Calendar

Sep
26
Sat
RC: Artist in Residence William Hooker Performs @ Keene Theater
Sep 26 @ 8:00 pm – 8:15 pm

The UM School of Music Jazz Department is sponsoring this appearance by NYC percussionist/drummer William Hooker who will perform to Oscar Micheaux‘s silent film Within Our Gates (1920). Micheaux is considered the first major African American film director and producer. Mr. Hooker will also meet with RC Faculty Mark Kirschenmann’s  improv. ensemble on Thursday evening the Sept. 24th, and will meet with students from DAAS on Friday afternoon, Sept. 25, at 2:00.

About the film – Within Our Gates  –  1920 Black and white/Indie film 1h 19m.

In this early silent film from pioneering director Oscar Micheaux, kindly Sylvia Landry (Flo Clements) takes a fundraising trip to Boston in hopes of collecting $5,000 to keep a Southern school for impoverished black children open to the public. She then meets the warmhearted Dr. Vivian (William Smith), who falls in love with Sylvia and travels with her back to the South. There, Dr. Vivian learns about Sylvia’s shocking, tragic past and realizes that racism has changed her life forever.

Oct
2
Fri
An Evening of Scenes @ Keene Theater
Oct 2 @ 8:00 pm – 9:30 pm

RC students direct and perform this popular semiannual 90-minute program of short scenes on a variety of topics and in a variety of styles, many written by RC students. Also October 3.

Oct
3
Sat
An Evening of Scenes @ Keene Theater
Oct 3 @ 8:00 pm – 9:30 pm

RC students direct and perform this popular semiannual 90-minute program of short scenes on a variety of topics and in a variety of styles, many written by RC students.

Oct
30
Fri
RC Players: Red Eye Theatre @ Keene Theater
Oct 30 – Oct 31 all-day

For those who have yet to witness the magic of “Red Eye,” it is a theatre experience where writers, directors, actors, and stage managers create and perform two one-act scenes all in the span of 24 hours.

Nov
20
Fri
RC Players: When We Were Young and Unafraid @ Keene Theater
Nov 20 @ 7:00 pm – 8:30 pm

Nov. 20-22. RC students perform Sarah Treem’s 2014 drama, set in 1972, about a woman who manages a bed-and-breakfast on an island off the coast of Washington State while running an underground shelter for victims of domestic violence.
7 p.m.( 2 p.m., Sunday), Keene Theatre, East Quad, 701 East University. Free; donations welcome.

Nov
21
Sat
RC Players: When We Were Young and Unafraid @ Keene Theater
Nov 21 @ 7:00 pm – 8:30 pm

Nov. 20-22. RC students perform Sarah Treem’s 2014 drama, set in 1972, about a woman who manages a bed-and-breakfast on an island off the coast of Washington State while running an underground shelter for victims of domestic violence.
7 p.m.( 2 p.m., Sunday), Keene Theatre, East Quad, 701 East University. Free; donations welcome.

RC Players: When We Were Young and Unafraid @ Keene Theater
Nov 21 @ 7:00 pm – 8:30 pm

Nov. 20-22. RC students perform Sarah Treem’s 2014 drama, set in 1972, about a woman who manages a bed-and-breakfast on an island off the coast of Washington State while running an underground shelter for victims of domestic violence.
7 p.m.( 2 p.m., Sunday), Keene Theatre, East Quad, 701 East University. Free; donations welcome.

Nov
22
Sun
RC Players: When We Were Young and Unafraid @ Keene Theater
Nov 22 @ 2:00 pm – 3:30 pm

Nov. 20-22. RC students perform Sarah Treem’s 2014 drama, set in 1972, about a woman who manages a bed-and-breakfast on an island off the coast of Washington State while running an underground shelter for victims of domestic violence.
7 p.m.( 2 p.m., Sunday), Keene Theatre, East Quad, 701 East University. Free; donations welcome.

Dec
10
Thu
RC Singers @ Keene Theater
Dec 10 @ 7:00 pm – 3:30 pm

RC students present a varied program of choral music from Mozart and Mendelssohn to Shakespearean madrigals, folk songs, and gospel.

Dec
11
Fri
Attuca Prison Uprising of 1971 @ 1405 EQ
Dec 11 @ 3:30 pm – 5:00 pm

Professor Heather Thompson, of the RC Social Theory and Practice Program, delivers the second in the RC Faculty Talks series:  The Attica Prison Uprising of 1971 and its Legacy:  The Perils of Writing the Painful Past

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