The history of racism in the South is well known—the chain gangs, lynch mobs and views of black southern criminals that defined the Jim Crow period are, for the most part, common knowledge today. But what do we know about the role the urban North played in shaping views on the intersection of race and crime in American society?
In this talk, Khalil Gibran Muhammad reveals how the idea of black criminality was crucial to the making of modern urban America, as were African Americans’ own ideas about race and crime. In the North, crime statistics, immigration trends, and references to America as the “land of opportunity” were woven into a cautionary tale about the threat Black people posed to modern urban society. Excessive arrest rates and overrepresentation in Northern prisons were pointed to by whites—liberals and conservatives alike—as proof of Blacks’ inferiority. The prevailing feeling was that, in the heyday of “separate but equal,” what else but pathology could explain Black people’s challenges in the “land of opportunity”?
Chronicling the beginning of the deeply embedded notion of Black people as a dangerous race of criminals, Muhammed explores a different side of the history of racism, weaving a narrative that is both engaging and educational.
Khalil Gibran Muhammad is author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America, which won the John Hope Franklin Best Book Award in American Studies. Also the Suzanne Young Murray Professor at the Radcliffe Institute for Advanced Studies. Muhammad is a contributor to a National Research Council study, The Growth of Incarceration in the United States: Exploring Causes and Consequences. Recently, he also appeared in several popular documentaries, lending his expertise to Ava DuVernay’s Netflix feature, 13th , Slavery By Another Name (PBS), and Forgotten Four: The Integration of Pro Football.
Muhammad is the former Director of the Schomburg Center for Research in Black Culture, a division of the New York Public Library and the world’s leading library and archive of global black history. Much of his research focuses on racial criminalization in modern U.S. history. His work has been featured in a number of f national print and broadcast media outlets, including The New York Times—notably as one of the contributors to its’ viral 1619 Project, which explores and exposes the true history of slavery in America— The New Yorker, The Washington Post, NPR, and MSNBC. Muhammad was an associate editor of The Journal of American History and prior Andrew W. Mellon fellow at the Vera Institute of Justice. He holds a Ph.D. from Rutgers University, two honorary doctorates, and is on the board of The Museum of Modern Art, The Barnes Foundation, and The Nation magazine.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Monthly meeting of the AASG Open to the public. This Month we are at the Ann Arbor District Library downtown.
Journalism is often called the first draft of history. But journalism can also be used as a powerful tool for examining history.
Four hundred years ago, in August 1619, a ship carrying enslaved Africans arrived in the English colony of Virginia, establishing the system of slavery on which the United States was built.
With The 1619 Project, The New York Times is prompting conversation and debate about the legacy of slavery and its influence over American society and culture. From mass incarceration to traffic jams, the project seeks to reframe our understanding of American history and the fight to live up to our nation’s central promise.
Wallace House Presents the project’s creator, New York Times Magazine reporter Nikole Hannah-Jones, in conversation with Rochelle Riley, longtime journalist and columnist.
Nikole Hannah-Jones is a domestic correspondent for The New York Times Magazine focusing on racial injustice. She has written on federal failures to enforce the Fair Housing Act, the resegregation of American schools and policing in America. Her extensive reporting in both print and radio on the ways segregation in housing and schools is maintained through official action and policy has earned the National Magazine Award, a Peabody and a Polk Award. Her work designing “The 1619 Project” has been met with universal acclaim. The project was released in August 2019 to mark the 400th anniversary of American slavery and re-examines the role it plays in the history of the United States.
Hannah-Jones earned her bachelor’s in history and African-American studies from the University of Notre Dame and her master’s in journalism and mass communication from the University of North Carolina at Chapel Hill.
Rochelle Riley was a 2007-2008 Knight-Wallace Fellow and is the Director of Arts and Culture for the City of Detroit. For nineteen years she was a columnist at the Detroit Free Press. Riley is author of “The Burden: African Americans and the Enduring Impact of Slavery” and the upcoming “That They Lived: Twenty African Americans Who Changed The World.” She has won numerous national, state and local honors, including the 2017 Ida B. Wells Award from the National Association of Black Journalists for her outstanding efforts to make newsrooms and news coverage more accurately reflect the diversity of the communities they serve and the 2018 Detroit SPJ Lifetime Achievement Award alongside her longtime friend, Walter Middlebrook. She was a 2016 inductee into the Michigan Journalism Hall of Fame.
This is a 2020 Annual U-M Reverend Dr. Martin Luther King Jr. Symposium event.
Co-sponsors:
U-M College of Literature, Science, and the Arts
U-M Center for Social Solutions
Office of Diversity, Equity & Inclusion
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
Jose Antonio Vargas comes to Ann Arbor to discuss his new memoir, Dear America: Notes of an Undocumented Citizen, the 2020 Washtenaw Reads selection.
Vargas was born in the Philippines and when he was twelve years old his mother sent him to the United States to live with her parents. While applying for a driver’s permit, he found out his papers were fake. More than two decades later, he is still here illegally, with no clear path to American citizenship. To some people, he is the “most famous illegal” in America. But for Jose, he is only one of an estimated 11 million human beings whose uncertain fate is under threat in a country he calls home.
Dear America is not a book about the politics of immigration. This book—at its core—is not about immigration at all. This book is about homelessness, not in a traditional sense, but about the unsettled, unmoored psychological state in which undocumented immigrants find themselves. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about what it means to not have a home.
This event includes a signing with books for sale. Doors will open at 6 pm to offer the opportunity to connect with community agencies and representatives who will be staffing information tables in the lobby.
Jose Antonio Vargas is a Pulitzer Prize-winning journalist, Emmy-nominated filmmaker, and theatrical producer. A leading voice for the human rights of immigrants, he founded the non-profit media and culture organization Define American, named one of the World’s Most Innovative Companies by Fast Company. His best-selling memoir, Dear America: Notes of an Undocumented Citizen, was published by HarperCollins in 2018. Most recently, he co-produced Heidi Schreck’s acclaimed play What the Constitution Means to Me, which opened on Broadway in spring 2019.
This event is part of the 2020 Washtenaw Read. The Washtenaw Reads program is a community initiative to promote reading and civic dialogue through the shared experience of reading and discussing a common book. Participating libraries include Ann Arbor, Chelsea, Dexter, Milan, Saline, and Ypsilanti. For more information about Washtenaw Reads and previous years’ reads, go to wread.org.
Literati is pleased to be on hand as a bookseller for the University of Michigan LSA Honors Program’s Leland Stowe Memorial Lecture, delivered by author Anu Partanen.
The lecture celebrates the best in journalism, broadly understood. Stowe was a Pulitzer Prize winner in 1930 and one of the early American journalists to raise concerns about Hitler’s rise to power. During World War II, he was a war correspondent. He was a Professor of Journalism at the University of Michigan 1956–1969 and died in 1994.
Anu Partanen’s work has appeared in the New York Times and the Atlantic. A journalist in Helsinki for many years, she has also worked at Fortune magazine as a visiting reporter through the Innovation Journalism Fellowship at Stanford University. She lives in New York City.
Jim Ottaviani comes to the library to launch (no pun intended) his new book : Astronauts: Women on the Final Frontier. In this graphic novel Ottaviani and illustrator Maris Wicks capture the great humor and incredible drive of Mary Cleave, Valentina Tereshkova, and the first women in space.
The U.S. may have put the first man on the moon, but it was the Soviet space program that made Valentina Tereshkova the first woman in space. It took years to catch up, but soon NASA’s first female astronauts were racing past milestones of their own. The trail-blazing women of Group 9, NASA’s first mixed gender class, had the challenging task of convincing the powers that be that a woman’s place is in space, but they discovered that NASA had plenty to learn about how to make space travel possible for everyone.
This event is in partnership with Literati Bookstore and includes a signing with books for sale.
In Separated: Family and Community in the Aftermath of an Immigration Raid, local author William D. Lopez examines the lasting damage done by this daylong act of collaborative immigration enforcement in Washtenaw County, Michigan.
Exploring the chaos of enforcement through the lens of community health, Lopez discusses deportation’s rippling negative effects on families, communities, and individuals. Focusing on those left behind, Lopez reveals their efforts to cope with trauma, avoid homelessness, handle worsening health, and keep their families together as they attempt to deal with a deportation machine that is militarized, traumatic and implicitly racist.
This event includes a signing with books for sale, and is part of the 2020 Washtenaw Read. For more information about Washtenaw Reads and previous years’ reads, visit wread.org.
ONE PAUSE POETRY SALON is (literally) a greenhouse for poetry and poets, nurturing an appreciation for written art in all languages and encouraging experiments in creative writing.
We meet every Weds in the greenhouse at Argus Farm Stop on Liberty St. The poems we read each time are unified by form (haiku, sonnet, spoken word), poet, time / place (Tang Dynasty, English Romanticism, New York in the 70s) or theme / mood (springtime, poems with cats, protest poems). We discuss the poems and play writing games together, with time for snacks and socializing in between.
Members are encouraged to share their own poems or poems they like – they may or may not relate to the theme of the evening. This is not primarily a workshop – we may hold special workshop nights, but mostly we listen to and talk about poems for the sake of inspiring new writing.
Whether you are a published poet or encountering poetry for the first time, we invite you to join us!
$5 suggested donation for food, drinks and printing costs.
8-10 p.m., Argus Farm Stop greenhouse, 325 W. Liberty. $5 suggested donation. onepausepoetry.org, 707-1284.
