Literati is excited to welcome poet Sue William Silverman in celebration of her new poetry collection If the Girl Never Learns: Poems. Sue will be joined by fellow poets Keith Taylor, Elizabeth Schumhl, and Marc Sheehan who will be reading from their own work.
About If the Girl Never Learns:
From the opening lines, it’s clear The Girl at the center of these poems is damaged–which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
Sue William Silverman’s first poetry collection is Hieroglyphics in Neon. She is also the author of four books of creative nonfiction. Her most recent book, The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, was a finalist in Foreword Reviews’ INDIEFAB Book of the Year Award. Her memoir, Because I Remember Terror, Father, I Remember You, won the AWP Award, and Love Sick: One Woman’s Journey through Sexual Addiction is also a Lifetime TV original movie. Her craft book is Fearless Confessions: A Writer’s Guide to Memoir, and she teaches in the MFA in Writing Program at Vermont College of Fine Arts.
The poet Marc Sheehan is a life-long Michigan resident. He has earned degrees from Western Michigan University, Central Michigan University and the University of Michigan, where he received a Major Hopwood Award in Poetry. His honors also include grants from the Michigan Council for the Arts and Humanities, and the National Endowment for the Arts. He has served as Writer Center Coordinator at the Urban Institute for Contemporary Art in Grand Rapids, and has reviewed books for both the Lansing Capital Times and On the Town.
Elizabeth Schmuhl is a multidisciplinary artist whose work appears in Michigan Quarterly Review, The Rumpus, Paper Darts, PANK, Hobart, Pinwheel, and elsewhere. She has worked at various nonprofits, including the John F. Kennedy Center for Performing Arts, and currently works at the University of Michigan, Ann Arbor.
Keith Taylor has published many books over the years: collections of poetry, a collection of very short stories, co-edited volumes of essays and fiction, and a volume of poetry translated from Modern Greek.
Literati is excited to welcome poets Phil Kaye and Jon Sands who will be reading from their latest collections Date & Time and The New Clean.
About Date & Time:
Phil Kaye’s debut collection is a stunning tribute to growing up, and all of the challenges and celebrations of the passing of time, as jagged as it may be. Kaye takes the reader on a journey from a complex but iridescent childhood, drawing them into adolescence, and finally on to adulthood. There are first kisses, lost friendships, hair blowing in the wind while driving the vastness of an empty road, and the author positioned in the middle, trying to make sense of it all. Readers will find joy and vulnerability, in equal measure. Date & Time is a welcoming story, which freezes the calendar and allows us all to live in our best moments.
About The New Clean:
Jon Sands has traveled into a ridiculous world, where nothing is too hilarious to not be honest, and nothing is too honest to not get you pregnant. Best of all, he’s packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive.
Phil Kaye is a Japanese-American poet. His work has been featured in settings ranging from The New Yorker to NPR to the Museum of Modern Art in New York City. He has performed his work in eighteen countries and was invited to open for His Holiness The Dalai Lama for the celebration of his 80th birthday. A former teacher of weekly poetry workshops in maximum security prisons, Phil was the head coordinator of Space in Prisons for the Arts and Creative Expression (SPACE). Phil is a National Poetry Slam finalist, and his book, Date & Time, was published in 2018 by Button Poetry.
Jon Sands is a poet and fiction writer. He was a winner of the 2019 National Poetry Series, selected for his second book, It’s Not Magic, forthcoming from Beacon Press in the fall of 2019. He is the author of The New Clean (Write Bloody Publishing, 2011), and the co-host of The Poetry Gods Podcast. His work has been featured in the New York Times, published widely, and anthologized in The Best American Poetry. He’s also represented New York City multiple times at the National Poetry Slam. He lives in Brooklyn.
Join us for the book signing of Naomi Stephen’s Shadow Among Sheaves out April 1st.
A Timeless, Beautiful Allegory of the Biblical Love Story of Ruth and Boaz
The Great Rebellion of 1857 was a remarkably bloody business. At a time when Britain’s imperial influence in India was sparking brutal clashes on both sides, no one could have expected Rena, an Indian woman, to marry a British officer—nor do they understand her decision to follow her mother-in-law to England after her husband’s tragic death.
Once the two widows are in Abbotsville, the stern yet compassionate Lord Barric attempts to help them despite his better judgment. Soon he is torn between the demands of reputation and his increasing desire to capture Rena’s heart for his own.
The Michigan Quarterly Review launches their Spring issue featuring poetry, fiction, and essays, from contemporary Iran. Featuring readings in Farsi and English from contributors Shahla Farghadani and Mason Jabbari, Guest Editor Kathryn Babyran, MQR Editor Khaled Mattawa, and MQR Staff Readers. Letterpress prints, specially designed for this issue by Wolverine Press, will also be available.
Reading by a local poet TBA. The program begins with open mike readings.
Literati is thrilled to welcome acclaimed poet and activist Carolyn Forché who will be discussing her new memoir What You Have Heard Is True: A Memoir of Witness and Resistance.
About What You Have Heard Is True:
The powerful story of a young poet who becomes an activist through a trial by fire
What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman’s brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman’s radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life.
Carolyn Forché is twenty-seven when the mysterious stranger appears on her doorstep. The relative of a friend, he is a charming polymath with a mind as seemingly disordered as it is brilliant. She’s heard rumors from her friend about who he might be: a lone wolf, a communist, a CIA operative, a sharpshooter, a revolutionary, a small coffee farmer, but according to her, no one seemed to know for certain. He has driven from El Salvador to invite Forché to visit and learn about his country. Captivated for reasons she doesn’t fully understand, she accepts and becomes enmeshed in something beyond her comprehension.
Together they meet with high-ranking military officers, impoverished farm workers, and clergy desperately trying to assist the poor and keep the peace. These encounters are a part of his plan to educate her, but also to learn for himself just how close the country is to war. As priests and farm-workers are murdered and protest marches attacked, he is determined to save his country, and Forché is swept up in his work and in the lives of his friends. Pursued by death squads and sheltering in safe houses, the two forge a rich friendship, as she attempts to make sense of what she’s experiencing and establish a moral foothold amidst profound suffering. This is the powerful story of a poet’s experience in a country on the verge of war, and a journey toward social conscience in a perilous time.
Carolyn Forché is an American poet, editor, translator, and activist. Her books of poetry are Blue Hour, The Angel of History, The Country Between Us, and Gathering the Tribes. In 2013, Forché received the Academy of American Poets Fellowship given for distinguished poetic achievement. In 2017, she became one of the first two poets to receive the Windham-Campbell Prize. She is a University Professor at Georgetown University. Forché lives in Maryland with her husband, the photographer Harry Mattison.
Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second
Wednesdays are poetry workshop nights. All writers welcome to share and discuss
their own or favorite poetry. Sign up for new participants begins at 6:45 p.m.
Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an
hour. All writers welcome. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523;
eacmorso@sbcglobal.net or cwpoetrycircle.tumblr.com.
received the 2018 Lorine Niedecker Prize for Poetry from the Council for
Wisconsin Writers. His work appears in Stoneboat, Blue Collar Review, and
Gyroscope Review. His book titles are Who Are We Then? and A Tar Pit to Dye In.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
University of Michigan Professor George Bornstein, Ph. D., discusses topics surrounding his essay in Irish Questions and Jewish Questions.
Ticket Information:
No tickets.
Event Details
Seating at the event will be first-come first-served. This event will be a standing-room crowd, so if you require a seat for medical reasons, please contact us in advance to make arrangements.
About the Book
The Irish and the Jews are two of the classic outliers of modern Europe. Both struggled with their lack of formal political sovereignty in the nineteenth-century. Simultaneously European and not European, both endured a bifurcated status, perceived as racially inferior and yet also seen as a natural part of the European landscape. Both sought to deal with their subaltern status through nationalism; both had a tangled, ambiguous, and sometimes violent relationship with Britain and the British Empire; and both sought to revive ancient languages as part of their drive to create a new identity. The career of Irish politician Robert Briscoe and the travails of Leopold Bloom are just two examples of the delicate balancing of Irish and Jewish identities in the first half of the twentieth century. Irish Questions and Jewish Questions explores these shared histories, covering several centuries of the Jewish experience in Ireland, as well as events in Israel–Palestine and North America. The authors examine the leading figures of both national movements to reveal how each had an active interest in the successes, and failures, of the other. Bringing together leading and emerging scholars from the fields of Irish studies and Jewish studies, this volume captures the most recent scholarship on their comparative history with nuance and remarkable insight.
About the Author
George Bornstein taught English Literature at Michigan for over forty years, during which time he wrote or edited twenty volumes and won a teaching award. He currently works on Jewish-Irish connections, as in the present article from the new book “Irish Questions and Jewish Questions” (Syracuse University Press) from which the current autobiographical talk is drawn.
