Chapters & Articles

Selected Writings

Hubbs, Nadine. “Vaquero World: Queer Mexicanidad and the Postnational Performance of Nationalism.” In Jesús A. Ramos-Kittrell, ed., Decentering the Nation: Music, Mexicanidad, and Globalization. Lanham, MD: Lexington Books, 2019 (in press).

Hubbs, Nadine. “Country Music in Dangerous Times.” Journal of Popular Music Studies 30.1–2 (2018): 15–26.

Hubbs, Nadine. “‘Them’s my kind of people’: Cross-marginal Solidarity in Country Music of the Long Seventies.” In Mark Allan Jackson, ed., The Honky Tonk on the Left: Progressive Thought in Country Music. Amherst: University of Massachusetts Press, 2018 (in press).

Hubbs, Nadine. “The Promised Land: Springsteen’s Epic Heterosexuality, Late Capitalism, and Prospects for Queer Life.” In Bruce Springsteen and Popular Music: Essays on Rhetoric, Social Consciousness, and Contemporary Culture, ed. William I. Wolff, 90–107. New York: Routledge, 2017.

Hubbs, Nadine. “Gender Deviance and Class Rebellion in ‘Redneck Woman’” (rev. ed., reprinted from Southern Cultures). In Country Boys and Redneck Women: New Essays in Gender and Country Music, ed. Diane Pecknold and Kristine M. McCusker. Jackson: University Press of Mississippi, 2016: 231–54.

Hubbs, Nadine. “‘Jolene,’ Genre, and the Everyday Homoerotics of Country Music: Dolly Parton’s Loving Address of the Other Woman.” Women and Music: A Journal of Gender and Culture 19, special issue in honor of Suzanne G. Cusick (2015): 71–76.

Hubbs, Nadine. “Música del «cuarto género»: Morrissey y la política sexual del contorno melódico”; reprinted from Genders (1996), translated into Spanish by Fruela Fernández. In The Smiths: Música, política y deseo, edited by Fruela Fernández. Madrid: Errata Naturae (2014): 145–82.

Hubbs, Nadine. “Country Music, the Queer, and the Redneck.” Invited contribution to “Colloquy: Music and Sexuality.” Journal of the American Musicological Society 66.3 (2013): 852–56.

Hubbs, Nadine. “Homophobia in Twentieth-Century Music: The Crucible of America’s Sound.” American Music, special issue of Dædalus: Journal of the American Academy of Arts and Sciences 142.4 (2013): 45–50.

Hubbs, Nadine, with Philip Brett and Elizabeth Wood. “Lesbian, Gay, Bisexual, Transgender, and Queer Music.” In The Grove Dictionary of American Music, 2nd ed., edited by Charles Hiroshi Garrett. New York: Oxford University Press (2013).

Hubbs, Nadine. Review of The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation, edited by Susan Holbrook and Thomas Dilworth. Notes: Quarterly Journal of the Music Library Association 67.4 (2011): 722–25.

Hubbs, Nadine. “Keynote Address: Visibility and Ambivalence: Thoughts on Queer Institutionalization.Bulletin of the Council for Research in Music Education: special online publication, Electronic Conference Proceedings from Establishing Identity: LGBT Studies and Music Education (2011).

Hubbs, Nadine. “On the Uses of Shame and Gifts of a Bloodmobile: Musings from a Musical Queer Apprenticeship.” In Gay Shame, ed. David M. Halperin and Valerie Traub, 115–20. Chicago: University of Chicago Press, 2009.

Hubbs, Nadine. “‘Redneck Woman’ and the Gendered Poetics of Class Rebellion.” Southern Cultures 17.4: 5th Annual Music Issue (2011): 44–70.

Hubbs, Nadine. “Bernstein, Homophobia, Historiography.” Women and Music: A Journal of Gender and Culture 13 (2009): 24–42.

Hubbs, Nadine. Review of Bohemian Los Angeles and the Making of Modern Politics, by Daniel Hurewitz. American Historical Review 113.1 (2008): 860–61.

Hubbs, Nadine. Review of The Music and Art of Radiohead, ed. Joseph Tate, and Radiohead’s OK Computer, by Dai Griffiths. Popular Music 27.3 (2008): 516–18

Hubbs, Nadine. “‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Anthem.” Popular Music 26.2 (2007): 231–44.

Hubbs, Nadine. “The Imagination of Pop-Rock Criticism.” In Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays, ed. Walter Everett, 217–39. 2d rev. ed. New York: Routledge, 2007. (A different version of this essay appeared in the book’s 1st ed., 3-29. New York: Garland Press, 2000.)

Hubbs, Nadine. Review essay on Queer Episodes in Music and Modern Identity, edited by Sophie Fuller and Lloyd Whitesell. Women and Music: A Journal of Gender and Culture 10 (2006): 80–88.

Hubbs, Nadine. Foreword. Classical volume of American Popular Music [encyclopedia]. New York: Facts on File, 2005.

Hubbs, Nadine. S.v. “Thomson, Virgil.” In Encyclopedia of Lesbian, Gay, Bisexual, and Transgender History in America, ed. Marc Stein, 189–90. New York: Charles Scribner’s Sons, 2003.

Hubbs, Nadine. “A French Connection: Modernist Codes in the Musical Closet.” GLQ: A Journal of Lesbian and Gay Studies, 6.3 (2000): 389–412.

Hubbs, Nadine. Review essay on Scars of Sweet Paradise: The Life and Times of Janis Joplin, by Alice Echols. Women and Music: A Journal of Gender and Culture 4 (2000): 71–75.

Hubbs, Nadine. Review essay on “You Better Work!” Underground Dance Music in New York City, by Kai Fikentscher. Indiana Theory Review 21 (2000): 187–95.

Hubbs, Nadine. “Music of the ‘Fourth Gender’: Morrissey and the Sexual Politics of Melodic Contour.” Bodies of Writing, Bodies in Performance, special issue of Genders 23 (1996): 266–96.

Hubbs, Nadine. “Classical Music and Opera.” In The St. James Press Gay and Lesbian Almanac, ed. Neil Schlager, 420–29; 432–34. Detroit: St. James Press, 1998.

Hubbs, Nadine. Review essay on A Guide to Schenkerian Analysis, by David Neumeyer and Susan Tepping. Intégral 7 (1993): 179–94.

Hubbs, Nadine. “The 14th Annual New Music and Art Festival at BGSU: New Music on Its Own Terms.” Perspectives of New Music 32.2 (1994): 304–15.