The book, Sacrifices Not Forgotten was written by Vietnam Veteran John Kinzinger to honor the 76 Washtenaw County servicemen who were missing or killed in action in Vietnam. This will be a heart-to-heart conversation about the Ypsilanti Memorial dedicated to their service and the book that tells their stories The Memorial is on the grounds of the Ypsilanti Township Civic Center, at 7200 South Huron River Drive. This program is free and open to the public. Bring a friend.
Carey Salerno is the executive editor and director of Alice James Books where she has been serving underrepresented voices in the literary community since 2008. She is also the author of Shelter (2009) and coeditor of Lit From Inside: 40 Years of Poetry from Alice James Books (2013). She teaches poetry writing for the University of Maine at Farmington and has been invited to teach or lecture on poetry and editing at places like the University of Washington, Indiana University, Bread Loaf, Butler University, Washington State University, Colrain, The Writer’s Hotel, and The New School. You may find her poems–and articles and interviews regarding her other professional work–in print and online, most recently in The Literary Review and New England Review.
Literati Bookstore is pleased to be on hand to sell books as OLLI Reads, in Collaboration with Michigan Humanities’ Great Michigan Read, presents Mona Hanna-Attisha, MD, discussing her Book What the Eyes Don’t See – A Story of Crisis, Resistance, and Hope in an American City.
What the Eyes Don’t See is the inspiring story of how Dr. Mona Hanna-Attisha, alongside a team of researchers, parents, friends, and community leaders, discovered that the children of Flint, Michigan, were being exposed to lead in their tap water—and then battled her own government and a brutal backlash to expose that truth to the world. Paced like a scientific thriller, What the Eyes Don’t See reveals how misguided austerity policies, broken democracy, and callous bureaucratic indifference placed an entire city at risk. And at the center of the story is Dr. Mona herself—an immigrant, doctor, scientist, and mother whose family’s activist roots inspired her pursuit of justice.
Mona Hanna-Attisha, MD, is the founder and director of the Michigan State University and Hurley Children’s Hospital Pediatric Public Health Initiative, an innovative and model public health program in Flint. Currently an associate professor of pediatrics and human development at the MSU College of Human Medicine, she has been named one of Time magazine’s 100 Most Influential People in the World for her role in uncovering the Flint water crisis and leading recovery efforts. She was one of the first to question whether lead was leaching from the city’s water pipes after an emergency manager switched the city’s water supply to the Flint River in 2014.
OLLI Reads invites OLLI members to read together and discuss two books a year, non-fiction in the fall, fiction in the spring. This fall we are collaborating with Great Michigan Read, and other community partners, to enjoy participating in a wider project. Michigan Humanities’ Great Michigan Read creates a statewide discussion each year on the humanities themes of a selected book. Through partnerships with libraries, schools, book clubs, and a wide range of other non-profit organizations, the Great Michigan Read facilitates statewide reading and programs to bridge communities with a common conversation.
10:00-11:00am Discussion with Mona Hanna-Attisha, followed by Q&A
11:00am-Noon Light Lunch and Book Signing
This event is free and open to the public; advanced registration is required and seating is limited. To register for this event or for more information, please contact email@example.com or call 734-998-9351.
Literati Bookstore is pleased to be on hand to booksell as James Poniewozik visits the Ann Arbor District Library’s downtown branch. The event will take place in the lobby and is free and open to the public.
About the book: In his new book Audience of One: Donald Trump, Television, and the Fracturing of America, New York Times’s James Poniewozik argues that what made Donald Trump isn’t simply business or politics or populism. To understand President Trump, Poniewozik states, we need to understand modern television itself. In this new book, he breaks down the medium in fresh, piercing ways, finding the parallels between television’s forty-year fracturing and Trump’s ascendancy from gossip item to reality star. Poniewozik traces the culture’s growing fascination with antiheroes and celebrity and demonstrates just how far that has extended into Trump’s presidency.
James Poniewozik has been the chief television critic of the New York Times since 2015. He was previously the television and media critic for Time and a media columnist for Salon. This event includes a signing with books for sale.
Charles Eisendrath, retired University of Michigan Knight-Wallace journalism fellows director
Professor Eisendrath discusses his new book “Downstream from Here: A Big Life in a Small Place”, a series of essays about the loves of a place inhabited temporarily, but which shape a person permanently. “Prepare to be inspired.” –JEFF DANIELS
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
White Flights: Race, Fiction, and the American Imagination (Graywok Press, August 2019) is a meditation on whiteness in American fiction and culture from the end of the civil rights movement to the present. At the heart of this collection of essays, Jess Row ties “white flight”—the movement of white Americans into segregated communities, whether in suburbs or newly gentrified downtowns—to white writers setting their stories in isolated or emotionally insulated landscapes, from the mountains of Idaho in Marilynne Robinson’s Housekeeping to the claustrophobic households in Jonathan Franzen’s The Corrections. Row uses brilliant close readings of work from well-known writers such as Don DeLillo, Annie Dillard, Richard Ford, and David Foster Wallace to examine the ways these and other writers have sought imaginative space for themselves at the expense of engaging with race.
White Flights aims to move fiction to a more inclusive place, and Row looks beyond criticism to consider writing as a reparative act. What would it mean, he asks, if writers used fiction “to approach each other again”? Row turns to the work of James Baldwin, Dorothy Allison, and James Alan McPherson to discuss interracial love in fiction, while also examining his own family heritage as a way to interrogate his position. A moving and provocative book that includes music, film, and literature in its arguments, White Flights is an essential work of cultural and literary criticism.
In addition to White Flights, Jess Row is the author of two collections of short stories, The Train to Lo Wu and Nobody Ever Gets Lost, and a novel, Your Face in Mine. His fiction has appeared in The New Yorker, The Atlantic, Tin House, Conjunctions, Ploughshares, Granta, n+1, and elsewhere, has been anthologized three times in The Best American Short Stories, and has won two Pushcart Prizes and a PEN/O. Henry Award. He has received a Guggenheim fellowship, an NEA fellowship in fiction, a Whiting Writers Award, and a Whiting Creative Nonfiction Grant. In 2007, he was named a “Best Young American Novelist” by Granta. His nonfiction and criticism appear often in The New Yorker, The New Republic, The New York Times Book Review, Bookforum, Threepenny Review, and Boston Review, among other venues. He teaches full time at The College of New Jersey and occasionally also at NYU. He lives in New York City with his wife and their two children. A student of Zen for 25 years, he is an ordained senior dharma teacher in the Kwan Um School of Zen.
For any questions about the event or to share accommodation needs, please email firstname.lastname@example.org– we are eager to help ensure that this event is inclusive to you. The building, event space, and restrooms are wheelchair accessible. A lactation room (Angell Hall #5209), reflection room (Haven Hall #1506), and gender-inclusive restroom (Angell Hall 5th floor) are available on site. ASL interpreters and CART services are available upon request; please email email@example.com at least two weeks prior to the event.
Pamela Reynolds will speak about her book The Uncaring, Intricate World: A Field Diary, Zambezi Valley, 1984-85 (Duke 2019). Professor Emerita of Anthropology at Johns Hopkins University and Honorary Professor at the University of Cape Town, Reynolds is author of War in Worcester: Youth and the Apartheid State. As U-M Presidential Professor she conducted the 2001-02 Mellon Seminar: Contested Childhood in a Changing Global Order. Following her talk, she is available for further conversation at a reception and book signing held in her honor. Reception RSVP at firstname.lastname@example.org
Monthly meeting of the AASG Open to the public. This Month we are at the Ann Arbor Civic Theatre’s Studio.
Come on out to Serendipity Books in Chelsea for a night of chills and thrills. The telling starts simple and small with not-so-scary stories for kids. The stories slowly become more scary and MORE ADULT as the night progesses. Stay if you dare, but BE WARNED! Things get pretty creepy around here.