Calendar

Mar
24
Sun
Free Screening: Chernobyl Heart, and White Horse, plus conversation with filmmaker Maryann De Leo and RC Professor Herb Eagle @ East Quad Keene Theater
Mar 24 @ 6:00 pm – 8:00 pm

Join us for a free public screening of Chernobyl Heart and White Horse, followed by a Q&A with filmmaker Maryann De Leo and Residential College and Slavic Languages and Literatures professor Herb Eagle.

Maryann De Leo is an American director and producer. She has been working in documentary filmmaking for over twenty years. Her work addresses timely issues under the umbrella of social justice, such as gender-based violence (Rape: Cries from the Heartland, 1991 and Terror at Home, 2005), mental illness (Bellevue: Inside Out, 2001), and urban blight (High on Crack Street: Lost Lives in Lowell, 1995). De Leo has received numerous awards, including an Academy Award for Chernobyl Heart, 2003.

Chernobyl Heart (39 min.) is an Oscar-winning documentary about the effects of radiation on the children of Belarus, 16 years after the accident at the nuclear reactor at Chernobyl. The film begins with the journey into the exclusion zone, driving to the Chernobyl nuclear power plant, and follows the invisible trail of radiation to the country’s hospitals, cancer centers, orphanages, and mental asylums, where the children live, or are being treated for their disease.

White Horse (17 min.) is a short documentary by filmmakers Maryann DeLeo and Christophe Bisson that features a man (Maxym Surkov) returning to his Ukraine home for the first time in twenty years. Evacuated from the city of Pripyat, Ukraine in 1986 due to the Chernobyl disaster, he has not returned since then. White Horse was nominated for a Golden Bear in the 2008 Berlinale.

Mar
28
Thu
Alan Eladio Gomez: Beyond Solidarity: Dignity, Power, and the Politics of Knowledge Production @ Duderstadt Center Gallery
Mar 28 @ 6:00 pm – 7:30 pm

“Beyond Solidarity” traces a genealogy of rebel care work. Without imposing a future, what political, cultural and social questions emerge when we center dignity in thinking beyond solidarity? Specifically with regards to the complimentary, contested and contradictory relationships between the university and the prison, who produces and benefits from the creation and production of knowledge? What is considered knowledge?

What is the role of Ethnic Studies in how we imagine and create a society not centered and organized around the idea that vengeance is justice, that punishment should only mean exile and imprisonment? What is the role of the university in the after-life of incarceration and the after-life of detention, for the communities that students come from, or in relation to policy or pedagogy? How does/can the university reproduce and undue the prison as a total institution? (Strike for print material)

Alan Eladio Gómez is a historian, Southwest Borderlands Scholar and associate professor of justice and social inquiry in the School of Social Transformation at Arizona State University. He is also an affiliated faculty member with the School of Transborder Studies and the Herberger Institute of Design and the Arts. Gómez is the author of The Revolutionary Imaginations of Greater Mexico: Chicana/o Radicalism, Solidarity Politics & Latin American Social Movements (University of Texas Press, 2016)

Semester in Detroit’s Winter 2019 Detroiters Speaker Series: The Costs of Mass Incarceration in Detroit @ Cass Corridor Commons
Mar 28 @ 7:00 pm – 9:00 pm

Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.

Mar
29
Fri
U-M English Sub-concentration Reading @ Literati
Mar 29 @ 7:00 pm – 8:30 pm

Literati is excited to welcome the Creative Writing Sub-concentration seniors in the English Department at the University of Michigan for a night of poetry and prose readings!

Each year the Creative Writing Sub-concentration selects no more than 14 students who spend their senior year working with faculty to complete a creative thesis of poetry or fiction. These collections, the same size as many MFA theses, are first attempts to create book-length manuscripts, and to prepare the writers for their work in the future.

Readers include…

Reema Baydoun transferred to the University of Michigan as a sophomore, and has since spent her time in Ann Arbor studying English and caring for her cat. As an Arab-American poet, she often spends weekends in Dearborn for inspiration and good food.

RC student Ariel Everitt hails from a one-stoplight town in Northeast Michigan and is a junior studying English and Creative Writing at the University of Michigan, where they have been a research assistant in a biogerontology lab, become a peer writing consultant, and won a Hopwood Award. Their fiction tackles the boundaries between people and genres, applying dream logic to science and human connections wherever possible. Ariel plans to pursue an MFA in Creative Writing in the near future.

Madeleine Gaudin is a writer and future Elementary School teacher originally from Austin, Texas. Formerly the Managing Arts Editor at the Michigan Daily, she wrote about movies, music, books and the wonderful hellscape of the Internet for four years before turning her attention to ghost stories and fiction about the apocalypse.

Jenny Hong is a senior studying English with a Sub-concentration in Creative Writing (Poetry). She loves cooking, blogging, and binging TV series on lazy days—and also chatting with people around campus. She is sad that she will no longer be a student in May and enroll in workshops that will give her friendly nudges to write, but she’s also pretty excited for what’s next!

Kate Velguth is a senior studying English. She’s received four Hopwood Awards, and her fiction has appeared in The Washington Square ReviewPleiades, and elsewhere.” Her thesis, a collection of short stories, is entitled The World of Hidden Things. She hopes to teach English in South Korea next year.

Maxim Vinogradov is a local playwright, Michigan student, and is very excited to be reading at Literati! You may have seen his work in productions at Theatre Nova, Slipstream Theatre Initiative, Basement Arts, Outvisible Theatre Company, and others in Michigan, Ohio, and Indiana. He has had the pleasure of receiving two Hopwood Awards in Drama, two Wilde Awards, the National Partners of the American Theatre Playwriting Award from The Kennedy Center, and has spent this past summer in internships and residences with The Public Theater and O’Neill Theater Center. He’d love to thank the University of Michigan and Literati for this privilege, and hopes you enjoy his goofy writing!

Ellison Zak is a senior transfer student at the University of Michigan studying English, creative writing, and linguistics. Her thesis grapples with the secrets we all keep and the toll they can take on ourselves and our relationships. She spends her summers between school road tripping across the country and camping at national parks. More than anything else, she hopes to find employment after graduation.

Mar
30
Sat
RC Players: Farragut North @ East Quad Keene Theater
Mar 30 @ 8:00 pm – 9:30 pm

A political drama by Beau Willimon, presented by RC Players. Farragut North tells the story of Stevie Bellamy, a young press secretary working for Morris, a candidate in the democratic presidential primary. . Keene Theater, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free.

Mar
31
Sun
RC Deutsches Theater: Blaubart: Hofnung der Frauen @ East Quad Keene Theater
Mar 31 @ 2:00 pm – 4:00 pm

Like the original Blue Beard, Heinrich Blaubart brings death to women he meets. Unlike the original Blue Beard, though, he doesn’t seek to do so; in fact, his fear of relationships makes him try to avoid women. Presented in German by students enrolled in RCHUMS 334: From the Page to the Stage. Surtitles will make it possible for even non-German speakers to follow the action on stage. April 6, 8pm-10pm and April 7, 2pm-4pm, Keene Theater. Non-perishable food items or donation at the door. 

Room 6 Productions: 21 Chump Street @ East Quad Keene Theater
Mar 31 @ 8:00 pm – 9:30 pm

Music and lyrics by Lin-Manuel Miranda, presented by Room 6 Productions. A cautionary tale of a high school honors student who falls for a cute transfer girl. He goes to great lengths to oblige her request for marijuana in the hopes of winning her affection – only to find out that his crush is actually an undercover cop planted in the school to find drug dealers. Keene Theater, East Quadrangle, 701 East University, Ann Arbor, MI 48109. Free.

Apr
4
Thu
Semester in Detroit’s Winter 2019 Detroiters Speaker Series: The New Abolition Movement @ Cass Corridor Commons
Apr 4 @ 7:00 pm – 9:00 pm

Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.

Apr
6
Sat
RC Deutsches Theater: Blaubart: Hofnung der Frauen @ East Quad Keene Theater
Apr 6 @ 7:00 pm – 9:00 pm

Like the original Blue Beard, Heinrich Blaubart brings death to women he meets. Unlike the original Blue Beard, though, he doesn’t seek to do so; in fact, his fear of relationships makes him try to avoid women. Presented in German by students enrolled in RCHUMS 334: From the Page to the Stage. Surtitles will make it possible for even non-German speakers to follow the action on stage. April 6, 8pm-10pm and April 7, 2pm-4pm, Keene Theater. Non-perishable food items or donation at the door. 

RC Drama: The Bacchae @ Matthaei Botanical Gardens Conservatory
Apr 6 @ 7:30 pm – 9:30 pm

By Euripides, in a new translation by Jaclyn Dudek.

The God Dionysus and his followers, the Bacchae, take revenge on the conservative and militaristic ruler of Thebes.
This is the end of term performance of RC Hums 481, the Play Production Seminar course, directed by Kate Mendeloff, and staged environmentally in the Conservatory space.

Also Sunday at 7:30 pm.

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