Renaissance Drama presents, Commedia del’arte final performance directed by Martin Walsh. Featuring a period scenario about “Il cavadente” or “the tooth puller”, a bogus dentist that pulls the teeth out of the evil Pantelone. April 23, 1-2pm, North Courtyard if weather permits.
Join David Priess, author and former CIA insider, as he discusses his new book, “How to Get Rid of a President: History’s Guide to Removing Unpopular, Unable, or Unfit Chief Executives.”
To limit executive power, the founding fathers created fixed presidential terms of four years, giving voters regular opportunities to remove their leaders. Even so, Americans have often resorted to more dramatic paths to dis-empower the chief executive.
“How to Get Rid of a President” is a lively narrative showcasing various dark sides of the nation’s history: a stew of election dramas, national tragedies, and presidential departures mixed with party intrigue, personal betrayal, and backroom shenanigans.
In this briskly-paced and approachable sweep of history, Priess barnstorms through history, showing all the ways – from impeachment to death – that presidents have either left office prematurely or just barely avoided doing so. While the pomp and circumstance of presidential elections might draw more attention, the way that presidents are removed teaches us much more about our political order.
Free Admission. Free Parking. Book sales/signing and reception follow program.
Literati is proud to be partnering with Dawn Farm to host Gregory Boyle at the Towsley Auditorium at the Washtenaw Community College.
In this presentation, Gregory Boyle will share how compassion, kindness, and kinship are the tools to fight despair and decrease marginalization. Through his stories and parables, all will be reminded that no life is less valuable than another.
The Rev. Gregory J. Boyle
Gregory Boyle is the founder of Homeboy Industries in Los Angeles, Calif., the largest gang intervention, rehabilitation, and re-entry program in the world.
A Jesuit priest, from 1986 to 1992 Father Boyle served as pastor of Dolores Mission Church, then the poorest Catholic parish in Los Angeles that also had the highest concentration of gang activity in the city.
Father Boyle witnessed the devastating impact of gang violence on his community during the so-called “decade of death” that began in Los Angeles in the late 1980s and peaked at 1,000 gang-related killings in 1992. In the face of law enforcement tactics and criminal justice policies of suppression and mass incarceration as the means to end gang violence, Father Boyle and parish and community members adopted what was a radical approach at the time: treat gang members as human beings.
In 1988 they started what would eventually become Homeboy Industries, which employs and trains former gang members in a range of social enterprises, as well as provides critical services to thousands of men and women who walk through its doors every year seeking a better life.
Father Boyle is the author of the 2010 New York Times-bestseller Tattoos on the Heart: The Power of Boundless Compassion. His 2017 book is the Los Angeles Times-bestseller Barking to the Choir: The Power of Radical Kinship.
He has received the California Peace Prize and been inducted into the California Hall of Fame. In 2014, the White House named Father Boyle a Champion of Change. He received the University of Notre Dame’s 2017 Laetare Medal, the oldest honor given to American Catholics.
A Michigan Map Society Lecture
In the eighteenth century, Britain relied on geographic knowledge to reform its American empire. The schemes of colonial development and control that these maps envisioned, Edelson argues, helped provoke the resistance that led to the American Revolution. Lecture presented in collaboration with the Stephen S. Clark Library. Dr. S. Max Edelson is Professor of History at the University of Virginia. His second book, The New Map of Empire: How Britain Imagined America Before Independence (Harvard University Press, 2017) was a finalist for the George Washington Book Prize and received the John Lyman Book Award for U.S. Maritime History by the North American Society for Oceanic History. Register online.
Discover the untold Story of the “Black Boys,” a rebellion on the American frontier in 1765. Drawing on largely forgotten manuscript sources from across North America, Spero reveals an often-overlooked truth: the West played a crucial role in igniting the flame of American independence. Patrick Spero is a scholar of early American history, specializing in the era of the American Revolution. He is the Librarian and Director of the American Philosophical Society Library in Philadelphia. Dr. Spero holds a Ph.D. from the University of Pennsylvania. Register online.
The 2019 Shakespeare in the Arb play is Twelfth Night, Shakespeare’s story of love and identity, mistaken and otherwise, brims with some of the bard’s most well-loved speeches and songs.
The performance dates and times: Thurs.-Sun., June 6-9; 13-16; 20-23, 6:30 pm.
Now in its 19th year, Shakespeare in the Arb is directed by Kate Mendeloff of the U-M Residential College, Carol Gray, and Graham Atkin, and performed by U-M students and community players. Matthaei-Nichols members receive a discount on tickets. Matthaei-Nichols members may reserve tickets through their online box office beginning in May, and reserve tickets for any performance up to 24 hours before show time and pick up at will call.
For member and non-member questions and information, visit mbgna.umich.edu
Shakespeare in the Arb came into existence in the summer of 2001, when Residential College Drama faculty member Kate Mendeloff was asked to direct an outdoor production as part of a three year Ford Motor Company grant for Arts in the Nichols Arboretum. She chose Shakespeare’s A Midsummer Night’s Dream for its structure — the characters were transformed by the power of the natural world. The production was such a popular success that Mendeloff remounted it the following summer, and “Shakespeare in the Arb” became an Ann Arbor tradition!
The unique experience of Shakespeare in the Arb comes from the environmental staging of the plays. There is no fixed stage; instead, the audience follows the action through different locations in the Arboretum. The staging takes advantage of the vistas and valleys, the special arrangements of the natural settings.
The wide open space of the Arb becomes a panoramic stage, creating a more realistic setting than if every scene was played out directly in front of you. As one critic commented, “The actors used the vastness of its Arb stage to full advantage, making entrances from behind trees, appearing over rises and vanishing into the woods.”
Every year, many UM students, alumni, and faculty members gather to act in Shakespeare in the Arb. The RC offers Spring term class credit to students who participate. The experience blends community, student, and professional-style participation in a theatrical production with the delicate ecology and beautiful environment of the Arb, providing dynamic educational value for participating students.
Auditions occur every April, with rehearsals starting in the Spring term. Performances occur over 3 weekends in June. For information about participation, please contact founder Kate Mendeloff.
To find information about this year’s production of Shakespeare in the Arb, go to Matthei Botanical Gardens and Nichols Arboretum (MBGNA) , or like Shakespeare in the Arb on Facebook for updates on the production!
The 2019 Shakespeare in the Arb play is Twelfth Night, Shakespeare’s story of love and identity, mistaken and otherwise, brims with some of the bard’s most well-loved speeches and songs.
The performance dates and times: Thurs.-Sun., June 6-9; 13-16; 20-23, 6:30 pm.
Now in its 19th year, Shakespeare in the Arb is directed by Kate Mendeloff of the U-M Residential College, Carol Gray, and Graham Atkin, and performed by U-M students and community players. Matthaei-Nichols members receive a discount on tickets. Matthaei-Nichols members may reserve tickets through their online box office beginning in May, and reserve tickets for any performance up to 24 hours before show time and pick up at will call.
For member and non-member questions and information, visit mbgna.umich.edu
Shakespeare in the Arb came into existence in the summer of 2001, when Residential College Drama faculty member Kate Mendeloff was asked to direct an outdoor production as part of a three year Ford Motor Company grant for Arts in the Nichols Arboretum. She chose Shakespeare’s A Midsummer Night’s Dream for its structure — the characters were transformed by the power of the natural world. The production was such a popular success that Mendeloff remounted it the following summer, and “Shakespeare in the Arb” became an Ann Arbor tradition!
The unique experience of Shakespeare in the Arb comes from the environmental staging of the plays. There is no fixed stage; instead, the audience follows the action through different locations in the Arboretum. The staging takes advantage of the vistas and valleys, the special arrangements of the natural settings.
The wide open space of the Arb becomes a panoramic stage, creating a more realistic setting than if every scene was played out directly in front of you. As one critic commented, “The actors used the vastness of its Arb stage to full advantage, making entrances from behind trees, appearing over rises and vanishing into the woods.”
Every year, many UM students, alumni, and faculty members gather to act in Shakespeare in the Arb. The RC offers Spring term class credit to students who participate. The experience blends community, student, and professional-style participation in a theatrical production with the delicate ecology and beautiful environment of the Arb, providing dynamic educational value for participating students.
Auditions occur every April, with rehearsals starting in the Spring term. Performances occur over 3 weekends in June. For information about participation, please contact founder Kate Mendeloff.
To find information about this year’s production of Shakespeare in the Arb, go to Matthei Botanical Gardens and Nichols Arboretum (MBGNA) , or like Shakespeare in the Arb on Facebook for updates on the production!
The 2019 Shakespeare in the Arb play is Twelfth Night, Shakespeare’s story of love and identity, mistaken and otherwise, brims with some of the bard’s most well-loved speeches and songs.
The performance dates and times: Thurs.-Sun., June 6-9; 13-16; 20-23, 6:30 pm.
Now in its 19th year, Shakespeare in the Arb is directed by Kate Mendeloff of the U-M Residential College, Carol Gray, and Graham Atkin, and performed by U-M students and community players. Matthaei-Nichols members receive a discount on tickets. Matthaei-Nichols members may reserve tickets through their online box office beginning in May, and reserve tickets for any performance up to 24 hours before show time and pick up at will call.
For member and non-member questions and information, visit mbgna.umich.edu
Shakespeare in the Arb came into existence in the summer of 2001, when Residential College Drama faculty member Kate Mendeloff was asked to direct an outdoor production as part of a three year Ford Motor Company grant for Arts in the Nichols Arboretum. She chose Shakespeare’s A Midsummer Night’s Dream for its structure — the characters were transformed by the power of the natural world. The production was such a popular success that Mendeloff remounted it the following summer, and “Shakespeare in the Arb” became an Ann Arbor tradition!
The unique experience of Shakespeare in the Arb comes from the environmental staging of the plays. There is no fixed stage; instead, the audience follows the action through different locations in the Arboretum. The staging takes advantage of the vistas and valleys, the special arrangements of the natural settings.
The wide open space of the Arb becomes a panoramic stage, creating a more realistic setting than if every scene was played out directly in front of you. As one critic commented, “The actors used the vastness of its Arb stage to full advantage, making entrances from behind trees, appearing over rises and vanishing into the woods.”
Every year, many UM students, alumni, and faculty members gather to act in Shakespeare in the Arb. The RC offers Spring term class credit to students who participate. The experience blends community, student, and professional-style participation in a theatrical production with the delicate ecology and beautiful environment of the Arb, providing dynamic educational value for participating students.
Auditions occur every April, with rehearsals starting in the Spring term. Performances occur over 3 weekends in June. For information about participation, please contact founder Kate Mendeloff.
To find information about this year’s production of Shakespeare in the Arb, go to Matthei Botanical Gardens and Nichols Arboretum (MBGNA) , or like Shakespeare in the Arb on Facebook for updates on the production!
The 2019 Shakespeare in the Arb play is Twelfth Night, Shakespeare’s story of love and identity, mistaken and otherwise, brims with some of the bard’s most well-loved speeches and songs.
The performance dates and times: Thurs.-Sun., June 6-9; 13-16; 20-23, 6:30 pm.
Now in its 19th year, Shakespeare in the Arb is directed by Kate Mendeloff of the U-M Residential College, Carol Gray, and Graham Atkin, and performed by U-M students and community players. Matthaei-Nichols members receive a discount on tickets. Matthaei-Nichols members may reserve tickets through their online box office beginning in May, and reserve tickets for any performance up to 24 hours before show time and pick up at will call.
For member and non-member questions and information, visit mbgna.umich.edu
Shakespeare in the Arb came into existence in the summer of 2001, when Residential College Drama faculty member Kate Mendeloff was asked to direct an outdoor production as part of a three year Ford Motor Company grant for Arts in the Nichols Arboretum. She chose Shakespeare’s A Midsummer Night’s Dream for its structure — the characters were transformed by the power of the natural world. The production was such a popular success that Mendeloff remounted it the following summer, and “Shakespeare in the Arb” became an Ann Arbor tradition!
The unique experience of Shakespeare in the Arb comes from the environmental staging of the plays. There is no fixed stage; instead, the audience follows the action through different locations in the Arboretum. The staging takes advantage of the vistas and valleys, the special arrangements of the natural settings.
The wide open space of the Arb becomes a panoramic stage, creating a more realistic setting than if every scene was played out directly in front of you. As one critic commented, “The actors used the vastness of its Arb stage to full advantage, making entrances from behind trees, appearing over rises and vanishing into the woods.”
Every year, many UM students, alumni, and faculty members gather to act in Shakespeare in the Arb. The RC offers Spring term class credit to students who participate. The experience blends community, student, and professional-style participation in a theatrical production with the delicate ecology and beautiful environment of the Arb, providing dynamic educational value for participating students.
Auditions occur every April, with rehearsals starting in the Spring term. Performances occur over 3 weekends in June. For information about participation, please contact founder Kate Mendeloff.
To find information about this year’s production of Shakespeare in the Arb, go to Matthei Botanical Gardens and Nichols Arboretum (MBGNA) , or like Shakespeare in the Arb on Facebook for updates on the production!
