Like the original Blue Beard, Heinrich Blaubart brings death to women he meets. Unlike the original Blue Beard, though, he doesn’t seek to do so; in fact, his fear of relationships makes him try to avoid women. Presented in German by students enrolled in RCHUMS 334: From the Page to the Stage. Surtitles will make it possible for even non-German speakers to follow the action on stage. April 6, 8pm-10pm and April 7, 2pm-4pm, Keene Theater. Non-perishable food items or donation at the door.
By Euripides, in a new translation by Jaclyn Dudek.
The God Dionysus and his followers, the Bacchae, take revenge on the conservative and militaristic ruler of Thebes.
This is the end of term performance of RC Hums 481, the Play Production Seminar course, directed by Kate Mendeloff, and staged environmentally in the Conservatory space.
Also Sunday at 7:30 pm.
By Euripides, in a new translation by Jaclyn Dudek.
The God Dionysus and his followers, the Bacchae, take revenge on the conservative and militaristic ruler of Thebes.
This is the end of term performance of RC Hums 481, the Play Production Seminar course, directed by Kate Mendeloff, and staged environmentally in the Conservatory space.
RCHUMS 352 Found Instruments “Maps and Movements” final performance, directed by Mike Gould. Found instruments are everyday objects that are utilized or repurposed as musical instruments. This class identifies not only these everyday objects with which to perform and reconstruct, but also seeks hybrid instruments that combine found objects with instruments of old.
Reception for the artists. The show continues at the RC Art Gallery through the end of Winter term.
In celebration of National Poetry Month and student poets at U-M, an informal, open-mic reading featuring U-M undergraduate students reading their original poetry. All undergraduates invited to read their original poetry. Arrive and leave as necessary. All welcome to attend and listen. Refreshments will be served
Each week will feature different Detroit-based speakers and guests who will explore the given topic and engage the students through a combination of formal remarks, presentations, and public discussion. Light dinner provided; free transportation from Ann Arbor to Detroit; public welcome and encouraged to attend.
Student directors from RC Drama Major course RC Hums 482 present their own final projects with the students of RC Hums 281.
RC Singers presents, “Let the River Run,” conducted by Joseph Kemper. The concert will include ensemble singing, soloists, speakers, instrumentalists, and visual projections. This will be a benefit concert for “We the People of Detroit”, a local non-profit supporting water rights.
Please join us as we celebrate the winners of the 2018-19 Hopwood Awards.
Following the announcement of the awards, there will be a lecture from Pulitzer Prize-winning author Hilton Als and a light reception. Free to attend and open to all!
Hilton Als began contributing to The New Yorker in 1989, writing pieces for ‘The Talk of the Town,’ he became a staff writer in 1994, theatre critic in 2002, and lead theater critic in 2012. Week after week, he brings to the magazine a rigorous, sharp, and lyrical perspective on acting, playwriting, and directing. With his deep knowledge of the history of performance—not only in theatre but in dance, music, and visual art—he shows us how to view a production and how to place its director, its author, and its performers in the ongoing continuum of dramatic art. His reviews are not simply reviews; they are provocative contributions to the discourse on theatre, race, class, sexuality, and identity in America.
Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, The Women, was published in 1996. His book, White Girls, a finalist for the National Book Critics Circle Award in 2014 and winner of the 2014 Lambda Literary Award for Non-fiction, discusses various narratives of race and gender. He is author of the introduction to the Penguin Classics edition of The Early Stories of Truman Capote. He is also guest editor for the 2018 Best American Essays (Mariner Books, October 2, 2018). He also wrote Andy Warhol: The Series, a book containing two previously unpublished television scripts for a series on the life of Andy Warhol.
In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature, in 2017 Als won the Pulitzer Prize for Criticism, and in 2018 the Langston Hughes Medal.
In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. In 2016, his debut art show “One Man Show: Holly, Candy, Bobbie and the Rest” opened at the Artist’s Institute. In 2017 he curated “Alice Neel, Uptown” at the David Zwirner Gallery in New York City.
Als is an associate professor of writing at Columbia University’s School of the Arts and has taught at Yale University, Wesleyan, and Smith College. He lives in New York City.
