Jessica Shattuck is the award-winning author of The Hazards of Good Breeding, which was a New York Times Notable Book and finalist for the PEN/Winship Award, and Perfect Life. Her writing has appeared in the New York Times, New Yorker, Glamour, Mother Jones, Wired, and The Believer, among other publications. A graduate of Harvard University, she received her MFA from Columbia University. She lives with her husband and three children in Brookline, Massachusetts.
Laura Hulthen Thomas’s short fiction and essays have appeared in a number of journals and anthologies, including The Cimarron Review, Nimrod International Journal, Epiphany, and Witness. She received her MFA in fiction writing from Warren Wilson College. She currently heads the undergraduate creative writing program at the University of Michigan’s Residential College, where she teaches fiction and creative nonfiction.
Have you ever pulled a ratatouille and found a rat on your head? Do you ever question the larger impact of a cup of coffee? Have you gotten fed up with constantly being kidnapped? Ever daydream about America’s history if women were the founders?
Do you enjoy question leads that ultimately serve as clickbait in order to intrigue potential audience members?
Then we are the place for you! RC Players is hosting our semi-annual comedic Evening of Scenes performance Friday, Jan. 26 and Saturday, Jan. 27 at 8 p.m. in the Keene Theater, located in the basement of our dear East Quad. As always, our production is as free as the wind beneath my wings!
Tell your friends, tell your neighbors, tell your parents, tell your dogs and cats and lizards and rats (they can find themselves in the subject matter of one of the scenes)! Feel free to share this event, or invite people who would love a good laugh in a theater.
Have you ever pulled a ratatouille and found a rat on your head? Do you ever question the larger impact of a cup of coffee? Have you gotten fed up with constantly being kidnapped? Ever daydream about America’s history if women were the founders?
Do you enjoy question leads that ultimately serve as clickbait in order to intrigue potential audience members?
Then we are the place for you! RC Players is hosting our semi-annual comedic Evening of Scenes performance Friday, Jan. 26 and Saturday, Jan. 27 at 8 p.m. in the Keene Theater, located in the basement of our dear East Quad. As always, our production is as free as the wind beneath my wings!
Tell your friends, tell your neighbors, tell your parents, tell your dogs and cats and lizards and rats (they can find themselves in the subject matter of one of the scenes)! Feel free to share this event, or invite people who would love a good laugh in a theater.
The 2018 Hopwood Underclassmen Awards will be announced and celebrated by Hopwood director Michael Byers. Six RC students have won awards. After the presentation of these awards, Antonya Nelson will offer a reading.
Antonya Nelson is the author of four novels, including Living to Tell and Bound, and seven short story collections, including Some Fun, Nothing Right, and, most recently, Funny Once. Her short stories have appeared in Esquire, The New Yorker, Ploughshares, Quarterly West, Harper’s, and other magazines. They have been anthologized in Prize Stories: The O. Henry Awards and Best American Short Stories. She teaches in the Warren Wilson College MFA Program for Writers, as well as in the University of Houston’s Creative Writing Program.
The RC Resident Advisors are proud to present:
Open-Mic Night
February 8th, 7:30-9pm in the Java Blu Cafe right here in East Quad–
ft. local band City of Lakes!
City of Lakes comes from a variety of musical backgrounds, fusing styles of indie-folk, blues, and traditional scores, with influences such as Band of Horses and Head and the Heart.
RC Creative Writing Faculty may be making an appearance…
and ALL are welcome to to come perform a poem, a story, a song, or anything else!
Sign up here: https://docs.google.com/forms/d/e/1FAIpQLSfUEkRd0AtSYg69ltCs8L2ylEwV2nm-7rxFYg4t1_fIWPzwyQ/viewform
Email eshabis@umich.edu with any questions!
Students of Kate Mendeloff’s class RCHUMS 481 perform four short plays by Tennessee Williams.
U-M drama students in Kate Mendeloff’s play production seminar direct and perform renowned English playwright Caryl Churchill’s acclaimed 2012 play about relationships in the digital age presented as an evolving mosaic of more than 50 fragmented and superficially unconnected scenes.
7 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354.
Karen L. Cox is an award-winning historian who has written op-eds for the New York Times, The Washington Post, CNN, TIME magazine, Publishers Weekly, and the Huffington Post. Her expertise on the American South has led to interviews with the Los Angeles Times, Newsweek, The Daily Beast, Mic, The Atlantic, the Wall Street Journal, Slate (France), the Atlanta-Journal Constitution, the Houston Chronicle, and the Charlotte Observer, as well as international newspapers in Germany, Denmark, Ireland, and Japan. She has also appeared on BBC Newshour, Black Politics Today, The Mike Smerconish Show (Sirius XM), C-SPAN, Canadian Public Broadcasting, Minnesota Public Radio, Georgia Public Radio, and Charlotte Talks.
Cox is the author of three books and numerous essays and articles on the subject of southern history and culture. Her first book, Dixie’s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture, won the 2004 Julia Cherry Spruill Prize from the Southern Association for Women Historians for the Best Book in Southern Women’s History. Her second book, published by UNC Press in 2011, is Dreaming of Dixie: How the South Was Created in American Popular Culture. She is also the editor of Destination Dixie: Tourism and Southern History (University Press of Florida, 2012), which won the Allen G. Noble Book Award from the Pioneer America Society for the Best Edited Book on North American material culture. She authored the blog Pop South: Reflections on the South in Popular Culture where she wrote over 100 essays about representations of the region and its people in popular media.
Her most recent book, Goat Castle: A True Story of Murder, Race, and the Gothic South, was released in October 2017.
Cox is originally from Huntington, West Virginia, and is professor of history at the University of North Carolina at Charlotte.
The RC’s Center for World Performance Studies Faculty Lecture Series features Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.
Emily Wilcox is Assistant Professor of Modern Chinese Studies at U-M.
During the latter half of the 1980s, a popular dance craze known as “piliwu” 霹雳舞 swept urban communities across China. Incorporating two new styles of U.S. urban popular dance–New York-based b-boying/b-girling or “breaking” and California-based popping and locking– piliwu was China’s first localized movement of hip-hop culture, which reflected new circuits of intercultural exchange between China and the United States during the first decade of China’s Reform Era. Analyzing the dance choreography recorded in a 1988 Chinese film, Rock Youth 摇滚青年 (dir. Tian Zhangzhuang), together with media reports and testimonials from members of China’s piliwu generation, this talk reconstructs the history of the piliwu movement, arguing for the central influence of U.S. pop culture icon Michael Jackson, the growth of China’s underground commercial dance (zou xue 走穴) economy, and the agency of dancers’ bodies in transnational movements of media culture.
RC Players is thrilled to present Noël Coward’s Blithe Spirit as this semester’s full-length production.
Blithe Spirit is a farcical play that follows Charles Condomine, a novelist who invites a medium to his home in order to gather information for his latest novel. However, this quickly backfires: as a result of the encounter, Charles finds himself haunted by his mischievous first wife, Elvira. Throughout the play, Elvira does her best to undermine Charles’s relationship with his current wife Ruth, who cannot see or hear her. Hijinks ensue, and Charles must rely on the eccentric Madame Arcati to help the spirits pass on. The play looks at marriage, gender roles, and dealing with past mistakes, all with a supernatural twist.
Performances will take place in the Keene Theater, located in the basement of East Quadrangle, Friday March 16 and Saturday March 17 at 8 p.m.
Admission is pay what you can, which can mean FREE!
