Skazat! is back, and have we got a season lined up for you! Join us at Sweetwaters Coffee & Tea Washington St. on September 24 to celebrate with fabulous poetry and tasty treats. Whether you’re a page poet, slammer, performance artist or refuse a label, we want to hear your new stuff on our open mic. We look forward to sharing great poetry (and great coffee) with you and invite you to join this free open mic and monthly reading series!
Sign up! 7:00 p.m.
7:15 p.m. – Open mic
8:00 p.m. – Featured Reader
This month’s feature: BRYAN THAO WORRA
Charles Eisendrath, retired University of Michigan Knight-Wallace journalism fellows director
Professor Eisendrath discusses his new book “Downstream from Here: A Big Life in a Small Place”, a series of essays about the loves of a place inhabited temporarily, but which shape a person permanently. “Prepare to be inspired.” –JEFF DANIELS
We are excited to welcome Kelly Fordon in support of her first full-length poetry collection, Goodbye Toothless House. Her work has appeared The Florida Review, The Kenyon Review, and other journals, as well as three poetry chapbooks. On the Street Where We Live won the 2012 Standing Rock Chapbook Award, and The Witness won the 2016 Eric Hoffer Award for the Chapbook. Her novel-in-stories, Garden for the Blind, was chosen as a Michigan Notable Book. She teaches at the College for Creative Studies, Springfed Arts, and InsideOut Literary Arts Project in Detroit.
Ann Arbor’s Zilka Joseph has an MFA in Poetry from University of Michigan, and she teaches workshops, works as a manuscript coach and editor, and mentors writers in the Ann Arbor community. She has written several books of poetry including her most recent, Sharp Blue Search of Flame.
Signing to follow.
“With words as effective and as cunningly crafted as newly sharpened knives, a relentless insistence, and stunning wordplay, Fordon gives voice to those trapped behind the idyllic façade.”
–Gloria Whelan, author Homeless Bird, National Book Award winner
“Rich with the scents and sounds and colors of her native Kolkata, Zilka Joseph’s poetry is also haunted: by the real and imagined violence of the world, by the losses entailed in migration, by the loved ones left behind. Deeply felt and lushly rendered, these poems weave a tapestry of sorrow and celebration, tenderness and outrage, bodily longing and bodily vulnerability. A book as searching as its title.” –Linda Gregerson
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Monthly meeting of the AASG Open to the public. This Month we are at the Ann Arbor Civic Theatre’s Studio.
Come on out to Serendipity Books in Chelsea for a night of chills and thrills. The telling starts simple and small with not-so-scary stories for kids. The stories slowly become more scary and MORE ADULT as the night progesses. Stay if you dare, but BE WARNED! Things get pretty creepy around here.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
We welcome poet and Ford School of Public Policy professor Molly Spencer in support of her collection, If the house, winner of the 2019 Brittingham Prize judged by Carl Philips. A book signing will follow. The event is free and open to the public.
Molly Spencer‘s poetry has appeared or is forthcoming in Blackbird, Copper Nickel, FIELD, The Georgia Review, Gettysburg Review, New England Review, Ploughshares, Prairie Schooner, and other journals. Her critical writing has appeared at Colorado Review, Kenyon Review Online, Tupelo Quarterly, and The Rumpus. She holds an MPA from the School of International and Public Affairs at Columbia University and an MFA from the Rainier Writing Workshop, and is a Poetry Editor at The Rumpus. Her collection, If the house, won the 2019 Brittingham Prize judged by Carl Phillips, and is forthcoming from the University of Wisconsin Press in October of 2019. A second collection, Relic and the Plum, won the 2019 Crab Orchard Open Competition judged by Allison Joseph, and will be out in September of 2020. Molly teaches at the University of Michigan’s Gerald R. Ford School of Public Policy.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.
This week’s reading features Annesha Sengupta and Bryan Byrdlong.
Annesha Sengupta is a writer from Richmond, VA.
Bryan Byrdlong is a Haitian/African-American writer from Chicago, Illinois. He recently graduated from Venderbilt University where he received an undergraduate English/Creative Writing degree. He currently studies and teaches English at the University of Michigan.
John Knott shares his essays, which present a story of getting to know a place intimately and learning to deal with challenges from the human and natural worlds, from developers and county officials to windstorms, a hatch of seventeen-year cicadas, flying squirrels in the attic, and a bullfrog that takes up residence for the winter in the basement floor drain.
About the Author
John R. Knott, Jr., was born in Memphis, Tennessee, on July 9, 1937, the son of John R. Knott and Wilma Henshaw Knott. He graduated from Central High School in 1955 and did his undergraduate work at Yale University, graduating magna cum laude with high honors in English in 1959. In 1959-60 he held a Carnegie Fellowship at Yale, taking one graduate course and teaching undergraduate English. During that year he married Anne Percy Knott of Memphis. He went to Harvard University for his graduate work with a Woodrow Wilson Fellowship (1960-61), earning a Ph.D. in English in 1965 after serving as a Teaching Fellow in General Education and in English. He remained at Harvard as an Instructor in English for two years before joining the Department of English of the University of Michigan as an Assistant Professor in 1967. By that time he and his wife Anne had four children: Catherine Henshaw Knott, Ellen Dent Knott, Walker Percy Knott, and Anne Minor Knott.
At Michigan John Knott was promoted to Associate Professor in 1971 and Professor in 1976. He specialized in English Renaissance literature for much of his career, teaching a wide range of undergraduate and graduate courses, including Milton, Spenser, Shakespeare, and the Puritan imagination. He twice received recognition for his teaching in the form of LSA Excellence in Education awards. He published numerous articles and chapters and three scholarly books on Renaissance literature: Milton’s Pastoral Vision (Univ. of Chicago Press, 1971); The Sword of the Spirit (Univ. of Chicago Press, 1980), with the help of a fellowship from the National Endowment for the Humanities; and Discourses of Martyrdom in English Literature: 1563-1694 (Cambridge University Press, 1993), with the help of a Michigan Humanities Award. In the 1990’s his teaching and research interests gradually shifted to literature and the environment. He published a critical book that grew out of a course he developed in the literature of the American wilderness, Imagining Wild America (Univ. of Michigan Press, 2001) and subsequently Imagining the Forest: Narratives of the Upper Midwest (University of Michigan Press, 2012). He has edited or co-edited several collections dealing with the environment, including The Huron River: Voices from the Watershed (Univ. of Michigan Press, 2000) and Michigan: Our Land, Our Water Our Heritage (Univ. of Michigan Press, 2008, in collaboration with The Nature Conservancy.
John Knott’s service at Michigan has included Assoc. Dean (1977-80) and Acting Dean (1980-81) of LSA; Chair of the Department of English (1982-87); Interim Director of the Humanities Institute (1987-88); and Interim Director of the Program in the Environment (2001-2). As chair of English he started the MFA program in creative writing. He served on the planning committee for the Institute for the Humanities and acted as interim director during its startup year. Several years before his retirement from the faculty in 2006 he chaired the planning and implementation committees that established the joint LSA/SNRE Program in the Environment, which replaced the SNRE undergraduate program, and directed the program for its first year and a half.
