Join us for a talk and signing with Tim Fielder, author and illustrator of the graphic novel collection, Matty’s Rocket: Book One! Matty’s Rocket was released to critical acclaim, with Pulitzer Prize winner Junot Díaz saying, “Fielder takes us on a fantastic, time-warping, genre-bending Afrofuturistic voyage to
the final frontier and beyond … Mattyʼs Rocket is just superb.”
About Matty’s Rocket: Book One
Matty’s Rocket is a galaxy spanning tale about the adventures of space pilot Matty Watty. This series is based in an alternative past where the pulp stylings of Buck Rogers, Flash Gordon, and Fritz Lang’s Metropolis collide with the real world events of World War 2, FDR, Nazis, the Harlem Renaissance and the oppressive Jim Crow era, Watch as Matty navigates her vessel through a dangerous world filled with evil villains, heroic feats, alien oddities and down home adventure. This 120 page graphic novel collects Matty’s Rocket issues 1-3 with a 12 page Epilogue, special guest appearances, and behind the scenes exposes. Creator Tim Fielder takes this ongoing graphic novel series into a beautifully painted style that fully delivers cinematic power.
About the Author/Illustrator
Tim Fielder is an Illustrator, concept designer, cartoonist, and animator born and raised in Clarksdale, Mississippi. He has a lifelong love of Visual Afrofutuism, Pulp entertainment, and action films. He holds other afrofuturists such as Samuel Delany, Steven Barnes, and Octavia Butler as major influences. He has worked over the years in the storyboarding, film visual development, gaming, comics, and animation industries for clients as varied as Marvel Comics, The Village Voice, Tri-Star Pictures, to Ubisoft Entertainment. He also works as an educator for institutions such as New York University and the New York Film Academy. Tim hopes to push forward with his art in the emerging digital content delivery systems of the day. To that end, Matty’s Rocket is Tim’s first foray in the genre coined as “Dieselfunk”. He makes his home with his wife and children in the rapidly gentrifying neighborhood of Harlem.
Local short story writer Alex Kourvo and young adult novelist Bethany Neal discuss how to writers make choices about character and plot development. For adult and teen (grade 6 & up) fiction and nonfiction writers. Also, Kourvo and Neal host an open house for writers to connect with one another and/or work on their projects at 7 p.m. on Mar. 19.
7-8:45 p.m., AADL Westgate. Free. 327-8301.
Jane Austen Book Club Discussion at Nicola’s Books – Associated event of the University of Michigan Graduate Library ‘The Life and Times of Lizzy Bennet’ Exhibit.
With the 200th anniversary of Jane Austen’s death, the Grad Library is showcasing not only significant early editions of Austen’s works held in the Special Collections Library, but a much broader swath of materials revealing the historical milieu in which she and her characters lived. This lead to a discussion about books about or written by Austen that reflected these times; out of that the Jane Austen Book Club Discussion was created. There will be three discussion events, February 7th, 28th and March 7th.
Kathleen A. Flynn is an editor at the New York Times, where she works at “The Upshot.” She holds a B.A. from Barnard College and an M.A. from the University of North Carolina. She has taught English in Hong Kong, washed dishes on Nantucket, and is a life member of the Jane Austen Society of North America. She lives in Brooklyn with her husband and their shy fox terrier, Olive.
The Jane Austen Project: Perfect for fans of Jane Austen, this engrossing debut novel offers an unusual twist on the legacy of one of the world’s most celebrated and beloved authors: two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel.
London, 1815: Two travelers–Rachel Katzman and Liam Finucane–arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem, but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters–a doctor and his spinster sister. While Rachel and Liam aren’t the first team from the future to “go back,” their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself.
Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry.
But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady nineteenth-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it…however heartbreaking that may prove.
Laura Hulthen Thomas’s short fiction and essays have appeared in a number of journals and anthologies, including The Cimarron Review, Nimrod International Journal, Epiphany, and Witness. She received her MFA in fiction writing from Warren Wilson College. She currently heads the undergraduate creative writing program at the University of Michigan’s Residential College, where she teaches fiction and creative nonfiction.
Books will be available through Nicola’s Books – contact the store directly 734-662-0600 or come in to the store (2513 Jackson Avenue – Westgate Shopping Center.) Nicola’s Books will offer a 15% discount for the purchase of this title when you tell them that the book is for the Jane Austen Book Club. You may also check with the AADL for availability of the title.
Literati is proud to partner with the Weiser Center for Emerging Democracies to welcome author and activist Masha Gessen and photographer Misha Friedman to Ann Arbor for a talk on their new book Never Remember: Searching for Stalin’s Gulags in Putin’s Russia. This lecture will occur at the Weiser Hall on the University of Michigan campus.
About Never Remember:
The Gulag was a monstrous network of labor camps that held and killed millions of prisoners from the 1930s to the 1950s. More than half a century after the end of Stalinist terror, the geography of the Gulag has been barely sketched and the number of its victims remains unknown. Has the Gulag been forgotten? Writer Masha Gessen and photographer Misha Friedman set out across Russia in search of the memory of the Gulag. They journey from Moscow to Sandarmokh, a forested site of mass executions during Stalin’s Great Terror; to the only Gulag camp turned into a museum, outside of the city of Perm in the Urals; and to Kolyma, where prisoners worked in deadly mines in the remote reaches of the Far East. They find that in Vladimir Putin’s Russia, where Stalin is remembered as a great leader, Soviet terror has not been forgotten: it was never remembered in the first place.
Masha Gessen is a Russian-American journalist and the bestselling biographer of Vladimir Putin. Gessen’s books include The Future is History: How Totalitarianism Reclaimed Russia, winner of the 2017 National Book Award for Nonfiction, and The Man Without a Face: The Unlikely Rise of Vladimir Putin. She is the recipient of numerous other awards, including a Guggenheim Fellowship and a Carnegie Fellowship, and her work appears regularly in The New York Times, The New Yorker, The New York Review of Books, Vanity Fair, and Slate. A longtime resident of Moscow, Gessen now lives in New York City.
Misha Friedman regularly photographs for The New Yorker, Time, Der Spiegel, GQ, Le Monde, Bloomberg BusinessWeek, Sports Illustrated, Amnesty International and Doctors Without Borders. His work has received numerous awards, including grants from the Pulitzer Center for Crisis Reporting. He was born in Moldova and graduated from Binghamton University and the London School of Economics. He taught himself photography while working in humanitarian medical aid. He lives in New York City.
Karen L. Cox is an award-winning historian who has written op-eds for the New York Times, The Washington Post, CNN, TIME magazine, Publishers Weekly, and the Huffington Post. Her expertise on the American South has led to interviews with the Los Angeles Times, Newsweek, The Daily Beast, Mic, The Atlantic, the Wall Street Journal, Slate (France), the Atlanta-Journal Constitution, the Houston Chronicle, and the Charlotte Observer, as well as international newspapers in Germany, Denmark, Ireland, and Japan. She has also appeared on BBC Newshour, Black Politics Today, The Mike Smerconish Show (Sirius XM), C-SPAN, Canadian Public Broadcasting, Minnesota Public Radio, Georgia Public Radio, and Charlotte Talks.
Cox is the author of three books and numerous essays and articles on the subject of southern history and culture. Her first book, Dixie’s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture, won the 2004 Julia Cherry Spruill Prize from the Southern Association for Women Historians for the Best Book in Southern Women’s History. Her second book, published by UNC Press in 2011, is Dreaming of Dixie: How the South Was Created in American Popular Culture. She is also the editor of Destination Dixie: Tourism and Southern History (University Press of Florida, 2012), which won the Allen G. Noble Book Award from the Pioneer America Society for the Best Edited Book on North American material culture. She authored the blog Pop South: Reflections on the South in Popular Culture where she wrote over 100 essays about representations of the region and its people in popular media.
Her most recent book, Goat Castle: A True Story of Murder, Race, and the Gothic South, was released in October 2017.
Cox is originally from Huntington, West Virginia, and is professor of history at the University of North Carolina at Charlotte.
The RC’s Center for World Performance Studies Faculty Lecture Series features Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.
Emily Wilcox is Assistant Professor of Modern Chinese Studies at U-M.
During the latter half of the 1980s, a popular dance craze known as “piliwu” 霹雳舞 swept urban communities across China. Incorporating two new styles of U.S. urban popular dance–New York-based b-boying/b-girling or “breaking” and California-based popping and locking– piliwu was China’s first localized movement of hip-hop culture, which reflected new circuits of intercultural exchange between China and the United States during the first decade of China’s Reform Era. Analyzing the dance choreography recorded in a 1988 Chinese film, Rock Youth 摇滚青年 (dir. Tian Zhangzhuang), together with media reports and testimonials from members of China’s piliwu generation, this talk reconstructs the history of the piliwu movement, arguing for the central influence of U.S. pop culture icon Michael Jackson, the growth of China’s underground commercial dance (zou xue 走穴) economy, and the agency of dancers’ bodies in transnational movements of media culture.
Tad Schmaltz (philosophy) and George Hoffman (French) discuss Schmaltz’s new book “Early Modern Cartesianisms.”
About the book:
“There is a general sense that the philosophy of Descartes was a dominant force in early modern thought. Since the work in the nineteenth century of French historians of Cartesian philosophy, however, there has been no fully contextualized comparative examination of the various receptions of Descartes in different portions of early modern Europe.
“This study addresses the need for a more current understanding of these receptions by considering the different constructions of Descartes’s thought that emerged in the Calvinist United Provinces (Netherlands) and Catholic France, the two main centers for early modern Cartesianism, during the period dating from the last decades of his life to the century or so following his death in 1650. It turns out that we must speak not of a single early modern Cartesianism rigidly defined in terms of Descartes’s own authorial intentions, but rather of a loose collection of early modern Cartesianisms that involve a range of different positions on various sets of issues.
“Though more or less rooted in Descartes’s somewhat open-ended views, these Cartesianisms evolved in different ways over time in response to different intellectual and social pressures. Chapters of this study are devoted to: the early modern Catholic and Calvinist condemnations of Descartes and the incompatible Cartesian responses to these; conflicting attitudes among early modern Cartesians toward ancient thought and modernity; competing early modern attempts to combine Descartes’s views with those of Augustine; the different occasionalist accounts of causation within early modern Cartesianism; and the impact of various forms of early modern Cartesianism on both Dutch medicine and French physics.”
RC Players is thrilled to present Noël Coward’s Blithe Spirit as this semester’s full-length production.
Blithe Spirit is a farcical play that follows Charles Condomine, a novelist who invites a medium to his home in order to gather information for his latest novel. However, this quickly backfires: as a result of the encounter, Charles finds himself haunted by his mischievous first wife, Elvira. Throughout the play, Elvira does her best to undermine Charles’s relationship with his current wife Ruth, who cannot see or hear her. Hijinks ensue, and Charles must rely on the eccentric Madame Arcati to help the spirits pass on. The play looks at marriage, gender roles, and dealing with past mistakes, all with a supernatural twist.
Performances will take place in the Keene Theater, located in the basement of East Quadrangle, Friday March 16 and Saturday March 17 at 8 p.m.
Admission is pay what you can, which can mean FREE!
RC Players is thrilled to present Noël Coward’s Blithe Spirit as this semester’s full-length production.
Blithe Spirit is a farcical play that follows Charles Condomine, a novelist who invites a medium to his home in order to gather information for his latest novel. However, this quickly backfires: as a result of the encounter, Charles finds himself haunted by his mischievous first wife, Elvira. Throughout the play, Elvira does her best to undermine Charles’s relationship with his current wife Ruth, who cannot see or hear her. Hijinks ensue, and Charles must rely on the eccentric Madame Arcati to help the spirits pass on. The play looks at marriage, gender roles, and dealing with past mistakes, all with a supernatural twist.
Performances will take place in the Keene Theater, located in the basement of East Quadrangle, Friday March 16 and Saturday March 17 at 8 p.m.
Admission is pay what you can, which can mean FREE!
U-M drama students in Kate Mendeloff’s play production seminar direct and perform present several short farces by contemporary playwright David Ives.
8-9 p.m., Keene Theatre, East Quad, 701 East University. Free. 647-4354.
