Calendar

Nov
12
Tue
CWPS Faculty Lecture: Xiaodong Hottman-Wei: Morin Khuur: The Mongolian Horsehead Fiddle @ Benzinger Library, East Quad
Nov 12 @ 6:00 pm – 7:30 pm

Professor Hottman-Wei, Director of the U-M Residential College’s Chinese Music Ensemble, presents a rare opportunity to hear the bowed stringed instrument considered a symbol of the Mongolian nation. She will also discuss the numerous cultural contexts in which the Morin Khurr is played.

The Center for World Performance Studies Faculty Lecture Series features our Faculty Fellows and visiting scholars and practitioners in the fields of ethnography and performance. Designed to create an informal and intimate setting for intellectual exchange among students, scholars, and the community, faculty are invited to present their work in an interactive and performative fashion.

Cory Brant: Great Lakes Sea Lamprey @ AADL Downtown (4th Floor Meeting Room)
Nov 12 @ 7:00 pm – 8:30 pm

The stuff of nightmares in both their looks and the wounds inflicted on their victims, sea lampreys are perhaps the deadliest invasive species to ever enter the Great Lakes. At the invasion’s apex in the mid-20th century, harvests of lake trout, the lampreys’ preferred host fish in the Great Lakes, plummeted from peak annual catches of 15 million pounds to just a few hundred thousand pounds per year—a drop of 98% in only a few decades.

In his new book, Great Lakes Sea Lamprey,author Cory Brant explores the incredible story of the lamprey invasion—what started it, how it was halted, and what this history can teach us about the response to biological invaders in the present and future. In addition to discussing the book, Brant will showcase an aquarium of live sea lamprey at this event and talk about the otherworldly anatomy that made the species such a terror in the Great Lakes. This event is in partnership with The University of Michigan Press. It includes a signing with books for sale.

Cory Brant is a researcher at the U.S. Geological Survey Great Lakes Science Center in Ann Arbor, Michigan. For over a decade, his work has focused on sea lampreys, particularly the species’ use of chemical communication, and how to exploit that biology as a method of control.

Nov
13
Wed
Poetry Series at Crazy Wisdom: Poetry Workshop Night @ Crazy Wisdom
Nov 13 @ 7:00 pm – 9:00 pm

Crazy Wisdom Poetry Series hosted by Joe Kelty, Ed Morin, and David Jibson • Second and Fourth Wednesdays, 7-9 p.m. in the Crazy Wisdom Tea Room • Second Wednesdays are poetry workshop nights. All writers welcome to share and discuss their own poetry and short fiction. Sign up for new participants begins at 6:45 p.m.

Fourth Wednesdays have a featured reader for 50 minutes and then open mic for an hour. All writers welcome to share. Sign up begins at 6:45 p.m. Free. Contact Ed at 668-7523; eacmorso@sbcglobal.net or cwpoetrycircle.tumblr.com.

 

 

Poetry Salon: One Pause Poetry @ Argus Farm Stop
Nov 13 @ 8:00 pm – 10:00 pm

ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.

We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.

Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.

Whether you are a published poet or encountering poetry for the first time, we invite you to join us!

$5 suggested donation for food, drinks and printing costs.

8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.

 

 

 

Nov
14
Thu
Open Mic and Share: Jasmine An @ Bookbound
Nov 14 @ 7:00 pm – 8:30 pm

 Jasmine An comes from the Midwest. Her first chapbook, Naming the No-Name Woman, won the 2015 Two Sylvias Press Chapbook Prize and her second, Monkey Was Here, is forthcoming from Porkbelly Press. Her work has been supported by residencies at Hedgebrook and Willapa Bay AiR and can be found in Stirring: A Literary Collection, Glass: A Journal of Poetry, Nat. Brut and Waxwing, among others. Currently, she is an Editor at Agape Editions and pursuing a PhD in English and Women’s Studies at the University of Michigan.  

 The event begins with an Open Mic session when area poets can read their own work or share a favorite poem by another author in a welcoming atmosphere. This is part of a monthly series on the 2nd Thursday of most months in partnership with Les Go Social Media Marketing and Training.   Signing to follow.

“In clear and luxurious language, Jasmine An navigates the slippery worlds of identity politics, botany, and desire—and pulls us toward an elegant horizon. I’m grateful for such a sumptuous and (not-so) safe passage of fine poems and the fragrant world that she’s created in such a small space, one where “…even the saplings wear crabs as crowns.”” — Aimee Nezhukumatathil 

Nov
15
Fri
Webster Reading Series: Charlotte Ruddy and Jennifer Huang @ UMMA Auditorium
Nov 15 @ 7:00 pm – 8:30 pm

One MFA student of fiction and one of poetry, each introduced by a peer, will read their work. The Mark Webster Reading Series presents emerging writers in a warm and relaxed setting. We encourage you to bring your friends – a Webster reading makes for an enjoyable and enlightening Friday evening.

 

RC Players: The Dybbuk on Orchard @ East Quad Keene Theater
Nov 15 @ 8:00 pm – 9:30 pm

U-M senior Marilyn Schotland directs The Dybbuk on Orchard, with themes of queer Jewish identity, deception, and free will.

Nov
16
Sat
RC Players: The Dybbuk on Orchard @ East Quad Keene Theater
Nov 16 @ 8:00 pm – 9:30 pm

U-M senior Marilyn Schotland directs The Dybbuk on Orchard, with themes of queer Jewish identity, deception, and free will.

Nov
17
Sun
Radio Campfire Presents: Brenna York: The Sweetheart Scam, Starring Mystery Eve @ Dreamland Theater
Nov 17 @ 4:30 pm – 7:00 pm

Radio Campfire Presents: The Sweetheart Scam, Starring Mystery Eveis part Radio Campfire, part “solo drama” written and performed by Brenna York. At this Radio Campfire, York plays an aspiring crime writer who has pen-named herself “Mystery Eve,” and holed herself up in the proverbial cabin in the woods to write her next novel. On stage Mystery Eve drafts her story aloud, plays excerpts of actual true crime podcasts, takes drags from her candy cigarettes, and muses about what pulls people into the con artist’s web.

This show is best for mature listeners (PG 13+)

Tickets available November 1st 2019 on Eventbrite

The Sweetheart Scam is written and performed by Brenna York, produced in collaboration with Juliet Hinely, and presented by Radio Campfire.

Nov
18
Mon
Frankel Lecture: Rachel Rubinstein: The Yiddish Columbus @ 202 S. Thayer Bldg
Nov 18 @ 4:00 pm – 5:30 pm

This talk introduces Jacobo Glantz’s 1939 Mexican Yiddish epic poem Kristobal Kolon, arguing that Glantz’s poem is a point of origin for his daughter, historian and writer Margo Glantz’s later feminist reexaminations of the colonial histories of Mexico. Jacobo Glantz’s counter-canonical retelling of the Americas’ most iconic foundational myth relied on Columbus’s journals and the new, more critical histories of Columbus emerging in the 1930s.  But Luis de Torres, not Columbus, is at the center of Glantz’s retelling. De Torres was the only Jew on Columbus’s crew, hired by Columbus to serve as an interpreter.  Written in a deliberately multilingual Yiddish with Spanish, Taino, Latin and Hebrew borrowings, Glantz’s epic functions as critical counter-history, a wild re-imagining of a history he knew so well. This lecture explores the ways in which the myth of Columbus can be mobilized to unearth “underground” indigenous, African, Muslim and Jewish histories in the New World, and suggests a new geography for American Jewish literature that exceeds the boundaries of English and the United States.

Supported by the Louis and Helen Padnos Fund

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