Literati is thrilled to welcome poets Megan Levad and Franny Choi for a special reading from their latest collections What Have I to Say to You and Death by Sex Machine.
Selected as Tavern Books’ 2014 Wrolstad Contemporary Poetry Series poet, Levad is the author of WHY WE LIVE IN THE DARK AGES (Tavern Books, 2015). Her poems have appeared in journals such as Denver Quarterly, Fence, Mantis, and Tin House, among others, and in the Everyman’s Library anthology Killer Verse. She also writes lyrics for composers Tucker Fuller and Kristin Kuster. Her debut libretto Kept: A Ghost Story premiered at the Virginia Arts Festival in May 2017. Levad lives in San Francisco.
Franny Choi is a writer, performer, and educator. She is the author of Floating, Brilliant, Gone (Write Bloody, 2014) and the chapbook Death by Sex Machine (Sibling Rivalry Press, 2017). She has been a finalist for multiple national poetry slams, and her poems have appeared in Poetry Magazine, American Poetry Review, the New England Review, and elsewhere. She is a Kundiman Fellow, Senior News Editor for Hyphen, co-host of the podcast VS, and member of the Dark Noise Collective. Her second collection, Soft Science, is forthcoming from Alice James Books.
Literati is proud to be partnering with the Helen Zell Writers Program to host author Karan Mahajan and poet Gabrielle Calvocoressi at the University of Michigan Art Museum Helmet Stern Auditorium.
Born in central Connecticut, Gabrielle Calvocoressi grew up in a family that owned movie theaters in several small towns across the state. She studied at Sarah Lawrence College and earned her MFA from Columbia University. Calvocoressi’s first book, The Last Time I Saw Amelia Earhart (Persea Books, 2005), was shortlisted for the Northern California Book Award and won the 2006 Connecticut Book Award in Poetry. Her second collection, Apocalyptic Swing (Persea Books, 2009), was a finalist for the 2009 Los Angeles Times Book Prize. She is also the author of Rocket Fantastic (Persea Books, 2017). Calvocoressi has been praised for “moving beyond the popular poetry of ‘self’ in an effort to understand other perspectives in this original and riveting collection.” Her awards and honors include a Stegner Fellowship, a Jones Lectureship at Stanford University and a Rona Jaffe Women Writers’ Award. Her poem “Circus Fire, 1944” received The Paris Review‘s Bernard F. Connors Prize.
Karan Mahajan grew up in New Delhi, India and moved to the US for college. Since then, he has lived in San Francisco, New Delhi, New York, Bangalore, and Austin. His first novel, “Family Planning” (2008), was a finalist for the International Dylan Thomas Prize. It was published in nine countries. His second novel, “The Association of Small Bombs” (2016), was a finalist for the 2016 National Book Awards and was named one of the “10 Best Books of 2016” by The New York Times. Mahajan’s writing has appeared in The New York Times, The Wall Street Journal, The New Yorker Online, The New Republic and other venues.
One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.
Readings by U-M creative writing grad students, including prose by Samantha Bares and poetry by Daniel Neff.
7 p.m., UMMA Auditorium, 525 S. State. Free. 764-6330
Literait is excited to welcome poet Austin Smith who will be reading from his new collection Flyover Country.
About Flyover Country:
A new collection about violence and the rural Midwest from a poet whose first book was hailed as “memorable” (Stephen Burt, Yale Review) and “impressive” (Chicago Tribune)
Flyover Country is a powerful collection of poems about violence: the violence we do to the land, to animals, to refugees, to the people of distant countries, and to one another. Drawing on memories of his childhood on a dairy farm in Illinois, Austin Smith explores the beauty and cruelty of rural life, challenging the idea that the American Midwest is mere “flyover country,” a place that deserves passing over. At the same time, the collection suggests that America itself has become a flyover country, carrying out drone strikes and surveillance abroad, locked in a state of perpetual war that Americans seem helpless to stop.
In these poems, midwestern barns and farmhouses are linked to other lands and times as if by psychic tunnels. A poem about a barn cat moving her kittens in the night because they have been discovered by a group of boys resonates with a poem about the house in Amsterdam where Anne Frank and her family hid from the Nazis. A poem beginning with a boy on a farmhouse porch idly swatting flies ends with the image of people fleeing before a drone strike. A poem about a barbwire fence suggests, if only metaphorically, the debate over immigration and borders. Though at times a dark book, the collection closes with a poem titled “The Light at the End,” suggesting the possibility of redemption and forgiveness.
Building on Smith’s reputation as an accessible and inventive poet with deep insights about rural America, Flyover Country also draws profound connections between the Midwest and the wider world.
Austin Smith grew up on a family dairy farm in northwestern Illinois. He is the author of a previous poetry collection, Almanac (Princeton), and his work has appeared in The New Yorker, Poetry Magazine, Ploughshares, and many other publications. He teaches at Stanford University and lives in Oakland, California
Literati is thrilled to welcome poets Phillip Crymble and Sarah Messer who will be sharing with us some of their latest work.
About Not Even Laughter:
A clearance bin of corner-cut records, remaindered paperbacks, and canisters of faded film, Phillip Crymble’s first full-length collection strives to rescue, celebrate, and preserve the works and sensibilities of those whose ideas and visions and have been long overlooked by posterity. Crymble’s technical acumen, ear for music, and emotional sincerity are the adhesive agents that bring the vernacular ethnographies, high-brow ekphrastics, tender elegies, forlorn love lyrics, and acutely observed accounts of plain and seemingly unremarkable domestic experience together in this formidable debut.
Phillip Crymble is a disabled writer and scholar living in Atlantic Canada. A SSHRC doctoral fellow at UNB Fredericton, he holds a MFA from the University of Michigan and has published poems in The New York Quarterly, Michigan Quarterly Review, The Hollins Critic, The Literary Review of Canada, Poetry Ireland Review, The Forward Book of Poetry 2017, and elsewhere. In 2016, Not Even Laughter, his first full-length collection, was a finalist for both the New Brunswick Book Award and the Writer’s Federation of Nova Scotia’s J.M. Abraham Prize.
Poet and Nonfiction writer, Sarah Messer, has received fellowships and grants from the Provincetown Fine Arts Work Center, the Wisconsin Institute for Creative Writing, the NEA, the Michigan Council for Arts and Cultural Affairs, and the Mellon Foundation. In 2008-2009 she was a fellow in poetry at the Radcliffe Institute for Advanced Study (Bunting) at Harvard. She is the author of four books: a hybrid history/memoir, Red House (Viking), a book of translations, Having Once Paused: Poems of Zen Master Ikkyu (University of Michigan Press) and two poetry books, Bandit Letters (New Issues), and Dress Made of Mice (Black Lawrence Press). Her work has appeared in the Paris Review, the Kenyon Review, Gulf Coast, and Ploughshares, among others. For many years she taught as an Associate Professor in the MFA/BFA program at the University of North Carolina at Wilmington. In 2010, Messer co-founded One Pause Poetry, an on-line audio archive and reading series in Ann Arbor, Michigan. Currently she teaches Creative Writing in the Residential College at the University of Michigan, and is a cheese maker at White Lotus Farms.
Reading by this Ann Arbor-based poet from Kerala (India), who writes poems about the connection between trauma and chronic pain and about her experiences as a genomic data analyst and poet. Her poem about the 2016 presidential election was nominated for a Pushcart prize. Preceded by an open mike.
7-8:30 p.m. Sweetwaters Coffee & Tea, 123 W. Washington. Free. 994-6663.
Literati Bookstore and First United Methodist Church of Ann Arbor were blown away by the enthusiastic response and incredibly quick sell-out for our 7pm event on 10/25, so we’ve worked to bring you this additional, same-day event opportunity at 4pm! We’re so grateful that Anne has made herself available for this additional event, and so excited to bring it to you! Programming for this event will be indentical to the 7pm event.
Tickets are general admission and include a pre-signed hardcover copy of Almost Everything, to be picked up at First United Methodist Church the evening of the event. Literati Bookstore will have additional copies of Anne’s titles available for sale.
About Almost Everything: From the bestselling author of Hallelujah Anyway, Bird by Bird, and Help, Thanks, Wow, comes a new book about the place hope holds in our lives. “I am stockpiling antibiotics for the Apocalypse, even as I await the blossoming of paperwhites on the windowsill in the kitchen,” Anne Lamott admits at the beginning of Almost Everything. Despair and uncertainty surround us: in the news, in our families, and in ourselves. But even when life is at its bleakest–when we are, as she puts it, “doomed, stunned, exhausted, and over-caffeinated”–the seeds of rejuvenation are at hand. “All truth is paradox,” Lamott writes, “and this turns out to be a reason for hope. If you arrive at a place in life that is miserable, it will change.” That is the time when we must pledge not to give up but “to do what Wendell Berry wrote: ‘Be joyful, though you have considered all the facts.’” In this profound and funny book, Lamott calls for each of us to rediscover the nuggets of hope and wisdom that are buried within us that can make life sweeter than we ever imagined. Divided into short chapters that explore life’s essential truths, Almost Everything pinpoints these moments of insight as it shines an encouraging light forward. Candid and caring, insightful and sometimes hilarious, Almost Everything is the book we need and that only Anne Lamott can write.
About Anne Lamott: Anne Lamott is the New York Times bestselling author of Help, Thanks, Wow; Small Victories; Stitches; Some Assembly Required; Grace (Eventually); Plan B; Traveling Mercies; Bird by Bird; Operating Instructions, and Hallelujah Anyway. She is also the author of several novels, including Imperfect Birds and Rosie. A past recipient of a Guggenheim Fellowship and an inductee to the California Hall of Fame, she lives in Northern California.
About First United Methodist Church: At First United Methodist Church of Ann Arbor, we welcome everyone of every ability! Young or old, Democrat or Republican, gay or straight, genderqueer or cisgender, filled with doubts or firm in your faith–you are invited to join us. Our congregation is grounded in the gospel of Jesus Christ, which tears down walls and builds up community. We are progressive and relevant–committed to seeking peace and building hope through worship, service, social justice, and educational opportunities in our local, national, and international communities.
Sold out!
Literati Bookstore and First United Methodist Church of Ann Arbor were blown away by the enthusiastic response and incredibly quick sell-out for our 7pm event on 10/25, so we’ve worked to bring you this additional, same-day event opportunity at 4pm! We’re so grateful that Anne has made herself available for this additional event, and so excited to bring it to you! Programming for this event will be indentical to the 7pm event.
Tickets are general admission and include a pre-signed hardcover copy of Almost Everything, to be picked up at First United Methodist Church the evening of the event. Literati Bookstore will have additional copies of Anne’s titles available for sale.
About Almost Everything: From the bestselling author of Hallelujah Anyway, Bird by Bird, and Help, Thanks, Wow, comes a new book about the place hope holds in our lives. “I am stockpiling antibiotics for the Apocalypse, even as I await the blossoming of paperwhites on the windowsill in the kitchen,” Anne Lamott admits at the beginning of Almost Everything. Despair and uncertainty surround us: in the news, in our families, and in ourselves. But even when life is at its bleakest–when we are, as she puts it, “doomed, stunned, exhausted, and over-caffeinated”–the seeds of rejuvenation are at hand. “All truth is paradox,” Lamott writes, “and this turns out to be a reason for hope. If you arrive at a place in life that is miserable, it will change.” That is the time when we must pledge not to give up but “to do what Wendell Berry wrote: ‘Be joyful, though you have considered all the facts.’” In this profound and funny book, Lamott calls for each of us to rediscover the nuggets of hope and wisdom that are buried within us that can make life sweeter than we ever imagined. Divided into short chapters that explore life’s essential truths, Almost Everything pinpoints these moments of insight as it shines an encouraging light forward. Candid and caring, insightful and sometimes hilarious, Almost Everything is the book we need and that only Anne Lamott can write.
About Anne Lamott: Anne Lamott is the New York Times bestselling author of Help, Thanks, Wow; Small Victories; Stitches; Some Assembly Required; Grace (Eventually); Plan B; Traveling Mercies; Bird by Bird; Operating Instructions, and Hallelujah Anyway. She is also the author of several novels, including Imperfect Birds and Rosie. A past recipient of a Guggenheim Fellowship and an inductee to the California Hall of Fame, she lives in Northern California.
About First United Methodist Church: At First United Methodist Church of Ann Arbor, we welcome everyone of every ability! Young or old, Democrat or Republican, gay or straight, genderqueer or cisgender, filled with doubts or firm in your faith–you are invited to join us. Our congregation is grounded in the gospel of Jesus Christ, which tears down walls and builds up community. We are progressive and relevant–committed to seeking peace and building hope through worship, service, social justice, and educational opportunities in our local, national, and international communities.
All writers welcome to read their own or other favorite poetry or short fiction afterward at open mic.
Hosted by Joe Kelty, Ed Morin, and Dave Jibson
see our blog at Facebook/Crazy Wisdom Poetry Series
Crazy Wisdom Bookstore and Tea Room, 114 S. Main St. Free. 7346652757.info@crazywisdom.net www.crazywisdom.net
Literati is thrilled to welcome author Meghan O’Gieblyn who will sharing her new essay collection Interior States. She will joined for a discussion about her work by writer and Literati bookseller Young Eun Yook.
About Interior States:
A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere.
What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O’Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka “Flyover Country.” She writes of her “existential dizziness, a sense that the rest of the world is moving while you remain still,” and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture (“Hell”), a theme park devoted to the concept of intelligent design (“Species of Origin”), the paradoxes of Christian Rock (“Sniffing Glue”), Henry Ford’s reconstructed pioneer town of Greenfield Village and its mixed messages (“Midwest World”), and the strange convergences of Christian eschatology and the digital so-called Singularity (“Ghosts in the Cloud”). Meghan O’Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California – which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.
MEGHAN O’GIEBLYN is a writer who was raised and still lives in the Midwest. Her essays have appeared in Harper’s Magazine, n+1, The Point, The New York Times, The Guardian, The New Yorker, Best American Essays 2017, and the Pushcart Prize anthology. She received a B.A. in English from Loyola University, Chicago and an MFA in Fiction from the University of Wisconsin-Madison. She lives in Madison, Wisconsin with her husband.
Young Eun Yook is a singer/writer born in Korea and New Jersey. She is a recipient of the Lucille Clifton memorial scholarship from Community of Writers at Squaw Valley and The Paul Mariani Fellowship at The Glen Workshop. You can find her work in the anthology, Goodbye Mexico: Poems of Remembrance and elsewhere. Young Eun received her MFA from the University of Michigan where she won The Meader Family Award and the Se-AH Haiam Scholarship. She is a Kundiman fellow.
