Literati Bookstore is pleased to welcome Veronica Roth to the Ann Arbor District Library’s Downtown Branch in support of her new book, The End and Other Beginnings: Stories from the Future. Veronica will be in-conversation with Alexander Weinstein, author of Children of the New World and the forthcoming Universal Love.
A signing will follow the event. A copy of The End and Other Beginnings: Stories from the Future is required to join the signing line. Copies will be available for purchase through Literati Bookstore at the event. Limit two books per person during the signing line. Additional signing line guidelines will be announced at the event. No posed photos.
Veronica Roth is the #1 New York Times bestselling author of the Divergent Series (Divergent, Insurgent, Allegiant, and Four: A Divergent Collection) and the Carve the Mark series (Carve the Mark, The Fates Divide). Her short stories and essays have appeared in the anthologies Summer Days and Summer Nights, Shards and Ashes, and Three Sides of a Heart. The Divergent Series was developed into three major motion pictures.
This event is in partnership with Literati Bookstore. It includes a signing with books for sale.
Open-mic storytelling competitions. Open to anyone with a five-minute story to share on the night’s theme. Come tell a story, or just enjoy the show!
6:30pm Doors Open | 7:30pm Stories Begin
*Tickets for this event are available one week before the show, at 3pm ET.
*Seating is not guaranteed and is available on a first-come, first-served basis. Please be sure to arrive at least 10 minutes before the show. Admission is not guaranteed for late arrivals. All sales final.
Media Sponsor: Michigan Radio.
FRAUD: Prepare a five-minute story about fakes, liars, and hustlers. Tell us about a time when you felt like a phony or a sham. A moment where you struggled with impostor syndrome? Exposed a con? Catch Me If You Can or fake it ’til you make it.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Peter Ho Davies is the author of two novels, The Fortunes (winner of the Anisfield-Wolf Award and the Chautauqua Prize) and The Welsh Girl(long-listed for the Man Booker Prize), and two short story collections, The Ugliest House in the World (winner of the John Llewelyn Rhys Prize) and Equal Love (A New York Times Notable Book). His work has appeared in Harpers, The Atlantic, The Paris Review, The Guardian, and Washington Post among others, and has been widely anthologized, including selections for Prize Stories:The O. Henry Awards and Best American Short Stories. In 2003 Granta magazine named him among its Best of Young British Novelists. Davies is also a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and is a winner of the PEN/Malamud Award. He is currently on the faculty of the Helen Zell MFA Program in Creative Writing at the University of Michigan in Ann Arbor.
Dwight Wilson will join us to share The Resistors, stories of slavery and the brave black, white, Native American, and multiracial men and women who fought against it.
About the Book
Wilson’s (The Kidnapped, 2018, etc.) new volume of historical fiction weaves together 24 short stories to create a remarkable, multihued portrait of America.
These are the stories of slavery and the brave black, white, Native American, and multiracial men and women who fought against it. The narrative begins in 1795. Esi and Kofi, two Fante from West Africa, were kidnapped and sent to Virginia to be sold. Esi was Fante royalty; Kofi was known for his bravery in confronting a lion. They were 12 years old. Purchased by a farmer from Daufuskie Island, they remained on his plantation until his death in 1801. Esi and Kofi (who assumed the English name Kenneth) married at 16 and were sold to Nathan Prescott of Culpeper, Virginia, to work on his “Fruits of the Spirit” plantation. They had many children, some of whom were forcibly fathered by Prescott. Kenneth earned small amounts of money on the side as a cobbler and was determined to buy his children’s freedom. Then, help appeared from another source. Quaker abolitionists established an underground railroad and offered sanctuary to those who made their way into free territory. In 1827, Kenneth’s daughter Sarah and two of her brothers were rescued by an “African-Shawnee” named Caesar and brought to live with a Quaker family in Ohio. The stories, narrated in the strong and textured voice of Sarah, span the first half of the 19th century. Here, she poignantly describes her father: “I know that Daddy was always a double-sided man: a Fante warrior dressed in a slave’s rags; dignified while disgraced.” The stories are the product of the author’s imagination, informed by years of research and personal lineage. Wilson, himself a Quaker, identifies Sarah as a “direct ancestor.” Each stand-alone tale conveys a quick snapshot of resistance, whether through overt acts of rescue/escape or the quiet refusal to submit to degradation of the soul. The conversational prose captures the cadence and imagery of the period, including racist slurs, but without contrived dialect.
Memorable characters and unique historical details illuminate slavery’s complex legacy.
About the Author
Dwight L. Wilson is father to four sons and grandfather to two grandsons and two granddaughters. He lives in Ann Arbor with his wife Diane, an attorney.
He spent 41 years as a school professional including serving as Headmaster and Dean as well as Assistant Chaplain at Oberlin College and Associate Dean at Marshall University. He is also a recorded Friends Minister who pastored Durham Maine Friends Meeting and is the only person of color to serve as General Secretary of Friends General Conference.
Currently he serves as Co-Director of the Washtenaw County Interfaith Round Table, helping to deepen the understanding and inter-congregation support of the myriad spiritual groups of Ann Arbor, Michigan and environs.
Among Friends, as a volunteer he has served on the national board of the American Friends Service Committee, as Clerk of Earlham School of Religion and as a trustee with Friends World College, Haverford College, Wilmington College, Medford Leas Retirement Center, Rancocas Friends School and Pendle Hill. With non-profits he has been Chair of the Wayne State Medical School Anti-Prostate Cancer Study Group, Afri-Male Institute and Burlington County Boys and Girls Club as well as a trustee with the Burlington County YMCA. SafeHouse Womens Center and Student Advocacy Center. He served seven years as Ann Arbor Human Rights Commission where for four years he chaired the Subcommittee on Police Oversight.
He has published historical fiction including The Kidnapped: A Collection of Stories, The Resistors: A Collection of Stories and six books in the series Esi Was My Mother. His book Modern Psalms in Search of Peace and Justice is fed by his Quaker faith and a lifetime of social activism. His haiku and essays on Japanese Poetry have been published in periodicals spanning the globe.
In addition to writing historical novels and modern psalms he has published both religious and educational articles in a variety of magazines and been featured author in The Inclusive School.
Fri, Oct 4, 5:30 PM
CREES Distinguished Lecture and Film. “From the Soviet Gulag to Franco’s Spain: Historical Fiction’s Power for Global Dialogue.” Ruta Sepetys, author. Lecture followed at 7 PM by a screening of Ashes in the Snow. Marius A. Markevicius, director (98 min., 2018), based on the novel Between Shades of Gray, by Ruta Sepetys. Sponsor: CREES. Michigan Theater, 603 E. Liberty.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends–a Webster reading makes for an enjoyable and enlightening Friday evening.
This week’s reading features Nishanth Injam and Monica Rico.
Nishanth Injam is a fiction writer from Telangana, India. He currently lives in Ann Arbor.
Monica Rico is a second generation Mexican-American from Saginaw, MI and a 2019 CantoMundo Fellow. She works for the Bear River Writers’ Conference.
Celebrating our common humanity uniting us all.
On September 22, 29, and October 6, 7:00 pm, the theatre company, Apollo’s Troupe, will stage the theatre adaptation of the critically-acclaimed epic poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Fresh from performing in May at Wayne State University’s Studio Theatre, this stage adaptation of Mr. Glaysher’s epic work in verse keeps intact much of the beautiful poetry that exemplifies this spectacular book while seeking to reach a new audience with its message of how poetry and artistry from all times and cultures can elevate the world and redefine our lives for the better.
Glaysher studied with Robert Hayden during the last year of his life, worked for him as a secretary, and editing his Collected Prose for the University of Michigan Press and his Collected Poems for Liveright. Glaysher holds two degrees from U of M, the latter a Master’s in English. When it came time for writing his epic poem, Glaysher knew he had to include Robert Hayden to try to honor his former teacher, mentor, and friend.
Taking place on the moon at the Apollo 11 landing site, a lone poet finds himself charged by Don Quixote and “The Parliament of Poets” to spread a new message of beauty, unity, and love to all nations of our fractured modern world. He is then sent to meet with the great poets, myths, and characters from history, East and West, to be mentored on his quest towards enlightenment and understanding.
The cast is comprised of the poet himself, as a persona, The Poet of the Moon, as well as five talented actors playing multiple roles including Don Quixote, Merlin the Magician, Jane Austen, Ann Arbor Poet Robert Hayden, Leo Tolstoy, the Biblical prophet-poet Job, the great Chinese poet Du Fu, the African Queen Sogolon, and many more. These actors are Dennis Kleinsmith as Don Quixote and Tolstoy (Theatre Nova, JET, Shakespeare in Detroit, etc.), Krystle Dellihue as Robert Hayden and Queen Sogolon from the Mali epic Sundiata (Shakespeare In Detroit, Matrix Theatre, Redbud, PTD), Alexander Sloan, also as Robert Hayden and Jorge Luis Borges (Open Book, Water Works, Hope College), Marley Boone, as the Fairy Queen and the Chinese Tang poet Du Fu (Williamston, St. Dunstan’s, several Philadelphia theatres), Patrick Grimes, as the African Flying Tortoise Mbeku, Merlin, Virgil, and William Blake (Redbud, Morris, Young People’s Theatre). The stage manager is Briana O’Neal, the new resident stage manager at Theatre Nova (Eastern MSU, Ann Arbor Civic Theatre).
In the canto with Robert Hayden, he invokes the passage from Stephen Vincent Benet’s John Brown’s Body about one day there would be an American black poet who would sing for his people. Hayden then calls forth the fairies and magical beings from around the world, throughout time, to carry him and his “charge,” the Poet of the Moon, heavenward to the Apollo 11 landing site.
Based on staging by Jeff Thomakos, of the Michigan Michael Chekhov Studio, the show is a unique blend of poetry reading, protest play, and performance art with a powerful message of peace, love, and humanity on the tiny, blue marble floating in space that we all share together.
“I am very honored to try to bring this critically-acclaimed work, from one of Michigan’s most talented poets to life. I think it will be a unique and moving experience,” says Mr. Thomakos.
The show will be a Guest Production at Theatre Nova, 410 West Huron Street. Performances will take place 7:00 – 9:00 pm on Sunday evenings September 22, 29, and October 6. Tickets are at the door and online under Guest Productions, https://www.theatrenova.org/guest-productions $22 general, $15 students. Go to TheatreNova.org or EarthrisePress.Net for more information. Or call 248-453-4220. The Parliament of Poets can be purchased at Crazy Wisdom Bookstore.
Social media is here to stay, and every writer should have some kind of online presence. But hard-sell techniques are so last-century, and savvy writers can do better. In this workshop, Alex Kourvo and Bethany Neal will show you how to make genuine connections online, interact with readers, and get your name out there in a low-stress way.
This is part of the monthly Emerging Writers Workshops, which offer support, learning, and advice for local authors. Each month, two weeks after the workshop, there is a meet-up where the instructors will read samples of your work and offer advice and assistance in a casual, supportive atmosphere.
Do you have a completed manuscript? Consider submitting it to the library’s imprint Fifth Avenue Press.
Drawing on archival research and fieldwork, this talk will explore how B.K.S.Iyengar, (1918-2014) widely acclaimed as a man instrumental in bringing postural yoga to the West, came to understand yoga as an art and see himself as an artist.
The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.