Janet Silver represents a roster of bestselling and award-winning authors. Her clients include Cheryl Strayed, author of the international bestsellers Wild and Tiny Beautiful Things; Anthony Marra, award-winning author of the New York Times bestselling novel A Constellation of Vital Phenomena and the story collection The Tsar of Love and Techno; Monique Truong, winner of the Asian American Literary Award for The Book of Salt; Hanna Pylväinin, Whiting Award winner for her novel We Sinners; novelist Christopher Castellani, winner of a Guggenheim Fellowship for his recent novel Leading Men; and Whiting Award winner Safiya Sinclair, author of the poetry collection Cannibal and the forthcoming How to Say Babylon: A Jamaican Memoir. She also proudly represents Zell faculty Michael Byers and Linda Gregerson and had the privilege of being Peter Ho Davies’ editor for his first three books.
Janet brings in-depth knowledge of the publishing industry and extensive editorial experience to her work as an agent. Before joining Aevitas, she was Publisher at Houghton Mifflin, where she worked with such renowned authors as Philip Roth, Jhumpa Lahiri, Tim O’Brien, and Jonathan Safran Foer. At Aevitas, she represents literary fiction, memoir, and creative/narrative nonfiction with a compelling storyline. In both fiction and nonfiction, she seeks singular voices and unique perspectives.
Janet has been a trustee of the Provincetown Fine Arts Work Center and is on the advisory board of Ploughshares magazine. She was recently profiled in Poets & Writers..
For more information about Aevitas Creative Management, please visit aevitascreative.com.
Professor Hottman-Wei, Director of the U-M Residential College’s Chinese Music Ensemble, presents a rare opportunity to hear the bowed stringed instrument considered a symbol of the Mongolian nation. She will also discuss the numerous cultural contexts in which the Morin Khurr is played.
The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.
We are delighted to host Terry Blackhawk with special guest Dennis Hinrichsen for a night of poetry.
About the Book
One Less River An “elegantly conceived collection…(of) refined, learned, and liberating poetry” according to Kirkus Reviews, One Less River is nominated for the 2019 Kirkus Prize and was named one of The 13 Best Environmental Books of July 2019 by The Revelator. Through a variety of formal moves, Blackhawk follows Hafiz’s injunction to ‘Greet yourself/In your thousand other forms/As you mount the hidden tide and travel/Home.’ Hafiz serves her well, as do Dickinson and Whitman who inspire, or are sampled in, many of the poems. In the search for home, Blackhawk journeys through alternate selves, shape-shifting, crossing boundaries, inhabiting myriad beings. The poems meander through the environs of Detroit and its river, following currents of separation, love, and loss, and, ultimately, celebration of poetry’s power to rename and redeem our world.
[q / lear] Of these poems Sue William Silverman says, “[q / lear] concerns itself with the big issues of mortality and madness—like the play it uses as a backdrop. While some of these poems refer to bodies in decay, the poems themselves build, accrete, and pulse with Hinrichsen’s trademark restlessness and energy. As a great poet of the soul as well as the flesh, Hinrichsen explores the primordial dance between the human spirit and our vulnerable bodies while making us experience it anew.”
About the Author
Terry Blackhawk’s most recent book is One Less River (Mayapple Press, 2019). Other books include Escape Artist (winner of the John Ciardi Prize) and The Light Between (Wayne State University Press). A Kresge Arts in Detroit Literary Fellow and Founding Director Emerita (1995-2015) of Detroit’s InsideOut Literary Arts Project, Blackhawk now divides her time between Michigan and her family in Connecticut.
Dennis Hinrichsen’s most recent work is [q / lear], a chapbook from Green Linden Press, and Skin Music, winner of the 2014 Michael Waters Poetry Prize from Southern Indiana Review Press. New work of his can be found in two anthologies from MSU Press, Undocumented: Great Lakes Poets Laureate on Social Justice, and RESPECT: The poetry of Detroit Music. From May 2017 – April 2019, he served as the first Poet Laureate of the Greater Lansing [MI] area.
Crazy Wisdom Poetry Series hosted by Joe Kelty, Ed Morin, and David Jibson • Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second Wednesdays are poetry workshop nights. All writers welcome to share and discuss their own poetry and short fiction. Sign up for new participants begins at 6:45 p.m.
Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an hour. All writers welcome to share. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523; eacmorso@sbcglobal.net or cwpoetrycircle.tumblr.com.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Have you ever wanted to write a Choose Your Own Adventure story or text-based adventure game like Zork? Come and learn how to write your own interactive fiction using a simple coding language and then play through the stories that you and others have written.
We are delighted to host local poets Doug Smith with Jane Bridges for a night of poetry.
About the Book
Selections from This Iris and Ransom Note Poems There are 8 poems that center around life with her husband of 40 years, his sudden death, and her response to it. There are 8 poems that are made with cut-out words from magazines, which she calls ransom note poems. These poems are inspired by classic Japanese haiku, and while they aren’t haiku, they are zen-like.
Social Work and Other Myths These poems emerge from the writer’s long experience as a social worker and community organizer. Doug Smith has worked with low income households, the afflicted, and the homeless for more than forty years. His carefully crafted work reflects that experience and conveys his hard-won insights. Writers, critics, and others have already taken notice of Social Work and Other Myths. Keith Taylor, author of The Bird While (from the Wayne State Press) says: “The poems are right. They sing beautifully, and they remember.” Carol McCabe, founding Director of Avalon Housing, says: (Smith’s) “eye for detail and his heart for the struggle come through with a rare combination of grit and warmth.” Brian Cox, an award-winning Michigan playwright, observes that “Smith is a poet who creates an awareness that burrows into you and changes how you see.” Jill Dearman, editor of Mudfish Anthology, says simply: “Smith has a great collection here. I was truly moved.”
About the Author
Jane Bridges spent her early years were in Texas, New Hampshire and India and all of her adult years in Ann Arbor, Michigan. She studied biology and taught science and English in both public and private schools. Her husband of 40 years died suddenly in 2002 and their two children were adults at that time. Her love of nature has taken her to wild places in the tropics. Crows and butterflies that come to her backyard are of particular interest to her.
She is grateful to many poetry teachers, including Richard Tillinghast, Marge Piercy, Gerry LaFemina, Matthew Lippman, and Zilka Joseph. Members of Paper Kite and Tornado Wine have helped take her poems to wild places. She has won and placed in several national contests, and has been published in The MacGuffin, Paterson Literary Review, Margie, Sow’s Ear Poetry Review, Third Wednesday, Mudfish, and elsewhere.
Local poet Douglas Smith is co-editor of Mayapple Press’s In Drought Times: Scenes from Rural and Small Town Life. He was a finalist in the 2016 Mudfish Magazine and the 2017 New Guard Knightville Poetry contests. His poetry has been published in numerous journals and publications. Smith’s latest collection of poems is Social Work and Other Myths. Award-winning Michigan playwright Brian Cox calls this work a “poignant expression of compassion. These poems beseech us to identify with the humanity in the desperate, the afflicted, the abandoned, the evicted and the exiled.. Smith is a poet who creates an awareness that burrows into you and changes how you see.”
Join all of your favorite AADL storytellers for an evening of tales and music that will entertain all ages!
This talk introduces Jacobo Glantz’s 1939 Mexican Yiddish epic poem Kristobal Kolon, arguing that Glantz’s poem is a point of origin for his daughter, historian and writer Margo Glantz’s later feminist reexaminations of the colonial histories of Mexico. Jacobo Glantz’s counter-canonical retelling of the Americas’ most iconic foundational myth relied on Columbus’s journals and the new, more critical histories of Columbus emerging in the 1930s. But Luis de Torres, not Columbus, is at the center of Glantz’s retelling. De Torres was the only Jew on Columbus’s crew, hired by Columbus to serve as an interpreter. Written in a deliberately multilingual Yiddish with Spanish, Taino, Latin and Hebrew borrowings, Glantz’s epic functions as critical counter-history, a wild re-imagining of a history he knew so well. This lecture explores the ways in which the myth of Columbus can be mobilized to unearth “underground” indigenous, African, Muslim and Jewish histories in the New World, and suggests a new geography for American Jewish literature that exceeds the boundaries of English and the United States.
Supported by the Louis and Helen Padnos Fund
The Yiddish Columbus: Critical Counter-History and the Remapping of American Jewish Literature
This talk introduces Jacobo Glantz’s 1939 Mexican Yiddish epic poem Kristobal Kolon, arguing that Glantz’s poem is a point of origin for his daughter, historian and writer Margo Glantz’s later feminist reexaminations of the colonial histories of Mexico. Jacobo Glantz’s counter-canonical retelling of the Americas’ most iconic foundational myth relied on Columbus’s journals and the new, more critical histories of Columbus emerging in the 1930s. But Luis de Torres, not Columbus, is at the center of Glantz’s retelling. De Torres was the only Jew on Columbus’s crew, hired by Columbus to serve as an interpreter. Written in a deliberately multilingual Yiddish with Spanish, Taino, Latin and Hebrew borrowings, Glantz’s epic functions as critical counter-history, a wild re-imagining of a history he knew so well. This lecture explores the ways in which the myth of Columbus can be mobilized to unearth “underground” indigenous, African, Muslim and Jewish histories in the New World, and suggests a new geography for American Jewish literature that exceeds the boundaries of English and the United States.
Supported by the Louis and Helen Padnos Fund
