RC Creative Writing alumna Carmen Bugan is a poet and author of the critically acclaimed memoir Burying the Typewriter. She visits in support of her collection of new and selected poems, Lilies from America. Book signing to follow. Free and open to the public.
About the collection: This selection of Carmen Bugan’s poems offers readers an experience with all the surprise and continuity of a long, complex novel. Childhood, youth, the move from a traditional rural world, dominated by lovingly described grandparents, to exile, urban life, parents aging, children growing – all the private normalities which are so often the material of poetry are here. But, from the striking opening, where the poet’s parents work secretly on a typewriter, buried and dug up after the children are in bed, on Samizdat protests against the government of Romania, normality collides with history. A reality of state surveillance, abuse and incarceration fills the poems with urgency, even as memories are revisited and sometimes revised.
Carmen Bugan’s books include the memoir Burying the Typewriter: Childhood Under the Eye of the Secret Police (Picador), which has received international critical praise, the Bread Loaf Conference Bakeless Prize for Nonfiction, and was a finalist in the George Orwell Prize for Political Writing, and the Dayton Literary Peace Prize. Her collections of poems are Releasing the Porcelain Birds and The House of Straw (both with Shearsman Books), and Crossing the Carpathians(Carcanet Press). She is also the author of a critical study on Seamus Heaney and East European Poetry in Translation: Poetics of Exile. Her work has been translated into several languages and she is a regular reviewer for Harvard Review Online. Bugan was awarded a large grant from the Arts Council of England, was a Creative Arts Fellow in Literature at Wolfson College, Oxford University, was a Hawthornden Fellow, the 2018 Helen DeRoy Professor in Honors at the University of Michigan, and is a George Orwell Prize Fellow. She has a doctorate in English literature from Balliol College, Oxford University. She now lives in the USA with her husband and children.
Amy Auscherman, Corporate Archivist for Herman Miller, Inc, discusses her new book Herman Miller: A Way of Living, a chronicle of the rich history of the innovative furniture company, from its founding in the early twentieth century to today.
For more than 100 years, Michigan-based Herman Miller has played a central role in the evolution of modern and contemporary design, producing timeless classics while creating a culture that has had a remarkable impact on the development of the design world. Ten chapters and thousands of illustrations in this new book tell the Herman Miller story as never before, documenting its defining moments and key leaders.
Amy Auscherman has managed the company’s extensive design archive since 2014, She also served as an editor for WHY Magazine, curated exhibitions, and contributed to design history scholarship through writing and lecturing. Her work has been featured in Architectural Digest, AIGA’s Eye on Design, AXIS, Curbed, Dwell, Fast Company, PIN-UP, Surface, among many others. Podcast and television appearances include TED’s WorkLife with Adam Grant and Viceland’s Nuts+Bolts with Tyler, The Creator.
The event is in partnership with the Michigan chapter of Docomomo US and will be hosted by Martin Bandyke, morning drive host on ann arbor’s 107one. It includes a signing with books for sale.
We welcome filmmaker, writer and University of Michigan alumna Faith Pennick in support of her 33 1/3rd series entry, D’Angelo’s Voodoo. The event is free and open to the public, a book signing will follow.
About the book: Voodoo, D’Angelo’s much-anticipated 2000 release, set the standard for the musical cycle ordained as “neo-soul,” a label the singer and songwriter would reject more than a decade later. The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip-hop, and Afrobeats. D’Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla…and a deconstruction of rhythm and blues itself.
Despite nearly universal acclaim, the sonic expansiveness of Voodoo proved too nebulous for airplay on many radio stations, seeping outside the accepted lines of commercial R&B music. Voodoo was Black, it was definitely magic, and it was nearly overshadowed by a four-minute music video featuring D’Angelo’s sweat-glistened six-pack abs. “The Video” created an accentuated moment when the shaman lost control of the spell he cast.
Faith Pennick is a Chicago-born, Los Angeles-based filmmaker and writer. Her most recent film is Weightless, a documentary short about plus-sized female scuba divers. Her other films include the documentary Silent Choices and narrative short film Running on Eggshells. Pennick is also a contributing writer to pop culture website The Learned Fangirl.