Literati is pleased to welcome Bianca Marais in support of her debut novel, Hum If You Don’t Know the Words.
Perfect for readers of The Secret Life of Bees and The Help, Hum If You Don’t Know the Words is a perceptive and searing look at Apartheid-era South Africa, told through one unique family brought together by tragedy.
Life under Apartheid has created a secure future for Robin Conrad, a nine-year-old white girl living with her parents in 1970s Johannesburg. In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband’s death. Both lives have been built upon the division of race, and their meeting should never have occurred… until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built and shatters their worlds when Robin’s parents are left dead and Beauty’s daughter goes missing.
Told through Beauty and Robin’s alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum If You Don’t Know the Words is a beautifully rendered look at loss, racism, and the creation of family.
Bianca Marais holds a Certificate in Creative Writing from the University of Toronto’s SCS, and her work has been published in World Enough and Crime. Before turning to writing, she started a corporate training company and volunteered with Cotlands, where she assisted care workers in Soweto with providing aid for HIV/AIDS orphans. Originally from South Africa, she now resides in Toronto with her husband.
Gregory A. Fournier received his bachelor and master’s degrees from Eastern Michigan University in Ypsilanti while the Washtenaw County murders were occurring. He lived one block up the street from John Norman Collins and had several unpleasant brushes with him. Like so many other people in Ypsilanti, it was not until Collins was arrested and his photograph ran on the front pages that Greg could link a name with the face. He has first-hand knowledge of the Ypsilanti/Ann Arbor area and many of the people associated with these cases.
Greg has appeared on the Investigation Discovery Channel as a guest expert on John Norman Collins for their true crime series A Crime to Remember in an episode entitled “A New Kind of Monster.” He is the author of Zug Island: A Detroit Riot Novel and writes a blog entitled Fornology.
Between the summers of 1967 through 1969, a predatory killer stalked the campuses of Eastern Michigan University and the University of Michigan seeking prey until he made the arrogant mistake of killing his last victim in the basement of his uncle’s home. All-American boy John Norman Collins was arrested, tried, and convicted of the strangulation murder of Karen Sue Beineman. The other murders attributed to Collins never went to trial and soon became cold cases.
With the benefit of fifty years of hindsight, hundreds of vintage newspaper articles, thousands of police reports, and countless interviews, Terror in Ypsilanti: John Norman Collins Unmasked tells the stories of the other victims, recreates the infamous trial that took Collins off the streets, and details Collins’s time spent in prison. Terror in Ypsilanti compiles an array of physical and circumstantial evidence drawing an unmistakable portrait of the sadistic murderer who slaughtered these innocent young women.
All invited to read and discuss their poetry or short stories. Bring about 6 copies of your work to share. Hosted by local poets and former college English teachers Joe Kelty and Ed Morin.
7-9 p.m., Crazy Wisdom, 114 S. Main. Free. 665-2757
Readings by poet Clayton Eshleman. The program begins with an open mike for poets, who are welcome to read their own work or a favorite poem by another writer.
Clayton Eshleman was born in Indianapolis, Indiana, June 1, 1935. He has a B.A. in Philosophy and an M.A.T. in English Literature from Indiana University. He has lived in Mexico, Japan, Taiwan, Korea, Peru, France, Czechoslovakia, and Hungary. He is presently Professor Emeritus, English Department, Eastern Michigan University. Since 1986 he has lived in Ypsilanti, Michigan with his wife Caryl who over the past forty years has been the primary reader and editor of his poetry and prose. His first collection of poetry, Mexico & North, was published in Kyoto, Japan in 1962.
From 1968 to 2004, Black Sparrow Press brought out thirteen collection of his poetry. In 2006, Black Widow Press became his main publisher and with The Price of Experience (2012) has now brought out seven collections of his poetry, prose, and translations, including, in 2008, The Grindstone of Rapport / A Clayton Eshleman Reader. Wesleyan University Press has also published six of his books, including Juniper Fuse: Upper Paleolithic Imagination & the Construction of the Underworld (2003), the first study of Ice Age cave art by a poet. Three book length poems, An Anatomy of the Night, The Jointure, and Nested Dolls were published by BlazeVOX in 2011, 2012 and 2013. Eshleman has published sixteen collections of translations, including Watchfiends & Rack Screams by Antonin Artaud (Exact Change, 1995), The Complete Poetry of César Vallejo with a Foreword by Mario Vargas Llosa (University of California Press, 2007), and Aimé Césaire: The Collected Poetry (co-translated with Annette Smith, University of California Press, 1983). Recently Wesleyan University Press has brought out two more translations of Césaire: Solar Throat Slashed and The Original 1939 Notebook of a Return to the Native Land, both co-translated with A. James Arnold.
Eshleman also founded and edited two of the most innovative poetry journals of the later part of the 20th century: Caterpillar (20 issues, 1967-1973) and Sulfur (46 issues, 1981-2000). Doubleday-Anchor published A Caterpillar Anthology in 1971 and Wesleyan will publish a 700 page Sulfur Anthology in December of 2015.
Among his recognitions and awards are a Guggenheim Fellowship in Poetry, 1978; The National Book Award in Translation, 1979; two grants from the NEA, 1979, 1981; three grants from the NEH, 1980, 1981, 1988; two Landon Translation Prizes from the Academy of American Poets, 1981, 2008; 13 NEA grants for Sulfur magazine, 1983-1996; The Alfonse X. Sabio Award for Excellence in Translation, San Diego State University, 2002; a Rockefeller Study Center residency in Bellagio, Italy, 2004, and a Hemmingway Translation Grant in 2015.
Recent publications include a translation of José Antonio Mazzotti’s Sakra Boccata with a Foreword by Raúl Zurita (Ugly Duckling, 2013). In 2014 Black Widow Press published Clayton Eshleman / The Whole Art, an anthology of essays on Eshleman’s work over the decades, edited by Stuart Kendall. In the fall of 2015, Black Widow brought out Clayton Eshleman / The Essential Poetry 1960-2015 and in the fall of 2016 Wesleyan will bring out a 900 page bilingual edition of The Complete Poetry of Aimé Césaire, co-translated with A. James Arnold.
7 p.m., Bookbound, 1729 Plymouth, Courtyard Shops. Free. 369-4345.
Literati is delighted to welcome P.C. Cast and Kristin Cast in support of the latest novel in their House of Night series for teen readers, Loved.
About Loved: It’s Zoey’s eighteenth birthmas and the Nerd Herd has been scattered across the country busily adulting for almost a year when Stark calls them back to Tulsa to surprise Z. But all is not well in T-town. Strange, dark signs are appearing—could it be possible Neferet is stirring? Not willing to chance disaster striking again, Zoey calls on her newly reunited friends to circle with her and add a layer of protection over Neferet’s grotto jail. Easy-peasy, right?
Wrong. Nothing at the House of Night is ever as it seems. With rabid red vampyres closing in, Zoey and the Nerd Herd must come together again and battle evil. But a year is a long time. Have these old friends grown too far apart? When the world fractures and allies become enemies, will darkness devour friendships or will light save those she’s loved?
P.C. Cast is a New York Times and USA Today bestselling author whose novels have been awarded the prestigious Oklahoma Book Award, as well as the Prism, Booksellers Best, Holt Medallion, and more. She lives in Oregon with lots of dogs, cats, horses, and a burro.
Kristin Cast is a New York Times and USA Today bestselling author who teamed with her mother, P. C. Cast, to write the wildly successful House of Night series. She has a passion for all things paranormal.
Storytellers Guild members present a program of old tales and personal stories for grownups.
Free; donations accepted. annarborstorytelling.org, facebook.com/annarborstorytellers. 665-2757.
Readings by featured poets, preceded by a poetry open mike.
Reading by TBA
7-9 p.m. (sign-up begins at 6:30 p.m.), Espresso Royale, 324 S. State. $5 suggested donation. facebook.com/AnnArborPoetry.
Tickets are $35 dollars, and bundled with a hardcover copy of the book. A Q&A and book-signing will follow the presentation. Please note that this event will not include a musical performance, but a one-of-a-kind oral presentation by one of folk music’s great storytellers.Doors at 6:30.
Skiffle a do-it-yourself music craze with American jazz, blues, folk, and roots influences is a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch hunts. Skiffle is reason the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.
Emerging from the trad-jazz clubs of the early 50s, Skiffle was adopted by the first generation of British teenagers working class kids who grew up during the dreary, post-war rationing years. Before Skiffle, the pop culture was dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of Lead Bellys Rock Island Line and soon sales of guitars rocketed from 5,000 to 250,000 a year.
Like punk rock that would flourish two decades later, Skiffle was home grown: all you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.
Roots, Radicals & Rockers is the first book to explore the Skiffle phenomenon in depth Billy Braggs meticulously researched and joyous account shows how Skiffle sparked a revolution that shaped pop music as we have come to know it.
Billy Bragg is an English singer-songwriter and left-wing activist. His music blends elements of folk music, punk rock and protest songs, with lyrics that mostly span political or romantic themes. Billys music is heavily centered on bringing about change and getting the younger generation involved in activist causes.
Open mike storytelling competition sponsored by The Moth, the NYC-based nonprofit storytelling organization that also produces a weekly public radio show. Each month 10 storytellers are selected at random from among those who sign up to tell a 3-5 minute story on the monthly theme. The 3 judges are recruited from the audience. Monthly winners compete in a semiannual Grand Slam. Space limited, so it’s smart to arrive early.
7:30-9 p.m. (doors open and sign-up begins at 6 p.m.), $10. 764-5118.
Literati is delighted to welcome Julie Buntin in support of her debut novel, Marlena, a staff favorite.
Marlena is the story of two girls and the wild year that will cost one her life, and define the other’s for decades.
Everything about fifteen-year-old Cat’s new town in rural Michigan is lonely and off-kilter until she meets her neighbor, the manic, beautiful, pill-popping Marlena. Cat is quickly drawn into Marlena’s orbit and as she catalogues a litany of firsts—first drink, first cigarette, first kiss, first pill—Marlena’s habits harden and calcify. Within the year, Marlena is dead, drowned in six inches of icy water in the woods nearby. Now, decades later, when a ghost from that pivotal year surfaces unexpectedly, Cat must try again to move on, even as the memory of Marlena calls her back.
Told in a haunting dialogue between past and present, Marlena is an unforgettable story of the friendships that shape us beyond reason and the ways it might be possible to pull oneself back from the brink.
“At the center of Julie Buntin’s debut novel is the kind of coming-of-age friendship that goes beyond camaraderie, into a deeper bond that forges identity; it’s friendship as a creative act, a collaborative work of imagination. . .This generous, sensitive novel of true feeling. . . sweeps you up without too much explication, becoming both a painful exorcism and a devoted memorial to friends and selves who are gone.” –The New York Times Book Review
Julie Buntin is from northern Michigan. Her work has appeared in The Atlantic, Cosmopolitan, O, The Oprah Magazine, Slate, Electric Literature, and One Teen Story, among other publications. She teaches fiction at Marymount Manhattan College, and is the director of writing programs at Catapult. She lives in Brooklyn, New York. Marlena is her debut novel.
