Monthly meeting of the AASG Open to the public. This Month we are at the Ann Arbor Civic Theatre’s Studio.
Come on out to Serendipity Books in Chelsea for a night of chills and thrills. The telling starts simple and small with not-so-scary stories for kids. The stories slowly become more scary and MORE ADULT as the night progesses. Stay if you dare, but BE WARNED! Things get pretty creepy around here.
Mollie Glick is a literary agent at Creative Artists Agency. She graduated from Brown University and began her career as a literary scout, advising foreign publishers regarding the acquisition of rights to American books. She then worked in the editorial department at the Crown imprint of Random House, before becoming an agent in 2003. Glick joined CAA in 2016, following eight years at Foundry Literary + Media.
Glick represents many top authors and thought leaders, including Vice President Joe Biden; Senator Kamala Harris; Pulitzer Prize-winning journalists Ken Armstrong and T. Christian Miller; MacArthur Grant-recipient astrophysicist Sara Seager; National Book Award-nominee Ali Benjamin; NYT Top 50 Memoirs of the Past 50 Years recipient Patricia Lockwood; #1 NYT bestselling author Mark Manson; and NYT bestselling novelists Carol Rifka Brunt; Jonathan Evison; Sarah McCoy and Nic Stone.
Glick lives in Brooklyn, New York with her husband and two young sons.
Detroit is home to gargoyles, grotesques, and guardians that silently watch over the city from their posts high above the sidewalks and streets. Author and photographer Jeff Morrison will discuss the symbolism behind the ornamentation and hear some of the untold stories of the artists, artisans, and architects involved in its creation, all drawn from his book The Guardians of Detroit: Architectural Sculpture in the Motor City. Copies of the book and coloring book will be available for purchase before and after the presentation.
Description:Ruth Behar — storyteller, author, poet, educator, and public speaker
Dr. Behar will present a multilayered view of the Jews of Cuba, weaving together various forms of storytelling, from history and ethnography to fiction and poetry.
Ellen Muehlberger (history, classical studies, Middle East studies) and Deborah Dash Moore (Judaic studies, history) discuss Muehlberger’s latest book, followed by Q & A.
Late antiquity saw a proliferation of Christian texts dwelling on the emotions and physical sensations of dying—not as a heroic martyr in a public square or a judge’s court but as an individual, at home in a bed or in a private room. In sermons, letters, and ascetic traditions, late ancient Christians imagined the last minutes of life and the events that followed death in elaborate detail. This book traces how, in late ancient Christianity, death came to be thought of as a moment of reckoning: a physical ordeal whose pain is followed by an immediate judgment of one’s actions by angels and demons and, after that, fitting punishment. This emphasis on the experience of death ushered in a new ethical sensibility among Christians, in which one’s death was to be imagined frequently and anticipated in detail. This was initially meant as a tool for individuals: preachers counted on the fact that becoming aware of a judgment arriving at the end of one’s life tends to sharpen one’s scruples. But, as this book argues, the change in Christian sensibility toward death did not just affect individuals. Death imagined as the moment of reckoning created a fund of images and ideas within late ancient Christian culture about just what constituted a human being and how variances in human morality should be treated. This had significant effects on the Christian adoption of power in late antiquity, especially in the case of power’s heaviest baggage: the capacity to authorize violence against others
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
The African American Literature and Culture Now symposium brings together a group of leading scholars in African American humanistic fields to identify and discuss the central questions that animate 21st-century Black Studies.
Held over two days, the symposium features a keynote lecture, “The End of Black Studies,” from Stephen Best (Berkeley), three panels comprised of guest speakers and Michigan respondents, a writing workshop for graduate students and postdocs, and a concluding roundtable focused on teaching. Over the course of the symposium, conversations will range across a number of vital topics including: nation/diaspora; political activism; historicity; gender/sexuality; and cross-media cultural production.
In addition to keynote speaker Stephen Best, the symposium’s guest speakers are Margo Crawford (UPenn), Madhu Dubey (UIC), Erica Edwards (Rutgers), Emily Lordi (UMass/Vanderbilt), Kevin Quashie (Brown), and Courtney Thorsson (Oregon).
We welcome poet and Ford School of Public Policy professor Molly Spencer in support of her collection, If the house, winner of the 2019 Brittingham Prize judged by Carl Philips. A book signing will follow. The event is free and open to the public.
Molly Spencer‘s poetry has appeared or is forthcoming in Blackbird, Copper Nickel, FIELD, The Georgia Review, Gettysburg Review, New England Review, Ploughshares, Prairie Schooner, and other journals. Her critical writing has appeared at Colorado Review, Kenyon Review Online, Tupelo Quarterly, and The Rumpus. She holds an MPA from the School of International and Public Affairs at Columbia University and an MFA from the Rainier Writing Workshop, and is a Poetry Editor at The Rumpus. Her collection, If the house, won the 2019 Brittingham Prize judged by Carl Phillips, and is forthcoming from the University of Wisconsin Press in October of 2019. A second collection, Relic and the Plum, won the 2019 Crab Orchard Open Competition judged by Allison Joseph, and will be out in September of 2020. Molly teaches at the University of Michigan’s Gerald R. Ford School of Public Policy.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.
This week’s reading features Annesha Sengupta and Bryan Byrdlong.
Annesha Sengupta is a writer from Richmond, VA.
Bryan Byrdlong is a Haitian/African-American writer from Chicago, Illinois. He recently graduated from Venderbilt University where he received an undergraduate English/Creative Writing degree. He currently studies and teaches English at the University of Michigan.
