Join us for a celebration of authors, books, art, and bratwurst.
Booktoberfest will feature industry experts from around the country, offering advice and insight for authors, as well as fun and educational activities for the whole family.
Authors can even pitch their books to a panel of experts for a chance to win a publishing package from Thomson-Shore! (Must sign up for the pitch contest ahead of time by visiting thomsonshore.com/booktoberfest.)
Enjoy a day of music, food, and fun, while learning about the ever-changing world of publishing and bookmaking. A portion of proceeds will benefit 826 Michigan.
Literati is exited to host poet Elizabeth Schmuhl, an RC Creative Writing alum, who will be reading from her new collection Premonitions. Keith Taylor will give an introduction to the reading and lead a Q&A discussion aftewards.
Visceral and brimming with vitality, the poems in Premonitions reverberate with the voice of a woman on a secluded farm, confronting her emotional and physical isolation. Drawing on her own experience as a daughter of a third-generation fruit farmer, Elizabeth Schmuhl gives readers a fresh and powerful perspective on what it means to be alive.
Layering one upon another, the poems blur boundaries and create a volatile state out of which the remarkable and unexpected occur. Embracing chaos, change, and unpredictability, these poems are energetically charged and infused with succinct, imagistic language. They reach beyond the constraints assigned to the female form and examine a place where time, the body, sexuality, and the natural world are not fixed. At times surreal, at others painfully real, the poems in Premonitions are the expression of a human life that merges and melds with the world around it, acting and reacting, loving and despairing, disintegrating and rebuilding. The speaker travels fluidly between strata of the natural world and her own body. Adding to the complexity of her poems, Schmuhl creates additional layers of meaning as the poems and their titles relate to the author’s synesthesia, a sensory phenomenon through which letters and numbers are experienced as colors and emotions.
Premonitions will turn the reader inward, encouraging the examination of the small details of life and a growing acceptance of the perpetual turmoil and uncertainty of existence despite our own desire to find a firm footing. This volume will be prized by lovers of contemporary poetry and literature alike.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
7 p.m., Literati, 124 E. Washington. Free. 585-5567
This local poet reads from Love Dream with Television, her debut collection, written in Tucson, Arizona, that “wonders through the ways in which television, film, advertising, sporting events, and celebrity culture weave their ways into our lived experiences,” says Ensor. “Tucson and its queers have pushed me to be more in my body, more in conversation with place and spirit and alchemy.” Signing.
7 p.m., Literati, 124 E. Washington. Free. 585-5567
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
Literati Bookstore is thrilled to welcome Lindsay-Jean Hard who will be sharing her new cookbook Cooking with Scraps: Turn Your Peels, Cores, Rinds, and Stems Into Delicious Meals
About Cooking with Scraps:
“A whole new way to celebrate ingredients that have long been wasted. Lindsay-Jean is a master of efficiency and we’re inspired to follow her lead!” –Amanda Hesser and Merrill Stubbs, cofounders of Food52
In 85 innovative recipes, Lindsay-Jean Hard shows just how delicious and surprising the all-too-often-discarded parts of food can be, transforming what might be considered trash into culinary treasure.
Here’s how to put those seeds, stems, tops, rinds to good use for more delicious (and more frugal) cooking: Carrot greens–bright, fresh, and packed with flavor–make a zesty pesto. Water from canned beans behaves just like egg whites, perfect for vegan mayonnaise that even non-vegans will love. And serve broccoli stems olive-oil poached on lemony ricotta toast. It’s pure food genius, all the while critically reducing waste one dish at a time.
“I love this book because the recipes matter…show[ing] us how to utilize the whole plant, to the betterment of our palate, our pocketbook, and our place.” –Eugenia Bone, author of The Kitchen Ecosystem
“Packed with smart, approachable recipes for beautiful food made with ingredients that you used to throw in the compost bin!” –Cara Mangini, author of The Vegetable Butcher
Lindsay-Jean Hard received her Master’s in Urban Planning from the University of Michigan. Her education and passion for sustainability went on to inform and inspire her work in the garden, home, and community. The seeds of this book were planted in her Food52 column of the same name. Today she works to share her passion for great food and great communities as a marketer at Zingerman’s Bakehouse. She lives, writes, loves, and creates in Ann Arbor, Michigan.
Hosted by Joe Kelty, Ed Morin, and Dave Jibson
see our blog at Facebook/Crazy Wisdom Poetry Series
Crazy Wisdom Bookstore and Tea Room, 114 S. Main St. Free. firstname.lastname@example.org www.crazywisdom.net
Literati is honored to host Sid Smith who will be sharing her husband’s book Canio’s Secret: A Memoir of Ethnicity, Electricity, and my Immigrant Grandfather’s Wisdom about the life of his grandfather Canio Grieco
About Canio’s Secret:
In 1950s Chicago, a young boy hides in his bedroom closet to escape a father’s habitual rage. There he conjures up another paternal figure in his artistic Italian grandfather, Canio Grieco, his glimpse into happiness. With his wondrous tricks and stories of “Italy,” his library and drawings, his baseball and opera, Canio becomes the model of creativity for the lonely, introverted grandson.
Surviving through ingenuity and imagination, young Greg is fascinated by electricity and the world of men: he sticks his fingers in Christmas light sockets, finds unexpected mentors in a washing machine repair shop, fantasizes about the fate of missing fathers, and eventually betrays his grandfather at the billiard table.
Canio’s Secret is a coming-of-age story chronicling a boy’s poignant struggle to find consolation in his mother’s Catholicism and to break free of his father’s anger. Told through intimate portraits of parents and grandparents, nuns and janitors, friends and local characters, and their unsettling – often humorous – encounters, it is also the vibrant portrait of a multi-ethnic neighborhood soon to be scattered by white flight. And, as the older writer ponders his grandfather’s influence, the memoir becomes a meditation on Canio’s enigmatic advice, offered in the summer of 1953: “Happiness is all that’s required.”
Hannah Ensor, a poet living in Ypsilanti, RC alum, and assistant director the Hopwood Program, has published on topics of pop culture, sports, and mass media. She co-wrote the chapbook, at the intersection of 3, and was associate editor of Bodies Built for Game, an anthology of contemporary sports literature. Love Dream With Television is her first book of poems.
Suzi F. Garcia is an editor at Noemi Press and a representative for the Latinx Caucus. She is also a CantoMundo Fellow and a Macondista. Her writing has been featured in or is forthcoming from the Offing, Vinyl, Barrelhouse Magazine, Fence Magazine, and more. She can be found at: www.suzifgarcia.com.
All writers welcome to read their own or other favorite poetry or short fiction afterward at open mic. Hosted by Joe Kelty, Ed Morin, and Dave Jibson
see our blog at Facebook/Crazy Wisdom Poetry Series.
Crazy Wisdomn Bookstore and Tea Room, 114 S. Main St. Free. email@example.com www.crazywisdom.net
Transformation, Aesthetics, and Beauty: Translating Zen Master Ikkyu and Classical Chinese Poetry
Translators Sarah Messer and Kidder Smith will introduce Zen Master Ikkyu, an unconventional 14th century enlightened Zen Master who wrote poems in Classical Chinese, upended gender roles, and transformed the aesthetics of medieval Japan. They will also discuss how they translated Ikkyu’s poetry since Sarah didn’t know any Chinese at the start. All of us together will then translate a poem from Chinese into English, using the same method that Sarah and Kidder employed. We will conclude by enjoying some cheese from White Lotus Farms (where Sarah works), understanding that cheesemaking also involves transformation, aesthetics, mindfulness, and beauty.
RC alumna Sarah Messer is the author of four books, a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Messer co-founded One Pause Poetry and teaches Creative Writing at the RC and is a cheesemaker at White Lotus Farms.
For many years Kidder Smith taught Chinese history at Bowdoin College in Maine, where he also chaired the Asian Studies Program. He is the lead translator of Sun Tzu—the Art of War (Shambhala), and (with Sarah Messer), Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press).
James and Grace Lee Boggs left a remarkable legacy through their shared activism, writing, and mentoring. To mark what would be James Boggs’s 100th birthday Spring 2019, the James and Grace Lee Boggs Center in Detroit revisits his writings and activism, exploring the ways his and Grace’s efforts to bring about revolutionary change continue through a powerful lineage of thought and activism in contemporary community work in Detroit.
Stephen Ward is a historian at the University of Michigan who teaches in the Department of Afroamerican and African Studies (DAAS) and the Residential College, and he is the faculty director of the Semester in Detroit program. He is also a board member of the James and Grace Lee Boggs Center to Nurture Community Leadership. He is the author of In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs.