Literati Bookstore is pleased to be on hand to sell books for the Clements Library’s ongoing lecture series. This event features Jason S. Lantzer presenting his lecture Torn Asunder: Faith, Higher Education, Politics and the Davidson family during the Civil War. Literati will have copies of Jason’s related book, Rebel Bulldog, available for purchase.
About the lecture: The Davidson family of Indianapolis is a near-perfect microcosm of the United States during Civil War. With roots in the South, but living in the North the family’s ties to religious, education, and political leaders and institutions cast new light on the loyalties Americans felt towards their region, nation and the institution of slavery.
Central to the story is Preston Davidson, a Hoosier by birth, who fought for the Confederacy alongside his Virginian cousins. On the other side, stands his brother Dorman, who fought to preserve the Union. How these two ended up on opposing sides of the greatest conflict in American history is the story of how familial expectations, faith, higher educational opportunities, and political loyalties all played into the struggle over if the nation would be divided or united and whether or not slavery would flourish or be abolished.
Jason S. Lantzer holds a BA, MA, and PhD all from Indiana University. His research and writing interests center on the intersection of religion, politics, and law in American History. His book, “Rebel Bulldog: The Story of One Family, Two States, and the Civil War” was published in 2017. Dr. Lantzer serves as the Assistant Director of the Butler University Honors Program.
Pamela Reynolds will speak about her book The Uncaring, Intricate World: A Field Diary, Zambezi Valley, 1984-85 (Duke 2019). Professor Emerita of Anthropology at Johns Hopkins University and Honorary Professor at the University of Cape Town, Reynolds is author of War in Worcester: Youth and the Apartheid State. As U-M Presidential Professor she conducted the 2001-02 Mellon Seminar: Contested Childhood in a Changing Global Order. Following her talk, she is available for further conversation at a reception and book signing held in her honor. Reception RSVP at lizgoode@umich.edu
Ellen Muehlberger (history, classical studies, Middle East studies) and Deborah Dash Moore (Judaic studies, history) discuss Muehlberger’s latest book, followed by Q & A.
Late antiquity saw a proliferation of Christian texts dwelling on the emotions and physical sensations of dying—not as a heroic martyr in a public square or a judge’s court but as an individual, at home in a bed or in a private room. In sermons, letters, and ascetic traditions, late ancient Christians imagined the last minutes of life and the events that followed death in elaborate detail. This book traces how, in late ancient Christianity, death came to be thought of as a moment of reckoning: a physical ordeal whose pain is followed by an immediate judgment of one’s actions by angels and demons and, after that, fitting punishment. This emphasis on the experience of death ushered in a new ethical sensibility among Christians, in which one’s death was to be imagined frequently and anticipated in detail. This was initially meant as a tool for individuals: preachers counted on the fact that becoming aware of a judgment arriving at the end of one’s life tends to sharpen one’s scruples. But, as this book argues, the change in Christian sensibility toward death did not just affect individuals. Death imagined as the moment of reckoning created a fund of images and ideas within late ancient Christian culture about just what constituted a human being and how variances in human morality should be treated. This had significant effects on the Christian adoption of power in late antiquity, especially in the case of power’s heaviest baggage: the capacity to authorize violence against others
Join us for a thought-provoking conversation about the culprits of and solutions for the largest issues facing the world today.
The Erb Institute is proud to host an evening with Anand Giridharadas, author of the National Best Seller, Winners Take All: The Elite Charade of Changing the World. This candid conversation will examine the role of business in society, the flaws of philanthropy and the possibility of changing the world from the ground up. We’ll discuss climate change—culprits, challenges and collaboration for progress—social inequality—who’s winning, who’s losing and why—and what needs to change.
Seating will be on a first come first served basis. Book signing in partnership with Literati to immediately follow the event.
Ambassador Dennis Ross is counselor and William Davidson Distinguished Fellow at The Washington Institute for Near East Policy. Prior to returning to the Institute in 2011, he served two years as special assistant to President Obama and National Security Council senior director for the Central Region, and a year as special advisor to Secretary of State Hillary Rodham Clinton. For more than twelve years, Ambassador Ross played a leading role in shaping U.S. involvement in the Middle East peace process and dealing directly with the parties in negotiations. A highly skilled diplomat, Ambassador Ross was U.S. point man on the peace process in both the George H. W. Bush and Bill Clinton administrations.
The theatre company Apollo’s Troupe, will stage the theatre adaptation of the critically-acclaimed epic poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Fresh from performing in May at Wayne State University’s Studio Theatre, this stage adaptation of Mr. Glaysher’s epic work in verse keeps intact much of the beautiful poetry that exemplifies this spectacular book while seeking to reach a new audience with its message of how poetry and artistry from all times and cultures can elevate the world and redefine our lives for the better.
Glaysher studied with Robert Hayden during the last year of his life, worked for him as a secretary, and edited his Collected Prose for the University of Michigan Press and his Collected Poems for Liveright. Glaysher holds two degrees from U of M, the latter a Master’s in English. When it came time for writing his epic poem, Glaysher knew he had to include Robert Hayden to try to honor his former teacher, mentor, and friend.
Taking place on the moon at the Apollo 11 landing site, a lone poet finds himself charged by Don Quixote and “The Parliament of Poets” to spread a new message of beauty, unity, and love to all nations of our fractured modern world. He is then sent to meet with the great poets, myths, and characters from history, East and West, to be mentored on his quest towards enlightenment and understanding.
The theatre company Apollo’s Troupe, will stage the theatre adaptation of the critically-acclaimed epic poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Fresh from performing in May at Wayne State University’s Studio Theatre, this stage adaptation of Mr. Glaysher’s epic work in verse keeps intact much of the beautiful poetry that exemplifies this spectacular book while seeking to reach a new audience with its message of how poetry and artistry from all times and cultures can elevate the world and redefine our lives for the better.
Glaysher studied with Robert Hayden during the last year of his life, worked for him as a secretary, and edited his Collected Prose for the University of Michigan Press and his Collected Poems for Liveright. Glaysher holds two degrees from U of M, the latter a Master’s in English. When it came time for writing his epic poem, Glaysher knew he had to include Robert Hayden to try to honor his former teacher, mentor, and friend.
Taking place on the moon at the Apollo 11 landing site, a lone poet finds himself charged by Don Quixote and “The Parliament of Poets” to spread a new message of beauty, unity, and love to all nations of our fractured modern world. He is then sent to meet with the great poets, myths, and characters from history, East and West, to be mentored on his quest towards enlightenment and understanding.
The theatre company Apollo’s Troupe, will stage the theatre adaptation of the critically-acclaimed epic poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Fresh from performing in May at Wayne State University’s Studio Theatre, this stage adaptation of Mr. Glaysher’s epic work in verse keeps intact much of the beautiful poetry that exemplifies this spectacular book while seeking to reach a new audience with its message of how poetry and artistry from all times and cultures can elevate the world and redefine our lives for the better.
Glaysher studied with Robert Hayden during the last year of his life, worked for him as a secretary, and edited his Collected Prose for the University of Michigan Press and his Collected Poems for Liveright. Glaysher holds two degrees from U of M, the latter a Master’s in English. When it came time for writing his epic poem, Glaysher knew he had to include Robert Hayden to try to honor his former teacher, mentor, and friend.
Taking place on the moon at the Apollo 11 landing site, a lone poet finds himself charged by Don Quixote and “The Parliament of Poets” to spread a new message of beauty, unity, and love to all nations of our fractured modern world. He is then sent to meet with the great poets, myths, and characters from history, East and West, to be mentored on his quest towards enlightenment and understanding.
Professor Hottman-Wei, Director of the U-M Residential College’s Chinese Music Ensemble, presents a rare opportunity to hear the bowed stringed instrument considered a symbol of the Mongolian nation. She will also discuss the numerous cultural contexts in which the Morin Khurr is played.
The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.
This talk introduces Jacobo Glantz’s 1939 Mexican Yiddish epic poem Kristobal Kolon, arguing that Glantz’s poem is a point of origin for his daughter, historian and writer Margo Glantz’s later feminist reexaminations of the colonial histories of Mexico. Jacobo Glantz’s counter-canonical retelling of the Americas’ most iconic foundational myth relied on Columbus’s journals and the new, more critical histories of Columbus emerging in the 1930s. But Luis de Torres, not Columbus, is at the center of Glantz’s retelling. De Torres was the only Jew on Columbus’s crew, hired by Columbus to serve as an interpreter. Written in a deliberately multilingual Yiddish with Spanish, Taino, Latin and Hebrew borrowings, Glantz’s epic functions as critical counter-history, a wild re-imagining of a history he knew so well. This lecture explores the ways in which the myth of Columbus can be mobilized to unearth “underground” indigenous, African, Muslim and Jewish histories in the New World, and suggests a new geography for American Jewish literature that exceeds the boundaries of English and the United States.
Supported by the Louis and Helen Padnos Fund
