artist Trust, Lemon Tree House, Caldera, 4Culture, Vermont Studio Center, Literary Arts, VONA/Voices, and the Bread Loaf Writers’ Conference, among others. The proud daughter of Filipino immigrants, Michelle was born in the suburbs of Detroit, MI and raised in Nashville, TN. She now lives, farms, and writes in rural Northern California.
Bill Carty lives in Seattle and is the author of HUGE CLOUDY (Octopus Books, 2019) and the chapbook Refugium(Alice Blue Books). He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, and the Richard Hugo House. His poems have recently appeared (or will soon) in the Boston Review, Ploughshares, the Iowa Review, Willow Springs, Conduit, Oversound, and other journals.
Literati is pleased to partner with the Knight-Wallace Fellowship for Journalists at the University of Michigan in welcoming Anne Nelson in support of her latest book, Shadow Network: Media, Money, and the Secret Hub of the Radical Right.
About the book: The chilling story of the covert group that masterminds the Radical Right’s ongoing assault on America’s airwaves, schools, environment, and, ultimately, its democracy.
In 1981, emboldened by Ronald Reagan’s election, a group of some fifty Republican operatives, evangelicals, oil barons, and gun lobbyists met in a Washington suburb to coordinate their attack on civil liberties and the social safety net. These men and women called their coalition the Council for National Policy. Over four decades, this elite club has become a strategic nerve center for channeling money and mobilizing votes behind the scenes. Its secretive membership rolls represent a high-powered roster of fundamentalists, oligarchs, and their allies, from Oliver North, Ed Meese, and Tim LaHaye in the Council’s early days to Mike Pence, Tony Perkins, and the DeVos family today.
In Shadow Network, award-winning author and media analyst Anne Nelson chronicles this astonishing history and illuminates the coalition’s key figures and their tactics. She traces how the collapse of American local journalism laid the foundation for the Council for National Policy’s information war and listens in on the hardline broadcasting its members control. And she reveals how the group has collaborated with the Koch brothers to outfit Radical Right organizations with state-of-the-art apps and a shared pool of captured voter data – outmaneuvering the Democratic Party in a digital arms race whose result has yet to be decided.
In a time of stark and growing threats to our most valued institutions and democratic freedoms, Shadow Networkis essential reading.
Anne Nelson has received a Livingston Award for her journalism, a Guggenheim Fellowship for her historical research, and a Bellagio Fellowship for her research on the social impact of digital media. A graduate of Yale University, she began her career as a journalist in the U.S and abroad. She won an Associated Church Press Award for her writing on the conflict in Central America, which she covered for the Los Angeles Times, NPR, and the BBC. She has taught at Columbia University for over two decades, first at the School of Journalism and then at the School of International and Public Affairs. Her previous books include Red Orchestra: The Berlin Underground and the Circle of Friends Who Resisted Hitler, a New York Times Book Review Editors’ Choice; andSuzanne’s Children: A Daring Rescue in Nazi Paris, a finalist for the National Jewish Book Award. A native of Oklahoma, she lives in New York City.
Matthew Riemer, co-author of We Are Everywhere: Protest, Power, and Pride in the History of Queer Liberation, uses imagery and narrative culled from years of research to examine how the struggles and triumphs of the queer past can inform the present with an eye toward a more liberated future.
Matthew Riemer co-wrote We Are Everywhere with his husband Leighton Brown. They are also the creators of Instagram’s @lgbt_history, and live in Washington, D.C., where Leighton is an attorney and Matthew, a former attorney, is a writer and lecturer. With their meticulous and visually engaging approach to documenting the radical fight for queer liberation, Matthew and Leighton are respected members of a new generation of queer historians. We Are Everywhere is the couple’s first book.
This event includes a signing with books for sale.
Crazy Wisdom Poetry Series hosted by Joe Kelty, Ed Morin, and David Jibson • Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second Wednesdays are poetry workshop nights. All writers welcome to share and discuss their own poetry and short fiction. Sign up for new participants begins at 6:45 p.m.
Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an hour. All writers welcome to share. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523; eacmorso@sbcglobal.net or cwpoetrycircle.tumblr.com.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
